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Remembering Peter Frame, Former New York City Ballet Principal & Beloved Teacher

The dance community mourns another loss this week, as we learned former New York City Ballet principal Peter Frame passed away on August 30. Frame, who was 61, trained at the School of American Ballet and was a member of NYCB (his twin brother Paul danced with the company as well) from 1976 to 1990, earning the rank of principal in 1988.

Frame joined SAB faculty in 1993, where he is credited with developing a body strengthening program for the dancers as well as creating a weight training class for men. Additionally, Frame taught at Ballet Academy East, where in a 2017 blog post on their site, he shared one of his fondest memories—dancing in George Balanchine's Episodes, where he was cast in the solo originated by Paul Taylor, who also passed away earlier this week. "Omitted since Taylor performed it, I would reintroduce the solo to the stage," Frame said in the post. "This was one of the most exciting moments in my career." Frame performed the solo from 1986 to 1989, becoming the only person after Taylor himself to dance it until he restaged the piece for Miami City Ballet in 2017.

Described as a "kind and generous spirit" by NYCB principal Megan Fairchild in an Instagram tribute, Frame is being remembered on social media by members of NYCB and beyond. We're sharing some of these touching tributes below; feel free to add your own in the comments.













Francisco Estevez, Courtesy Colorado Ballet Academy

When you're looking for a ballet program to take you to the next level, there are a lot of factors to consider. While it's tempting to look for the biggest name that will accept you, the savvy dancer knows that successful training has more to do with the attention and opportunities you'll get.

We put together a few of the most important things for dancers to look for in a summer or year-round training program, with the help of the experts at Colorado Ballet Academy:

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Everything Nutcracker
Pennsylvania Ballet demi-soloist Thays Golz as the Sugar Plum Fairy during a stage rehearsal for George Balanchine's Nutcracker. All photography by Arian Molina Soca.

For many professional ballet dancers, Nutcracker means weeks of performances. That usually translates to multiple casts—and important breakout opportunities for those in the junior ranks. On the afternoon of December 13, Pennsylvania Ballet demi-soloist Thays Golz made her debut as the Sugar Plum Fairy along with her Cavalier, corps member Austin Eylar. For the Brazilian-born dancer, who joined PAB in 2018 after two seasons at Houston Ballet, Sugar Plum marks one of her first principal roles.

"I'm really excited," says Golz. PAB artistic director Angel Corella appointed 12 casts of Sugar Plum Fairies over the run's 29 performances. "When I first found out, I was like, 'Pinch me!' I still can't believe it."

We caught up with Golz just before her debut to see how she prepared for her big break.

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Rosalie O'Connor, Courtesy US Prix de Ballet

The US Prix de Ballet is taking an unconventional approach to the ballet competition—by putting the competitors' health first. After a successful first year in 2018, the Prix is returning to San Diego, CA this February with an even more comprehensive lineup of wellness workshops and master classes, in addition, of course, to the high-level competition.

Though the talent is top-notch, the environment is friendly, says HARID Conservatory faculty member Victoria Schneider, who serves on US Prix de Ballet's elite panel of judges. "The wellbeing of the dancer is the main focus," says Schneider, who awarded three scholarships to HARID at last year's competition.

US Prix de Ballet was born after its founders traveled to the Japan Grand Prix International Ballet Competition in 2016. "The company ran every aspect of the competition with professionalism, dignity, honor and precision," says founder Neisha Hernandez. "We knew we wanted this level of experience for America."

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