Oregon Ballet Theatre's Eva Burton and Peter Franc in William Forsythe's In the middle, somewhat elevated.

Yi Yin, Courtesy Oregon Ballet Theatre

Onstage This Week: NYC's Fall For Dance Festival Opens, Royal Winnipeg Ballet Celebrates 80th Season with New "La Bayadère," and More!

Wonder what's going on in ballet this week? We've rounded up some highlights.


Premieres and Cross-Genre Collabs at Fall for Dance Festival

The annual Fall for Dance Festival at New York City Center kicks off on October 1. Now in its 16th year, the two-week fest will bring together 20 companies from every corner of the globe over 10 performances—and for only $15 a ticket. The first week's line-up includes three jam-packed, stylistically diverse programs. The opening bill (October 1-2) features a Kyle Abraham commission for Misty Copeland and Hubbard Street Dance Chicago in Crystal Pite's A Picture of You Falling, along with premieres by Caleb Teicher and Company and South African troupe Vuyani Dance Theatre. In program 2 (October 3-4), The Washington Ballet presents Dana Genshaft's Shadow Lands, sharing the bill with Mark Morris Dance Group, all-male Argentinian troupe Malevo and French hip-hop company Dyptik. Program 3 (October 5-6) rounds out the week, with The Mariinsky Ballet in Alexander Sergeev's At the Wrong Time and English National Ballet in Akram Khan's Dust Duet alongside Skånes Dansteater and Alvin Ailey American Dance Theater.

A New "​La Bayadère​" Starts the Season at Royal Winnipeg Ballet

The Royal Winnipeg Ballet opens its 80th anniversary season October 2-6 with the Canadian premiere of Greg Horsman's La Bayadère at the Centennial Concert Hall. In this production, co-produced by RWB, Queensland Ballet and West Australian Ballet, Horsman seeks more authentic representation of 19th-century India, incorporating British colonial influences and elements of Indian classical dance. Listen to Horsman discuss his inspirations for this recreation in the video above.

Oregon Ballet Theatre Season Opener “ROAR(S)” with Excitement

Oregon Ballet Theatre starts its 30th anniversary season with ROAR(S), an ambitious mixed bill that pays homage to the company's history and vision for the future. On the program is Forsythe's In the middle, somewhat elevated, Balanchine's Stravinsky Violin Concerto and former OBT associate director and resident choreographer Dennis Spaight's Scheherazade. Above, watch OBT dancers rehearse with Forsythe repetiteur Agnès Noltenius. ROAR(S) opens at the Keller Auditorium in Portland October 5-6.

Ballet X Brings "The Little Prince" to The Joyce

The Philidelphia-based contemporary ballet company Ballet X returns to The Joyce Theater this week with the New York premiere of Annabelle Lopez Ochoa's The Little Prince. Ochoa, winner of the 2019 Jacob's Pillow Choreography Award, reimagined Antoine de Saint-Exupéry's classic novella as a whimsical, abstract evening-length ballet. Just like the story, the ballet resonates with audiences of all ages. The Little Prince runs October 1-6.

Colorado Ballet Takes the Stage in "Don Quixote"

Colorado Ballet begins a run of Don Quixote this weekend with performances October 4-13 at the Ellie Caulkins Opera House in Denver. The company last performed Don Q ten years ago and is bringing the ballet back to start off this year's athleticism-inspired season. Catch a peek at principals Dana Benton and Francisco Estevez rehearsing in the video above!

"Blue Suede Shoes" Arrives at Alabama Ballet

Alabama Ballet is bringing Dennis Nahat's jazzy Blue Suede Shoes to the stage in Birmingham at the BJCC Concert Hall October 4-6. The ballet, which premiered in 1996 and is set to a score of original Elvis Presley recordings, follows three friends through life changes and cultural shifts from the '50s through the '70s. The production is complete with sets and over 200 costumes by the Emmy-award winning designer Bob Mackie. Check out one of the ballet's stylized swing sequences in this rehearsal video.

American Repertory Ballet’s "Beauty and the Beast" Heads to Philly

American Repertory Ballet tours to Philadelphia on October 5 with resident choreographer Kirk Peterson's Beauty and the Beast. The company premiered this original story ballet set to a Tchaikovsky score in May, and now Philly audiences can see Beauty at Drexel's Mandell Theater this Saturday. Above, former artistic director Douglas Martin discusses the ballet's inception.

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Cicely Tyson, the legendary 96-year-old Black actress whose February 16 funeral at Harlem's Abyssinian Baptist Church was attended by, among others, Tyler Perry, Lenny Kravitz, and Bill and Hillary Clinton, is remembered for performances that transcended stereotypes and made an indelible impression on a nation's heart and soul.

Among the most fondly remembered is her breakout role in the 1972 movie Sounder, which depicts a Black sharecropper family's struggle to survive in the Jim Crow South. The role catapulted Tyson to stardom, winning her an Academy Award nomination and a reputation as someone committed to enhancing Blacks' representation in the arts. Throughout a seven-decade career, countless critically acclaimed, award-winning roles in films, onstage and on television reaffirmed that image. Yet one role reflecting the depth of that commitment is much less visible—the supporting one she played working with longtime friend Arthur Mitchell when he envisioned, shaped and established the groundbreaking Dance Theatre of Harlem.

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Artists of the Australian Ballet perform the "Kingdom of the Shades" from La Bayadère. Lynette Wills, Courtesy Australian Ballet.

Catch the Australian Ballet’s Livestreamed Season Premiere This Weekend

After a yearlong hiatus, the Australian Ballet is ready to return to the stage. The company's season opener, titled Summertime at the Ballet, packs a great deal of firsts: It marks the ballet's first performance before a live audience since the start of the pandemic; the first time the company takes the stage under the leadership of its new artistic director, David Hallberg; and the first time Australian Ballet performs at the Melbourne & Olympic Parks Margaret Court Arena. Another important first: The performance will be livestreamed not only in Australia but all over the world. Summertime at the Ballet will be broadcast February 28 at 11:45 am AEDT (that's 7:45 pm EST on February 27 here in the U.S.), with bonus features, such as interviews and commentary. It will be accessible for 48 hours to accommodate all time zones.

This livestream will be provided via the Australian Ballet's newly launched digital platform, Live on Ballet TV. "One of my main goals is for the company to be seen by as many people around the world as possible," says Hallberg, the American-born international star who took the helm at the Australian Ballet in January. "Which is why Live on Ballet TV is such an integral part of my vision artistically."

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