Ballet Stars

When Franz Met Swanilda: Sarah Lane and Daniil Simkin on Rehearsing "Coppélia"

Carey Kirkella

In a rehearsal before their Lincoln Center performance of Coppélia last May, Sarah Lane and Daniil Simkin ran through some of the partnering in a studio several levels below the Metropolitan Opera stage where they would perform. In Frederic Franklin's charming production for American Ballet Theatre, Swanilda, danced by Lane, and Franz, by Simkin, must balance raucous comedy with sublime classicism. Although considered the perfect soubrette role, Swanilda presents serious technical challenges. The dancer must possess a chameleon-like ability to transform from a spunky village beauty to a robotic doll to a loving bride. And Franz is much more than a frat boy jokester; he becomes a devoted husband in the pristine wedding pas de deux at the end of the ballet.


Lane laces up her shoes. "I love that Swanilda is sassy," she says. "My interpretation is that she's really fun, has a lot of friends and at the same time has a very strong will—she knows what she wants. I can relate to her because I can be very opinionated."

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Sponsored by BLOCH
Courtesy BLOCH

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The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

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From left: Kathryn Posin Dance Company members Daniel White, Claire Mazza and Momchil Mladenov in Evolution: The Letters of Charles Darwin. Nan Melville, Courtesy Posin.

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