Sarah Lane will perform in one of the "You Are Us" benefit concerts. Photo by Erin Baiano, Courtesy ABT

ABT Principal Sarah Lane Is Performing to Benefit Victims of the Christchurch Terrorist Attacks

After the horrific March 15 terrorist attacks at two New Zealand mosques, the music and arts community sprang into action to plan a way to help victims and their families. A series of resulting concerts, titled "You Are Us/Aroha Nui," will take place in New Zealand (April 13 and 17), Jersey City, New Jersey (April 17) and Los Angeles (April 18). Proceeds from ticket sales will be donated to the Our People, Our City Fund, which was established by the Christchurch Foundation to aid those affected by the attacks.


A variety of artists and speakers—including American Ballet Theatre principal Sarah Lane, opera singer Marie Te Hapuku, a traditional Māori dance troupe and several bands—will perform in Jersey City, right in New York City's backyard.

Lane, who lives in Jersey City, heard about the event from Julie Daugherty, a physical therapist at ABT. "One of the organizers is her husband," she says. Lane volunteered to perform a solo in her town's benefit. "Religion is something that is sacred and personal," she says, "and it's so unfortunate that a place of peace and love was completely invaded by hatred."

Reflecting on her religious upbringing in the Christian faith, Lane says, "I really felt for the people who were affected, and I think that the arts can at least bring a little bit of comfort in a situation like this."

Lane's solo, titled "Bi Thusa Mo Shuile," was choreographed for her by her former teacher Jamey Leverett. Lane initially performed it at the Jackson International Ballet Competition when she was a high school senior. Set to Gaelic and instrumental versions of the traditional hymn "Be Thou My Vision," she says the solo still holds special meaning for her.

"As humans and as artists, in the most difficult times, there is always still a light and purpose and hope."

Latest Posts


Getty Images

What's Ahead for Ballet Companies in the Age of COVID-19?

Let's be frank: No one knows what's ahead for the performing arts in the U.S. With COVID-19 forcing the cancellation of nearly a year of performances so far, including many Nutcrackers, ballet companies face a daunting path ahead with no roadmap for how to survive. While schools can offer classes online or in small groups, what does the future hold for companies when it's not safe to gather large audiences or corps de ballet?

"We are in for a very hard set of months," says Michael M. Kaiser, chairman of the DeVos Institute of Arts Management at the University of Maryland. "Nothing will change until there's a vaccine."

Pointe set out to find out what the new normal looks like while the virus is with us.

Keep reading SHOW LESS

Revisiting Pointe's Past Cover Stars: Patricia Delgado (August/September 2010)

We revisited some of Pointe's past cover stars for their take on how life—and ballet—has changed.

Keep reading SHOW LESS

#TBT: Sylvie Guillem and Éric Vu-An in "Mouvement, Rythme, Étude" (1985)

Sylvie Guillem and Éric Vu-An, two former leading dancers with the Paris Opéra Ballet, were both muses to Maurice Béjart. The boundary-pushing choreographer created several roles for each of them throughout their careers, including the 1985 duet "Mouvement, Rythme, Étude," when Guillem was just 20-years old and Vu-An just 21. In this excerpt from the ballet, the pair juxtapose technical brilliance and finesse with Béjart's playfully absurd post-modern movement.

Keep reading SHOW LESS

Editors' Picks