Ballet Stars

2018 Stars of the Corps: Cincinnati Ballet's Samantha Griffin

Samantha Griffin in Balanchine's Serenade. Photo by Peter Mueller, Courtesy Cincinnati Ballet.

Intensity is Samantha Griffin's modus operandi, whether she's self-reflecting on an unhappy, gilded existence in Garrett Smith's Facades or violently whipping a metal chair into the wings in artistic director Victoria Morgan's Black Coffee. The 23-year-old Griffin puts all of her flexible 5' 8" frame to use in contemporary movement, which she prefers. "It fits my body well," she says. Yet she's also given dazzling performances in more neoclassical roles, including the Tall Girl soloist in Balanchine's "Rubies" and the Dark Angel in his Serenade.


Griffin with Michael Mengden in Jennifer Archibald's "MYOHO." Photo by Peter Mueller, Courtesy Cincinnati Ballet.

A native of Winston-Salem, North Carolina, Griffin graduated from the University of North Carolina School of the Arts' high school program. She was a member of Charlotte Ballet II before joining Cincinnati Ballet as a trainee in 2015.

Undoubtedly on the fast track, Griffin says she is grateful for every opportunity she has been given with the company. "I want to fully invest myself onstage and try to understand what I am supposed to be doing in every given moment."

The Conversation
Viral Videos
Brittany Cavaco in Until Midnight. Claire Morris, Courtesy Cavaco.

A white tulle dress, time travel, the Eiffel Tower at night... these elements come together in Until Midnight, a new dance film by Christopher Alexander of Zen Film Works. This eight-minute long vignette opens with Louise (played by Louise Schirmer), a former ballerina now living alone in old age. Through the delivery of a mysterious letter and a wristwatch from her past, she returns briefly to her youthful self, danced by former Washington Ballet dancer Brittany Cavaco. In a Cinderella-like twist, Louise has until midnight to find her beloved Jean Pierre (Sebastien Thill, former dancer with Paris Opera Ballet and Hamburg Ballet) for one last dance. According to Cavaco, all of the movement was improvised, created by herself and Alexander in each location.

Keep reading... Show less
Ballet Training
Peter Boal in class a New York City Center. Courtesy PNB.

"People have so much fear associated with arabesque turns," says Peter Boal, artistic director of Pacific Northwest Ballet. Here, he shares images and ideas to help you confidently master this advanced pirouette. "It's a real accomplishment when you can put it all together."

Keep reading... Show less
News
Ashley Bouder in George Balanchine and Alexandra Danilova's Coppélia. Erin Baiano, Courtesy NYCB.

Hollywood may have the Oscars, but ballet has the Prix de Benois de la Danse. Held every spring at Moscow's Bolshoi Theater, the prestigious international awards ceremony recognizes dancers, choreographers, composers and designers for their extraordinary work on and off the stage. This year's laureates, chosen by a jury, were announced during an awards ceremony last night, followed by a star-studded gala featuring many of the nominated artists.

Keep reading... Show less