San Francisco Ballet is bringing six works from their Unbound: A Festival of New Works to The Kennedy Center this week. Here, dancers are pictured in Christopher Wheeldon's Bound To. Photo by Erik Tomasson, Courtesy The Kennedy Center.

Onstage This Week: Houston Ballet Tours to Dubai, San Francisco Ballet at the Kennedy Center, World Premieres in Memphis and More!

Wonder what's going on in ballet this week? We've pulled together some highlights.


Houston Ballet Tours to Dubai 

This week Houston Ballet heads a little farther afield than usual. October 24-27 the company tours to Dubai, making them the first American ballet company to perform at the Dubai Opera House. The company is bringing a classic to the Middle Eastern city: artistic director Stanton Welch's Swan Lake. Catch principals Yuriko Kajiya and Chun Wai Chan in this clip from the Black Swan Pas De Deux.

Jerome Robbins' Experimental Full-Length Ballet Returns to the Stage 

Jerome Robbins' centennial year has included performances of some of the famed choreographer's most seminal works at companies around the world. October 24-27, the Brooklyn Academy of Music digs deeper into Robbins' oeuvre by presenting Watermill, a full-length experimental ballet inspired by Japanese Noh theater that hasn't been staged in nearly half a century. Watermill stars former New York City Ballet principal Joaquin De Luz, who retired from the company just two weeks ago.

San Francisco Ballet Brings 6 East Coast Premieres to the Kennedy Center 

Last spring, San Francisco Ballet wowed Bay Area audiences with Unbound: A Festival of New Works. Now SFB is bringing six of the festival's ballets to The Kennedy Center October 23-28, marking their East Coast premieres. Program A includes ballets by Trey McIntyre, Christopher Wheeldon and David Dawson, and Program B features pieces by Edwaard Liang, Cathy Marston and Justin Peck.

Ballet Memphis Collaborates with Local Musicians to Present 2 World Premieres

October 26-November 4 marks Ballet Memphis' inaugural Memphis Project, a brand new collaboration between the company and local musicians that honors the city's musical legacy. This program includes Trey McIntyre's reworked Memphis Suite to a score by a variety of artists, as well as two premieres: former Alvin Ailey dancer Alia Kache's new work to an original score by Julien Baker, and associate artistic director Steven McMahon's new collaboration with the record label Unapologetic.

Sarasota Ballet Presents the Company Premiere of Martha Graham's ​"Appalachian Spring​"

Sarasota Ballet opens their 2019 season October 26-28 with a diverse triple bill. The program features the company premiere of Martha Graham's iconic 1944 collaboration with composer Aaron Copland, Appalachian Spring. Also on deck are Ricardo Graziano's Symphony of Sorrows and Galina Samsova's production of Paquita. Be transported into dance history with this early clip of the Martha Graham Dance Company performing Appalachian Spring, which stars Graham herself as The Bride.

Pittsburgh Ballet Theatre Bids Farewell to Principal Julia Erickson with All Mozart Program

Longtime Pittsburgh Ballet Theatre principal Julia Erickson retires from PBT this weekend during the company's Mozart in Motion program October 26-28. The program features three works spanning past to present, all to Mozart: George Balanchine's Divertimento No. 15 and Jiří Kylián's Sechs Tänze and Petite Mort. In the above video, Erickson discusses why these works are meaningful to her.

BalletMet Presents Short Ballets by Three New York-Based Choreographers

BalletMet's Lineage: A Collection of Short Ballets program runs October 26-November 3 and features three short works by New York choreographers originally created for New York City Ballet: George Balanchine's Square Dance, Christopher Wheeldon's romantic After the Rain pas de deux and Justin Peck's In Creases. Above, artistic director Edwaard Liang discusses After the Rain.

Story Ballets Galore! 

Beasts, fairies, pirates... Halloween seems like the perfect time of the year for story ballets. This week, four companies bring back beloved classics. On the spookier side of things is Nevada Ballet Theatre's production of Ben Stevenson's Dracula, running October 25-28. Click through for more!

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Peter Mueller, Courtesy Cincinnati Ballet

2020 Stars of the Corps: 10 Dancers Making Strides In and Out of the Spotlight

The corps de ballet make up the backbone of every company. In our Fall 2020 issue, we highlighted 10 ensemble standouts to keep your eye on. Click on their names and photos to learn more!

