San Francisco Ballet Just Announced a 2018 Festival of New Works

From April 20–May 6 2018, San Francisco Ballet will host a festival featuring an impressive roster of top choreographers.

SFB artistic director Helgi Tomasson has chosen choreographers with massive reputations and tons of experience. The full lineup is as follows: David Dawson, Alonzo King, Edwaard Liang, Annabelle Lopez Ochoa, Cathy Marston, Trey McIntyre, Justin Peck, Arthur Pita, Yuri Possokhov, Dwight Rhoden, Stanton Welch, and Christopher Wheeldon. These artists have, collectively, worked with a tremendous variety of dance companies around the world. Their stylistic approaches are just as diverse.

 

(Photo via @sfballet on Instagram)

 

 

There are several things to celebrate about this group. King, who has been the artistic director of San Francisco–based Alonzo King LINES Ballet since 1982, has (surprisingly) never made a ballet for SFB. It's high time the two major San Francisco companies pooled their powers. There is some racial diversity, with King, Rhoden, Ochoa and Liang representing decades of experience and leadership. Former Royal Opera House associate artist Cathy Marston seems to be receiving her first nod from a major American ballet company, despite a two-decade, international choreographic career (she has created for The Washington Ballet).

But, as usual, there are so few (too few) women. Recent conversations about gender parity in the ballet world might make it seem like female choreographers are only just now appearing—that there aren't women who can match the men in terms of an impressive resume. But that's not the case. Artists like Helen Pickett, Francesca Harper, Crystal Pite, Emery LeCrone, Jessica Lang, Azure Barton and Amy Seiwert have been around for a while, quietly creating for companies around the world, and oddly overlooked by most large American companies. It would have been great to see a few more experienced women alongside their accomplished male counterparts.

For more news on all things ballet, don’t miss a single issue.

 

Latest Posts


Skjalg Bøhmer Vold, Courtesy Merritt Moore

How Quantum Physicist Ballerina Merritt Moore Learned to Dance With a Robot (Plus, Her Newest Film)

When the world went into lockdown last March, most dancers despaired. But not Merritt Moore. The Los Angeles native, who lives in London and has danced with Norwegian National Ballet, English National Ballet and Boston Ballet, holds a PhD in atomic and laser physics from the University of Oxford. A few weeks into the coronavirus pandemic, she came up with a solution for having to train and work alone: robots.

Keep reading SHOW LESS

Lauren Anderson's Tips for Relevé Développé Écarté Devant

Développé écarté relevé "is in every class, every ballet," says Lauren Anderson, former principal dancer and current program manager of education and community engagement at Houston Ballet. Below, she gives you the keys to success for this "light and lovely" repertoire staple.

Keep reading SHOW LESS
Andrey Chuntomov, Courtesy Arabesque-2020

Inside Arabesque-2020, One of Russia’s Top Ballet Competitions

Much like everything else this year, the XVI Russian Open Ballet Competition Arabesque-2020 was unlike any in its three-decade history. Rescheduled and shortened because of the coronavirus pandemic—and on the brink of cancellation until the very last moment—the competition nevertheless took place October 24 to November 2 at the historic Perm Opera and Ballet Theatre.

Keep reading SHOW LESS

Editors' Picks