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Take Virtual Class From Your Kitchen Counter With These Pros

Updated March 20, 2020

One of the hardest parts of hunkering down to prevent the spread of COVID-19 is giving up our daily routines. And for dancers, that means class. Last week we shared a number of online teaching platforms (including Miami City Ballet principal soloist Lauren Fadely's new virtual ballet school), but now there are even more options. Over the weekend a handful of pros stepped forward to share that they'll be giving virtual class via Instagram or Facebook Live. So stake a claim to your kitchen counter, and start organizing your schedule for the week.

Have you seen an option for online class that we've missed? Share it in the comments and we'll add it to this list!


Tamara Rojo

English National Ballet artistic director and lead principal dancer, Tamara Rojo, is teaching class via ENB's YouTube and Facebook pages. You can watch today's class here, or tune in tomorrow!

Where: English National Ballet on YouTube or Facebook

When: Saturday, March 21 at 11 am GMT/7 am EST

Tiler Peck

We're excited to share that New York City Ballet star Tiler Peck will continue with another week of daily class. And, in case you truly can't get enough ballet in your life, she's added Saturday. Don't forget to use the hashtag #turnitoutwithtiler.

Where: @tilerpeck Live

When: Saturday, March 21 followed by Monday, March 23-Friday, March 27 at 10 am PST/1 pm EST

NYC Community Ballet

NYC Community Ballet opened up its advanced ballet classes, taught by a rotating list of pros, to the public via Zoom. This week's schedule includes Bethany Mitchell, Michelle Thompson Ulerich and Tyler Schnese. You can check out the full month's listing here.

Where: Zoom. Email nycommunityballet@gmail for details.

When: Tuesday, March 17 and Friday, March 30 from 10:30 am-12 pm EST, and Saturday, March 21 from 2-4 pm

LINES Dance Center

San Francisco's LINES Dance Center, the school affiliated with Alonzo King LINES Ballet, is now offering discounted classes via Zoom.

Where: Follow this link to register on Zoom.

When: See the full schedule of classes, including ballet, contemporary, pilates and more, here.

Ashley Bouder

Ashley Bouder gave us an extra treat this week: live-streamed classes every day. Plus, the NYCB principal is saving the classes to her YouTube channel, so you can come back to them later.

Where: Ashley Bouder on YouTube

When: Available now! Stay tuned for next week's schedule.

Dancewear Royale

Leotard brand Dancewear Royale is hosting a series of teachers on its Instagram account. And better yet, they're posting the classes to IGTV, so you can check them out anytime. The classes range from ballet to pilates to core workout.

Where: @dancewearroyal IGTV

When: Available now!

Patricia Zhou

Los Angeles–based dancer Patricia Zhou taught her first class via Instagram Live today, and just announced that she'll be continuing daily for the foreseeable future. You can catch up on last week's classes on IGTV.

Where: @patricia_zhou Live or on IGTV

When: Daily at 10 am PST/1 pm EST

Mary Carpenter

You might know ballet teacher Mary Carpenter from her popular YouTube channel, Dancewithmary NYC. Carpenter's full hour and a half-long class is now available on Facebook.

Where: @dancewithmarynyc on Facebook

When: Available now!

Sarah Lane

Want to take this time to work one-on-one with a ballet star? American Ballet Theatre principal Sarah Lane is offering virtual private lessons or group classes for students and young professionals.

Where: Direct message @saralaneofficial

When: Anytime!

Alicia Graf Mack 

Ever wondered what it's like to take class at The Juilliard School? Now you can find out. Juilliard dance director (and former Dance Theatre of Harlem and Alvin Ailey American Dance Theater star) Alicia Graf Mack is giving barre online on Juilliard's Instagram.

Where: @juilliardschool

When: Available now!

Bloch EU

Bloch EU streamed its first class via Instagram Live today, taught by Christine Shevchenko and Irina Dvorovenko. On Sunday, Camilla Mancuso is taking over. Stay tuned for who else is on deck next week.

Where: @bloch_eu LIVE

When: 5 pm GMT/1 pm EST. Stay tuned for next week's schedule.

The Cindies (aka James Whiteside and Isabella Boylston)

Everyone's favorite ballet duo taught joint class again today. While we don't know what next week will bring, we're thrilled to see that American Ballet Theatre principals James Whiteside and Isabella Boylston are encouraging students to donate to the Dancers' Emergency Fund, set up to create a safety net for ABT artists in need of financial assistance.

In the meantime, you can fill your weekend with a Jane Fonda-esque 80s style workout let by Whiteside, now available on IGTV.

Where: @jamesbwhiteside LIVE or @isabellaboylston LIVE

When: Stay tuned for next week's schedule.

Chun Wai Chan

After the success of this week's class, Houston Ballet principal Chun Wai Chan returns next Wednesday.

Where: @chunner LIVE

When: Wednesday, March 25 at 1 pm CST/2 pm EST

Alison Stroming

Alison Stroming has added her voice to the conversation. The former Dance Theatre of Harlem member and model taught two all-levels classes this week, one for Capezio and a second for AS Dancewear. We're excited to see what next week brings.

Where: @alisonstroming Live

When: Stay tuned for next week's schedule.

Camilla Mancuso

Italian dancer Camilla Mancuso, formerly a member of Hungarian National Ballet, is now posting her daily classes on Instagram. Join in with Mancuso live from Rome, where she's currently quarantined.

Where: @_camillamancuso Live

When: Stay tuned for next week's schedule.

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Chisako Oga photographed for Pointe by Jayme Thornton

Chisako Oga Is Soaring to New Heights at Boston Ballet

Chisako Oga is a dancer on the move—in more ways than one. From childhood training in Texas, California and Japan to a San Francisco Ballet apprenticeship to her first professional post with Cincinnati Ballet, where she quickly rose to principal dancer, she has rarely stood still for long.

