Our June/July Cover Is Making Waves

Since Pointe previewed its June/July cover at a special event last week at Brooklyn’s MoCADA Museum, the internet has been abuzz. The Huffington Post, The Washington Post and Jezebel have all picked it up. Not to boast, but the image says it all: The three cover ballerinas—Dance Theatre of Harlem’s Ashley Murphy, Cedar Lake Contemporary Ballet’s Ebony Williams and American Ballet Theatre’s Misty Copeland—face the camera, making it clear by sheer beauty, strength and presence that the time to address ballet’s diversity problem is now. Inside, the dancers speak frankly about how race has intersected with their careers. “To a certain extent, race affects us all,” Murphy told writer Alicia Graf Mack, “whether we are willing to admit it or not.” The issue also takes a close look at what companies are doing to develop and recruit dancers of color, and salutes some of the greatest achievements in diversity—so far—in an exclusive vintage photo essay with rare images from our archives.

 

If you are not a subscriber, click here to pre-order your copy. If you are, the issue mails on May 13, and is well worth the wait.

The Conversation
Viral Videos
Brittany Cavaco in Until Midnight. Claire Morris, Courtesy Cavaco.

A white tulle dress, time travel, the Eiffel Tower at night... these elements come together in Until Midnight, a new dance film by Christopher Alexander of Zen Film Works. This eight-minute long vignette opens with Louise (played by Louise Schirmer), a former ballerina now living alone in old age. Through the delivery of a mysterious letter and a wristwatch from her past, she returns briefly to her youthful self, danced by former Washington Ballet dancer Brittany Cavaco. In a Cinderella-like twist, Louise has until midnight to find her beloved Jean Pierre (Sebastien Thill, former dancer with Paris Opera Ballet and Hamburg Ballet) for one last dance. According to Cavaco, all of the movement was improvised, created by herself and Alexander in each location.

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Ballet Training
Peter Boal in class a New York City Center. Courtesy PNB.

"People have so much fear associated with arabesque turns," says Peter Boal, artistic director of Pacific Northwest Ballet. Here, he shares images and ideas to help you confidently master this advanced pirouette. "It's a real accomplishment when you can put it all together."

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News
Ashley Bouder in George Balanchine and Alexandra Danilova's Coppélia. Erin Baiano, Courtesy NYCB.

Hollywood may have the Oscars, but ballet has the Prix de Benois de la Danse. Held every spring at Moscow's Bolshoi Theater, the prestigious international awards ceremony recognizes dancers, choreographers, composers and designers for their extraordinary work on and off the stage. This year's laureates, chosen by a jury, were announced during an awards ceremony last night, followed by a star-studded gala featuring many of the nominated artists.

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