Profiles

2019 Stars of the Corps: Boston Ballet's Sage Humphries

Sage Humphries and Lauren Herfindahl in John Cranko's Romeo and Juliet. Liza Voll, Courtesy Boston Ballet.

Onstage, Boston Ballet artist Sage Humphries is notable for her elegant poise and liquid grace. But offstage, she's a creative whirlwind: model, singer/songwriter and talented emerging choreographer. Amidst the demands of rehearsal and performance last fall, she choreographed her first major work, a deeply personal quintet set to original music by her brother Michael and showcased on Boston Ballet's BB@home: ChoreograpHER 2018. And this past May, the company asked her to create a new work for the music festival Boston Calling. Her White, commemorating the 50th anniversary of The Beatles' White Album, shared the festival spotlight with the likes of Tame Impala and Twenty One Pilots. "It was amazing to be part of that circle of artists who already had a huge fan base," she recalls. "The fact that Boston Ballet could be amongst that and get people excited about the art form was so special."


Humphries choreographing in the studio.

Brooke Trisolini, Courtesy Boston Ballet

A Youth America Grand Prix award winner, Humphries grew up in Orange County, California. Training with Dmitri Kulev landed her merit scholarships to study at American Ballet Theatre, San Francisco Ballet, Ballet West, Dresden Semperoper Ballett and Ballet Munich before she joined Boston Ballet II in 2016 and the main company in 2017. At just 22, she thrives on new challenges, determined, she says, to "push forward as a dancer and choreographer and a leader in the ballet industry, a role model that's positive and uplifting to young girls."

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Are you a total bunhead who loves to write? You might be the perfect fit for Pointe. We're seeking an editorial intern who's equally passionate about ballet and journalism.

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Darian Volkova, Courtesy Shayer

After years of rigorous training, ballet dancers become accustomed to constructive and oftentimes harsh criticism. Being scrutinized is something that comes with the territory.

I myself spent the better half of my high school years in Russia, where political correctness does not get in the way of progress. We were trained to use criticism as fuel to propel us forward. Everything said in class or rehearsal was meant to help better ourselves and not to be taken personally.

But where is the line between helpful advice and offensive language?

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News
Greta Hodgkinson and Guillaume Côté in Margeurite and Armand. Karolina Kuras, Courtesy National Ballet of Canada.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Training
Students at Sun King Dance's Adult Ballet Camp. Jenny McQueen of Capture Photography, Courtesy Sun King Dance.

For adult recreational dancers, summer isn't just a time for swapping out warm-up sweaters for breezy tees—it's also about taking your training to the next level, and perhaps packing your bags for a ballet workshop. Why should teens and pre-professionals have all of the fun? Fortunately, there are scores of adult summer programs all over the United States, and even abroad for those of you looking to sprinkle in a little sightseeing after your final reverénce. (Can't wait for summer? Check out these spring workshops at National Ballet of Canada and Sarasota Ballet.)

What can adults expect from a weekend or a week of dance training? Everything from technique to repertoire to yoga. Most of all, it's a chance to just dig in and dance, without a pesky to-do list waiting for you after class. Here are some summer programs designed for adult recreational dancers to keep on your radar.

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