Quick Change

The following is guest blog by New York City Ballet soloist (and February/March 2010 cover girl) Kathryn Morgan. Stay tuned for more posts from Kathryn!

 

What a whirlwind week I've had! For the past month and a half, I've been busy rehearsing Peter Martins' new ballet for the New York City Ballet's Architecture of Dance Season, as well as our regular Balanchine/Robbins repertoire. I thought I wasn't going to be performing until May 7--but little did I know that a week before our spring gala, I'd end up replacing an injured Janie Taylor in Benjamin Millepied's new ballet. By the way, I hadn't ever seen a step of the piece! I'm not going to lie--I was slightly panicked! They had been working on this piece for weeks and were just starting to really fine-tune details.

So, a rehearsal was scheduled right away for me, and somehow I managed to learn the entire ballet in two hours. I definitely got a great brain workout that day! Thankfully I still had six days (which is actually an eternity at New York City Ballet) to feel comfortable with the ballet and get it in my body. For the next few days I had private rehearsals with Sean Suozzi, my partner for the piece, followed by complete rehearsals with everyone.

Finally, after many impromptu costume fittings, separate orchestra rehearsals, and lots of notes, the performance went exceedingly well. I am so happy that Benjamin was pleased, and even though I wasn't his original vision, I hope I did the ballet justice.

However, the greatest thing for me was how supportive everyone was through this crazy week. The entire cast was so wonderful helping me remember where to go and what came next. At City Ballet, injuries happen all the time, and there are people constantly getting thrown into ballets at the last minute. One of the great treasures of our company is that we are a little family. The encouragement, support, and respect we all have for each other are what make times like this manageable. I don't know how I would have done this without all of my fellow dancers' help. I received many compliments about how quickly I learned the ballet and how incredible it was that I could perform it so well under the pressure of the time crunch, but honestly, without every single person in that ballet, it never would have happened. So I thank each and every one of them from the bottom of my heart! It's times like this that make me realize how special the New York City Ballet truly is.

Latest Posts


Gavin Smart, Courtesy ROH

Calling All Ballet Lovers! World Ballet Day 2020 Is on October 29

While very little about this year has felt normal, we're excited to share that one of the dance community's landmark events is returning despite the pandemic. October 29 marks World Ballet Day 2020.

This year's iteration of the annual social media extravaganza features three of the world's leading companies: The Royal Ballet, The Australian Ballet and the Bolshoi Ballet. Additional participating companies, which include American Ballet Theatre, Houston Ballet, National Ballet of Canada and Boston Ballet, have just been announced. Last year's World Ballet Day was the biggest yet, reaching over 315 million social media users around the world.

Keep reading SHOW LESS
Courtesy Dani Hernandez, REDO U Media Design

Creating Your First Website: Pro Tips for Making a Striking Online Impression

Before COVID, having an active social media presence may have been enough to supplement your in-person efforts of auditioning, taking class and planting yourself in your local dance community. Now that most auditions are virtual and online submissions have been on the rise, it takes more to stand out. "Art is going to continue, but it will look different," says Rebecca Herrin, ballet instructor at the University of Oklahoma School of Dance, who advises her students on how to be competitive in the industry. "So many dancers are doing the same thing, and it's important to get your work to rise to the top."

To be competitive as the industry adapts and evolves, a professional website is the online presence you'll need to help you stand apart from all the chatter. Here are the basics to get you started.
Keep reading SHOW LESS
Serghei Gherciu, Courtesy Bayerisches Staatsballett

Osiel Gouneo on His Cuban Roots, His Favorite Roles and His Grandfather's Powerful Life Lesson

In Pointe's Fall 2020 issue, Bayerisches Staatsballett principal Osiel Guneo talked to us about his career, life as a new dad and what he misses most about his home country of Cuba.


Keep reading SHOW LESS

Editors' Picks