News

Pittsburgh Ballet Theatre and Milwaukee Ballet Showcase Choreography by Company Dancers

Pittsburgh Ballet Theatre: New Works choreographers (from left): Cooper Verona, William Moore, Amanda Cochrane, Yoshiaki Nakano and Julia Erickson. Photo by Duane Rieder, Courtesy PBT.

This spring, Milwaukee Ballet and Pittsburgh Ballet Theatre are each putting on programs composed entirely of choreography by company dancers. February 8 marks the premiere of Milwaukee Ballet's MXE Milwaukee Mixed, featuring pieces by Garrett Glassman, Timothy O'Donnell, Isaac Sharratt, Nicole Teague-Howell and Petr Zahradnícˇek. On March 16, Pittsburgh Ballet Theatre: New Works opens with ballets by Amanda Cochrane, Julia Erickson, Yoshiaki Nakano, Jessica McCann, William Moore, JoAnna Schmidt and Cooper Verona.


For MB artistic director Michael Pink, the idea was inspired by the success of the company's biennial Genesis: International Choreographic Competition. "Because of the competition, our audiences have really embraced the idea of seeing new work," says Pink. And he's taking creativity to the next level; each choreographer is working with local musicians. While O'Donnell and Zahradnícˇek already hold the title of resident choreographer, the program will also showcase three lesser-seen artists. "These choreographers aren't just step arrangers," says Pink, "but people who have a voice."

PBT artistic director Terrence S. Orr says that the inspiration for the company's program came from the dancers themselves. He sought out those who had been choreographing for PBT's school or working on their own projects outside of the company. Orr believes that the chance to create for their peers will provide tremendous growth for the dancers. "It's important to have the main classics," says Orr, "but the only thing that's going to sustain ballet is fresh new choreography that represents our time."

Show Comments ()
Trending
Rachel Hutsell Photographed for Pointe by Jayme Thornton.

This is Pointe's June/July 2018 Cover Story. You can subscribe to the magazine here, or click here to purchase this issue.

"I'm very cautious by nature," Rachel Hutsell says over herbal tea at Lincoln Center between rehearsals. You wouldn't think so from the way she moves onstage or in the studio. In fact, one of the most noticeable characteristics of Hutsell's dancing is boldness, a result of the intelligence and intention with which she executes each step. (What she calls caution is closer to what most people see as preparedness.) She doesn't approximate—she moves simply and fully, with total confidence. That quality hasn't gone unnoticed.

Keep reading... Show less
popular

Looking for your next audition shoe? Shot at and in collaboration with Broadway Dance Center, Só Dança has launched a new collection of shoes working with some pretty famous faces of the musical theater world! Offered in two different styles and either 2.5" or 3" heels, top industry professionals are loving how versatile and supportive these shoes are! Pro tip: The heel is centered under the body so you can feel confident and stable!

Ballet Stars
Jacques d'Amboise and Adrian Danchig-Waring in conversation at the National Dance Institute. Photo Courtesy NDI.

"Jerry, throughout his life, wanted a world where races, cultures and people came together without conflict and hate and anger, but lovingly, to make a community." These words were spoken earlier this week by Jacques d'Amboise at an event titled Upper West Side Story: A Celebration of Jerome Robbins, hosted by National Dance Institute, which d'Amboise founded in 1976 to provide free arts education to children in New York City and beyond. D'Amboise then reiterated his point by quietly singing the famous refrain from West Side Story, which Robbins choreographed and directed for both screen and stage: "There's a place for us."

Keep reading... Show less
Editors' List: The Goods
Courtesy Soffe, Dicsount Dance Supply, Danskin. LeaMarie leotard photographed by Jayme Thornton

Considering we practically live in our dance clothes, there's really no such thing as having too many leotards, tights or leggings (no matter what our mom or friends say!). That's why we treat every sale as an opportunity to stock up. And thanks to the holiday weekend, you can shop all of your dancewear go-tos or try something totally new for as much as 50% less than the usual price.

Here are the eight sales we're most excited about—from online options to in-store retailers that will help you find the perfect fit. Happy Memorial Day (and shopping)!

Keep reading... Show less
News
Joffrey Ballet dancers Christine Rocas and Dylan Gutierrez in "Giselle." Photo Courtesy Spring to Dance Festival.

For the first time since its inception 11 years ago, Dance St. Louis' annual Emerson Spring to Dance Festival — May 25 and 26 at the University of Missouri–St. Louis' Touhill Performing Arts Center — will be curated by someone other than festival founder Michael Utoff. That job fell to newly hired programming consultant Terence Marling.

Hailed as "arguably the best dance buffet in the Midwest" by the Chicago Tribune, the popular festival is known for championing lesser-known regional dance artists and companies. It will retain that focus under Marling, along with representation by more familiar names such as Houston Ballet, Joffrey Ballet and Marling's former company, Hubbard Street Dance Chicago.

Keep reading... Show less
Ballet Stars

La Fille Mal Gardée, or in English "The Wayward Daughter," is one of the oldest story ballets still in modern repertoire. The tale's enduring magic lies in themes of youth, following your heart and true love, along with playful bits of entertainment, like the clog dance and ribbon pas de deux. As Lise, Russian-born ballerina Valentina Kozlova captures the character's spirited innocence. Dancing alongside her as her beloved Colas is Chris Jensen, star of Switzerland's Basel Ballet. This clip of their ribbon pas de deux from Basel Ballet's 1986 film is as lighthearted and charming as it is technically brilliant.

Keep reading... Show less
Ballet Training
Thinkstock

I'm 15 and want to be a professional ballet dancer. I have ballet five times a week, contemporary once a week and rehearsals year-round. It is 15 to 20 hours a week. When I hear about dancers doing 30-plus hours a week, I worry that I dance too little. Is my schedule enough? —Caroline

Keep reading... Show less

Sponsored

Videos

Sponsored

mailbox

Get Pointe Magazine in your inbox

Sponsored

Win It!