Pennsylvania Ballet's Sydney Dolan in rehearsal for The Nutcracker. Photo by Arian Molina Soca, Courtesy PAB.

Meet the 2018 Princess Grace Award Winners

Each year, the Princess Grace Foundation, honoring the legacy of Princess Grace Kelly of Monaco, offers awards to distinguished artists spanning the fields of theater, film and, of course, dance. The 2018 winners were just announced and include nine dancers and choreographers, five of whom—Sydney Dolan, Catherine Hurlin, David Adrian Freeland, Dana Genshaft and Claudia Schreier—hail from the ballet world. In addition to this list, choreographer Kyle Abraham received a Statue Award, recognizing his success since winning the Princess Grace Award in 2010. We can't wait to see Abraham's first-ever work for a ballet company at New York City Ballet's fashion gala this fall.

We've included more info on the ballet-affiliated winners below. Dance awards outside of the ballet realm go to Juilliard School student Matthew Gilmore, New York University student Aliza Russell, Abraham.in.Motion dancer Marcella Lewis and Gibney Dance Company member Shamel Pitts. You can read more about all of the awardees here.


Sydney Dolan: Dance Fellowship 2018, Chris Hellman Dance Award

Sydney Dolan in Balanchine's "Rubies." Photo by Arian Molina Soca, Courtesy PAB.

Sydney Dolan is a corps de ballet dancer with Pennsylvania Ballet. She's steadily climbed the company ranks since joining PBII in 2016. Though the 2018/2019 season is her first in the corps, she's already danced the Pas de Trois in Angel Corella's Swan Lake, the Lilac Fairy in The Sleeping Beauty, Dew Drop in George Balanchine's The Nutcracker and the Tall Girl in Balanchine's "Rubies."

Catherine Hurlin: Dance Fellowship 2018, Barbara & John Lehman Dance Award

Catherine Hurlin (center) with Dunan Lyle and Roman Zhurbin in Alexei Ratmansky's Whipped Cream. Photo by Doug Gifford, Courtesy ABT.

This has been a big summer for American Ballet Theatre's Catherline Hurlin; last month, she was promoted to soloist. Since joining ABT as an apprentice in 2013, Hurlin has shone in a number of featured roles including Young Clara in Alexei Ratmansky's The Nutcracker and the hilarious Mademoiselle Marianne Chartreuse in Ratmansky's Whipped Cream—both of which she originated.

David Adrian Freeland: Dance Fellowship 2018

David Adrian Freeland with Jacquelin Harris in Katarzyna Skarpetowska's Cuore Sott'olio for Ailey II. Photo by Eduardo Patino, Courtesy AAADT.

L.A. Dance Project member David Adrian Freeland danced with The Metropolitan Opera and Missouri Ballet Theatre before joining the California-based contemporary company in 2016. While with L.A. Dance Project he's danced in works by founder Benjamin Millepied and Justin Peck as well as modern classics by Martha Graham, Merce Cunningham and many others.

Dana Genshaft: Choreography Fellowship 2018

Dana Genshaft in San Francisco Ballet's production of Alexei Ratmansky's Foreign Lands. Photo by Erik Tomasson, Courtesy SFB.

Former San Francisco Ballet soloist Dana Genshaft began choreographing in 2014, creating work for companies such as the American Ballet Theatre Studio Company and SFDanceworks as well as movement for dance films and music videos. Her work often tends towards the interdisciplinary: Most recently she partnered with musician Thomas Lauderdale to develop a ballet based on a 1929 children's novel. She has been commissioned to create for The Washington Ballet's spring 2019 season.

Claudia Schreier: Choreography Fellowship 2018

Claudia Schreier in rehearsal with students at Ballet Academy East. Photo by Rosalie O'Connor, Courtesy Schreier.

Claudia Schreier earned her B.A. from Harvard University before making a name for herself as a choreographer. She's been commissioned to make work for the Vail Dance Festival, Joffrey Winning Works, the American Ballet Theatre Studio Company, Dance Theatre of Harlem and more. In 2017 her troupe, Claudia Schreier & Company, made its Joyce Theater Debut. You can follow her experience in this documentary.

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This is Pointe's Summer 2020 cover story. You can subscribe to the magazine here, or click here to purchase this issue.

Just days before the world shuttered under the strain of the coronavirus pandemic, and the curtain came down indefinitely on dance companies everywhere, Pennsylvania Ballet soloist Sydney Dolan debuted Gamzatti in La Bayadère with captivating ease. Her jumps soared, her technique was sound, and her cheeky smile paired with exquisite port de bras was beguiling. Though she didn't know the company would soon cancel the remainder of its season, her beautiful performance acted as a kind of send-off into the unknown.

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