Joffrey Ballet's April Daly, Yoshihisa Arai and Amanda Assucena in Christopher Wheeldon's Swan Lake. Assucena will make her debut in the role of Odette/Odile this week. Photo by Cheryl Mann, Courtesy Joffrey.

Onstage This Week: ABT Fall Season Opens, NBoC Tours to Russia for the First Time, and Much More!

Wonder what's going on in ballet this week? We've pulled together some highlights.


ABT's Fall Season Opens With Two World Premieres 

After American Ballet Theatre's leisurely eight-week long summer run, their fall stint at Lincoln Center's Koch Theater goes by in a flash. Running October 17-28, the season puts an emphasis on female choreographers as part of the company's new Women's Movement. Week one includes two world premieres: one by tap extraordinaire Michelle Dorrance titled Dream within a Dream (deferred) and the other by Jessica Lang titled Garden Blue. Also on the program are works by Jerome Robbins, George Balanchine, Twyla Tharp, Alexei Ratmansky and Lauren Lovette. We can't get enough of ABT's season trailer; watch it now!

National Ballet of Canada Tours to Russia for the First Time Ever 

This week National Ballet of Canada heads to Russia for the first time in its nearly 70-year history. They'll perform at the Stanislavsky Theatre in Moscow October 15-16 and at the Mariinsky Theatre in St. Petersburg as part of Diana Vishneva's Context festival on October 19. NBoC is bringing three contemporary ballets on this historic tour: Justin Peck's Paz de la Jolla, Guillaume Côté's Being and Nothingness and Crystal Pite's Emergence. Catch a glimpse of the company in Paz de la Jolla in the above trailer.

Joffrey Ballet Brings Back Christopher Wheeldon's "Swan Lake"

October 17-28, Joffrey Ballet brings back an audience favorite: Christopher Wheeldon's Swan Lake. First performed by the company in 2014, Wheeldon's re-telling is a modern-day take on the storied classic set in the studios of the Paris Opéra Ballet. Above, hear former Pointe cover star Amanda Assucena discuss her debut as Odette/Odile.

Grand Rapids Ballet Presents First Show Under New Artistic Director James Sofranko

Grand Rapids Ballet's 2018-19 season opens October 19-21 with a program titled Wild Sweet Love. The first show under the direction of James Sofranko, Wild Sweet Love features three diverse works: George Balanchine's Allegro Brillante, Trey McIntyre's Wild Sweet Love and Penny Saunders' Ghost Light. Can't wait? On October 18, GRB is holding a gala performance which will include showings of the above works as well as a world premiere by Sofranko himself.

Karole Armitage Presents Two New Works at National Sawdust

Karole Armitage, known as the "punk ballerina," debuts two new works with her group Armitage Gone! Dance at the Brooklyn-based National Sawdust on October 20. Titled Art of the In-Between, the program features Día de los Muertos, which explores the Mexican holiday through humor. Also on the bill is Donkey Jaw Bone, based on the theatricality of the Latin American wrestling practice, Lucha Libre.

Nashville Ballet Celebrates Halloween With "Seven Deadly Sins" 

Nashville Ballet gets into the Halloween spirit October 18-20 with a program including two works: Resident choreographer Christopher Stuart's Seven Deadly Sins and Jennifer Archibald's Superstitions. Both ballets feature original scores by Nashville-based artists. Seven Deadly Sins is a collaboration with the singer-songwriter collective Ten Out of Tenn, who will play live with the company this week. Superstitions' score is by frequent dance composer Cristina Spinei.

Ballet Fantastique's Wild West Ballet "As You Like It" Returns

October 19-21, Eugene, Oregon-based dance theater company Ballet Fantastique brings back As You Like It: A Wild West Ballet. Choreographed by mother-daughter duo Donna and Hannah Bontrager, As You Like It takes Shakespeare's famous comedy and sets it in the Wild West with a live honkey-tonk saloon piano playing American hits. Catch a peek with the above rehearsal footage.

Ballet 5:8 Presents Reimagination of C.S. Lewis at Chicago's Athenaeum Theatre

The faith-based company Ballet 5:8 returns to Chicago's Athanaeum Theatre October 20-21 with a program featuring two works by artistic director Julianna Rubio Slager. The Space In Between, Slager's newest work, is inspired by C.S. Lewis' The Great Divorce and explores the author's concept of hell. Also on the program is Slager's Four Seasons of the Soul, which connects nature's seasons to Slager's spiritual and religious life.