Dara Holmes, Joffrey Ballet

A male dancer catches a female dancer in his right arm as she wraps her left arm around his shoulder and executes a high arabesque on pointe. Both wear white costumes and dance in front of a blue backdrop onstage.

Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

Wanyue Qiao, American Ballet Theatre

Wearing a powder blue tutu, cropped light yellow top and feather tiara, Wanyue Qiao does a piqu\u00e9 retir\u00e9 on pointe on her left leg and pulls her right arm in towards her.

Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

Three male dancers in tight-fitting, multicolored costumes stand in positions of ascending height from left to right. All extend their right arms out in front of them.

Joshua Guillemot-Rodgerson (far right) with Saul Newport and Austen Acevedo in Oliver Halkowich's Following

Amitava Sarkar, Courtesy Houston Ballet

Leah McFadden, Colorado Ballet

Wearing a white pixie wig and a short light-pink tunic costume, a female ballet dancer poses in attitude front on pointe with her left arm bent across her ribs and her right hand held below her chin.

Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

Maria Coelho and Sasha Chernjavsky in Andy Blankenbuehler's Remember Our Song

Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

A ballerina in a black feathered tutu stands triumphantly in sous-sus, holding the hand of a male dancer in a dark cloak with feathers underneath who raises his left hand in the air.

Alexander Reneff-Olson (right) as Von Rothbart with San Francisco Ballet principal Yuan Yuan Tan in Swan Lake

Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

Wearing a blue dance dress with rhinestone embellishments and a sparkly tiara, India Bradley finishes a move with her arms out to the side and hands slightly flexed.

India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

Wearing a white dress with pink corset, Bella Ureta does a first arabesque on pointe in front of an onstage stone wall.

Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

Hiromi Platt, Courtesy Cincinnati Ballet

Alejándro Gonzales, Oklahoma City Ballet

Dressed in a green bell-boy costume and hat, Alejandro Gonz\u00e1lez does a saut\u00e9 with his left leg in retir\u00e9 and his arms in a long diagonal from right to left. Other dancers in late 19-century period costumes watch him around the stage.

Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

Nina Fernandes, Miami CIty Ballet

Wearing a long white tutu and crown, Nina Fernandes does a saut de chat in front of a wintery backdrop as snow falls from the top of the stage.

Nina Fernandes in George Balanchine's The Nutcracker

Alexander Iziliaev, Courtesy Miami City Ballet

Evelyn Cisneros-Legate. Photo by Beau Pearson, Courtesy Ballet West

Ballet West Academy's New Director on Dream Building During COVID-19

Evelyn Cisneros-Legate is bringing her hard-earned expertise to Ballet West. The former San Francisco Ballet star is taking over all four campuses of The Frederick Quinney Lawson Ballet West Academy as the school's new director.

Cisneros-Legate, whose mother put her in ballet classes in an attempt to help her overcome her shyness, trained at the San Francisco Ballet School and School of American Ballet before joining San Francisco Ballet as a full company member in 1977. She danced with the company for 23 years, breaking barriers as the first Mexican American to become a principal dancer in the U.S., and has graced the cover of Dance Magazine no fewer than three times.

As an educator, Cisneros-Legate has served as ballet coordinator at San Francisco Ballet, principal of Boston Ballet School's North Shore Studio and artistic director of after-school programming at the National Dance Institute (NDI). Dance Teacher spoke with her about her new position, her plans for the academy and leading in the time of COVID-19.

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Complexions Contemporary Ballet's Tatiana Melendez Proves There's No One Way to Have a Ballet Career

This is Pointe's Fall 2020 cover story. Click here to purchase this issue.

Talk to anyone about rising contemporary ballerina Tatiana Melendez, and one word is bound to come up repeatedly: "Fierce." And fair enough, that's a perfectly apt way to describe the 20-year-old's stage presence, her technical prowess and her determination to succeed. But don't make the mistake of assuming that fierceness is Melendez's only (or even her most noteworthy) quality. At the core of her dancing is a beautiful versatility. She's just as much at ease when etching pure classical lines as she is when boldly throwing herself off-balance.

"Selfish choreographer that I am, I want Tatiana to stay with Complexions for all time," says her boss Dwight Rhoden, Complexions Contemporary Ballet's co-artistic director and resident choreographer. "She has a theatricality about her: When the music comes on, she gets swept away." Not too shabby for someone who thought just a few years ago that maybe ballet wasn't for her.

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