News

Pittsburgh Ballet Theatre Artistic Director Terrence S. Orr to Retire After Next Season

Terrence S. Orr with dancers of Pittsburgh Ballet Theatre. Aimee DiAndrea, Courtesy PBT.

Change is in the air in Steel City: On Friday Terrence S. Orr announced that, after 22-years as artistic director of Pittsburgh Ballet Theatre, he will retire in June 2020 following the conclusion of PBT's 50th anniversary season.


Orr took the helm of PBT in 1997, succeeding former New York City ballet star Patricia Wilde. Originally from Concord, California, he trained at the San Francisco Ballet School before joining the company and becoming a principal dancer at age 17. He then rose to that rank as a dancer with American Ballet Theatre, where he later spent 19 years as a ballet master before being named PBT's artistic director.

During his tenure, Orr early on guided PBT through financial setbacks and has since overseen growth in the company's budget, ticket sales, school enrollment and campus, including the addition of a 14,000-square-foot annex building with new studios and a wellness center.

Orr and former principal dancer Julia Erickson in rehearsal

Aimee DiAndrea, Courtesy PBT

Orr has balanced PBT's repertory with a mix of story ballet classics and masterworks by George Balanchine, Jerome Robbins, Paul Taylor, Twyla Tharp and others; he has also provided a platform for emerging choreographers, including those within the company. His more than 20 new commissions for PBT includes a string of music-artist-themed ballets in the early 2000s to songs by Lena Horne, Paul Simon, Sting and Bruce Springsteen. In recent years, Orr bolstered PBT's repertory with ballets by Jiří Kylian, John Neumeier and William Forsythe along with company debuts of La Bayadère, Beauty and the Beast and Moulin Rouge®: The Ballet.

He has also championed increased accessibility and educational programming at PBT and the nation's first professional sensory-friendly production of (his Pittsburgh-themed) The Nutcracker.

A succession plan and the formation of a search committee is underway by PBT's Board for Orr's replacement.

"It has been my honor to lead this company," says Orr. "I want to thank the dancers, musicians and patrons who have become like family. You have made my time here something I will always cherish."

The Conversation
Site Network
James Whiteside (Jayme Thornton for Dance Magazine)

Say you're perpetually impeccable designer Thom Browne. Say you're planning your Spring 2020 Paris menswear show along a "Versailles country club" theme. Say you want a world-class danseur to open the show with some kind of appropriately fabulous choreography.

Who do you call? James Whiteside, of course. On Saturday, the American Ballet Theatre principal—wearing pointe shoes and a glorious pinstriped tutu—kicked off Browne's presentation at the École des Beaux-Arts with a 15-minute, show-stealing solo. Whiteside choreographed the piece himself, with the help of detailed notes from the designer.

Keep reading... Show less
The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

Keep reading... Show less
Ballet Careers
Garry Corpuz and Wang Qingxin in an ad campaign for Hong Kong Ballet. Design Army and Dean Alexander, Courtesy HKB.

"Opportunities always come when you least expect them," says Septime Webre. In 2016, he'd left The Washington Ballet, after 17 years as artistic director, to focus on his choreography career. Halfway around the world in East Asia, Hong Kong Ballet was hiring a new director for its following season, and Webre's agent convinced him to submit his resumé. "I ended up on a call with leadership and the energy between us was great," says Webre.

Keep reading... Show less
Irina Kolpakova in the studio with Katherine Williams. Photo by Quinn Wharton for Pointe.

Being coached by a treasure like former Kirov prima Irina Kolpakova is an experience most dancers only dream of. But company members at American Ballet Theatre have been the lucky beneficiaries of her wisdom since 1990. Thanks to Instagram, where pros like Gillian Murphy and James Whiteside share snippets of their sessions with Kolpakova, any ballet lover can be a fly on the wall during rehearsals with the famed ballet mistress.

Keep reading... Show less