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Peter Mueller, Courtesy Cincinnati Ballet

2020 Stars of the Corps: 10 Dancers Making Strides In and Out of the Spotlight

The corps de ballet make up the backbone of every company. In our Fall 2020 issue, we highlighted 10 ensemble standouts to keep your eye on. Click on their names to learn more!

Dara Holmes, Joffrey Ballet

A male dancer catches a female dancer in his right arm as she wraps her left arm around his shoulder and executes a high arabesque on pointe. Both wear white costumes and dance in front of a blue backdrop onstage.

Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

Wanyue Qiao, American Ballet Theatre

Wearing a powder blue tutu, cropped light yellow top and feather tiara, Wanyue Qiao does a piqu\u00e9 retir\u00e9 on pointe on her left leg and pulls her right arm in towards her.

Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

Three male dancers in tight-fitting, multicolored costumes stand in positions of ascending height from left to right. All extend their right arms out in front of them.

Joshua Guillemot-Rodgerson (far right) with Saul Newport and Austen Acevedo in Oliver Halkowich's Following

Amitava Sarkar, Courtesy Houston Ballet

Leah McFadden, Colorado Ballet

Wearing a white pixie wig and a short light-pink tunic costume, a female ballet dancer poses in attitude front on pointe with her left arm bent across her ribs and her right hand held below her chin.

Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

Maria Coelho and Sasha Chernjavsky in Andy Blankenbuehler's Remember Our Song

Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

A ballerina in a black feathered tutu stands triumphantly in sous-sus, holding the hand of a male dancer in a dark cloak with feathers underneath who raises his left hand in the air.

Alexander Reneff-Olson (right) as Von Rothbart with San Francisco Ballet principal Yuan Yuan Tan in Swan Lake

Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

Wearing a blue dance dress with rhinestone embellishments and a sparkly tiara, India Bradley finishes a move with her arms out to the side and hands slightly flexed.

India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

Wearing a white dress with pink corset, Bella Ureta does a first arabesque on pointe in front of an onstage stone wall.

Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

Hiromi Platt, Courtesy Cincinnati Ballet

Alejándro Gonzales, Oklahoma City Ballet

Dressed in a green bell-boy costume and hat, Alejandro Gonz\u00e1lez does a saut\u00e9 with his left leg in retir\u00e9 and his arms in a long diagonal from right to left. Other dancers in late 19-century period costumes watch him around the stage.

Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

Nina Fernandes, Miami City Ballet

Wearing a long white tutu and crown, Nina Fernandes does a saut de chat in front of a wintery backdrop as snow falls from the top of the stage.

Nina Fernandes in George Balanchine's The Nutcracker

Alexander Iziliaev, Courtesy Miami City Ballet

Courtesy Carrie Gaerte, modeled by 2020 Butler University graduate Michela Semenza

Concussions Are More Than a Bump on the Head. Here's What Dancers Need to Know

Your partner accidentally drops you during a lift. You collide head-on with another dancer in rehearsal. Or you're hit in the face while you're spotting a turn. Even if you didn't lose consciousness, you may have a concussion, which can occur from a direct blow to the head or rotary force of the brain moving excessively or striking the skull.

As a dancer, your first instinct may be to keep going, but you shouldn't, says physical therapist and athletic trainer Carrie Gaerte, PT, DPT, ATC, who works with Butler University in Indianapolis and at Ascension St. Vincent Sports Performance. "What's really hard for dancers is admitting that maybe something isn't right," she says. "But the big thing about concussions is that your brain is not like your ankle, shoulder or knee. When your brain has an injury, that needs to take precedence over a role or a job."

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Getty Images

Thinking About College Ballet Programs? Here's a Comprehensive Guide to the Application Process

Gone are the days when you had to skip college in order to have a successful ballet career. College ballet programs are better than ever before, providing students with the training, professional connections and performance experience they need to thrive in companies postgraduation. But given the number of elements involved in the application process, choosing the right program can feel daunting. We've broken the college application timeline down step by step to help you best approach each stage along the way.

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