Sage Humphries and Lauren Herfindahl in John Cranko's Romeo and Juliet. Liza Voll, Courtesy Boston Ballet.

2019 Stars of the Corps: Boston Ballet's Sage Humphries

Onstage, Boston Ballet artist Sage Humphries is notable for her elegant poise and liquid grace. But offstage, she's a creative whirlwind: model, singer/songwriter and talented emerging choreographer. Amidst the demands of rehearsal and performance last fall, she choreographed her first major work, a deeply personal quintet set to original music by her brother Michael and showcased on Boston Ballet's BB@home: ChoreograpHER 2018. And this past May, the company asked her to create a new work for the music festival Boston Calling. Her White, commemorating the 50th anniversary of The Beatles' White Album, shared the festival spotlight with the likes of Tame Impala and Twenty One Pilots. "It was amazing to be part of that circle of artists who already had a huge fan base," she recalls. "The fact that Boston Ballet could be amongst that and get people excited about the art form was so special."


Humphries choreographing in the studio.

Brooke Trisolini, Courtesy Boston Ballet

A Youth America Grand Prix award winner, Humphries grew up in Orange County, California. Training with Dmitri Kulev landed her merit scholarships to study at American Ballet Theatre, San Francisco Ballet, Ballet West, Dresden Semperoper Ballett and Ballet Munich before she joined Boston Ballet II in 2016 and the main company in 2017. At just 22, she thrives on new challenges, determined, she says, to "push forward as a dancer and choreographer and a leader in the ballet industry, a role model that's positive and uplifting to young girls."

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Bill Cooper, Courtesy The Royal Opera House

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Sergei Gavrilov, Courtesy Joy Womack

Catching Up With Joy Womack on Two Upcoming Films Based on Her Life, Plus How She's Managed in Quarantine

Many ballet films canonize the careers of dancers long retired from the stage. But that's not the case for Joy Womack, who at just 26 has not one, but two films in the works based on her life. Womack made a splash early on as the first American to graduate from the domestic program of the Bolshoi Ballet Academy in over 60 years, and the first American woman to join the Bolshoi Ballet. After whirlwind careers as a principal with the Kremlin Ballet Theatre of Moscow and South Korea's Universal Ballet, Womack has just completed her first season as an artist with Boston Ballet.

Both upcoming films cover Womack's years in Russia. Joy Womack: The White Swan, a documentary made by Dina Burlis and Sergey Gavrilov, debuted at Cannes Marché in June. It is currently in post-production. The second project, Joika, is a feature film directed by James Napier Robertson starring Thomasin McKenzie as Womack. Production has been halted due to the pandemic, but filming is rescheduled to start in early 2021 in New Zealand.

We caught up with Womack in Redding, California, where she's just relocated with her boyfriend, to hear all about how she's managing during the coronavirus shutdown, and what it's been like to imagine her life played out on the big screen.

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