But now the 24-year-old ballerina is right where she wants to be, as one of the most promising soloists at Boston Ballet. In 2019, Oga left her principal contract to join the company as a second soloist, rising to soloist the following year. "I knew I would have to take a step down to join a company of a different caliber, and Boston Ballet is one of the best companies in the country," she says. "The repertoire—Kylián, Forysthe, all the full-length ballets—is so appealing to me."

And the company has offered her major opportunities from the start. She danced the title role in Giselle in her very first performances with Boston Ballet, transforming a playful innocent into a woman haunted by betrayal with dramatic conviction and technical aplomb. But she also is making her mark in contemporary work. The last ballet she performed onstage before the pandemic hit was William Forsythe's demanding In the middle, somewhat elevated, which she says was a dream to perform. "The style really clicked, felt really comfortable. Bill drew something new out of me every rehearsal. As hard as it was, it was so much fun."

"Chisako is a very natural mover, pliable and strong," says artistic director Mikko Nissinen. "Dancing seems to come very easy for her. Not many have that quality. She's like a diamond—I'm curious to see how much we can polish that talent."

Chisako Oga, an Asian-American ballerina, does a pench\u00e9 on pointe towards the camera with her arms held out to the side and her long hair flying. Smiling confidently, she wears a blue leotard and a black and white ombr\u00e9 tutu.

Jayme Thornton for Pointe

A Life-Changing Opportunity

Oga began dancing at the age of 3. Born in Dallas, she and her family moved around to follow her father's job in IT. Before settling in Carlsbad, California, they landed in Japan for several years, where Oga began to take ballet very seriously. "I like the simplicity of ballet, the structure and the clear vocabulary," she says. "Dances that portray a story or have a message really drew me in. One of my favorite parts of a story ballet is diving into the role and becoming the character, putting it in my perspective."

In California, Oga studied with Victor and Tatiana Kasatsky and Maxim Tchernychev. Her teachers encouraged her to enter competitions, which she says broadened her outlook and fed her love of performing in front of an audience. Though highly motivated, she says she came to realize that winning medals wasn't everything. "Honestly, I feel like the times I got close and didn't place gave me perspective, made me realize being a dancer doesn't define you and helped me become the person and the dancer I am today."

At 15, Oga was a semifinalist at the Prix de Lausanne, resulting in a "life-changing" scholarship to the San Francisco Ballet School. There she trained with two of her most influential teachers, Tina LeBlanc and Patrick Armand. "She came in straightaway with strong basics," Armand recalls, "and working with her for two years, I realized how clever she is. She's super-smart, thoughtful, driven, always working."

She became a company apprentice in 2016. Then came the disappointing news—she was let go a few months later. Pushing 5' 2", she was simply too short for the company's needs, she was told. "It was really, really hard," says Oga. "I felt like I was on a good track, so to be let go was very shocking, especially since my height was not something I could improve or change."

Jayme Thornton for Pointe

Moving On and Up

Ironically, Oga's height proved an advantage in auditioning for Cincinnati Ballet, which was looking for a talented partner for some of their shorter men. She joined the company in 2016, was quickly promoted to soloist, and became a principal dancer for the 2017–18 season, garnering major roles like Swanilda and Juliet during her three years with the company. "There were times I felt insignificant and insecure, like I don't deserve this," Oga says about these early opportunities. "But I was mostly thrilled to be put in those shoes."

She was also thriving in contemporary work, like choreographer-in-residence Jennifer Archibald's MYOHO. Archibald cites her warmth, playfulness and sensitivity, adding, "There's also a powerful presence about her, and I was amazed at how fast she was at picking up choreography, able to find the transitions quickly. She's definitely a special talent. Boston Ballet will give her more exposure on a national level."

Chisako Oga, an Asian-American ballerina, poses in attitude derriere crois\u00e9 on her right leg, with her right arm out to the side and her left hand grazing her left shoulder. She smiles happily towards the camera, her black hair blowing in the breeze, and wears a blue leotard, black-and-white ombre tutu, and skin-colored pointe shoes.

Jayme Thornton for Pointe

That was Oga's plan. She knew going in that Cincinnati was more stepping-stone than final destination. She had her sights on a bigger company with a broader repertoire, and Boston Ballet seemed ideal.

As she continues to spread her wings at the company, Oga has developed a seemingly effortless artistic partnership with one of Boston Ballet's most dynamic male principals, Derek Dunn, who Oga calls "a kind-hearted, open person, so supportive when I've been hard on myself. He's taught me to believe in myself and trust that I'm capable of doing whatever the choreography needs." The two have developed an easy bond in the studio she likens to "a good conversation, back and forth."

Dunn agrees. "I knew the first time we danced together we had a special connection," he says. "She really takes on the artistic side of a role, which makes the connection really strong when we're dancing onstage. It's like being in a different world."

He adds, "She came into the company and a lot was thrown at her, which could have been daunting. She handled it with such grace and confidence."

Derek Dunn, shirtless and in blue tights, lunges slightly on his right leg and holds Chisako Oga's hand as she balances on her left leg on pointe with her right leg flicking behind her. She wears a yellow halter-top leotard and they dance onstage in front of a bright orange backdrop.

Oga with Derek Dunn in Helen Pickett's Petal

Liza Voll, Courtesy Boston Ballet

Perspective in a Pandemic

The pair were heading into Boston Ballet's busy spring season when the pandemic hit. "It was really a bummer," Oga says. "I was really looking forward to Swan Lake, Bella Figura, some new world premieres. When we found out the whole season was canceled, it was hard news to take in."

But she quickly determined to make the most of her time out of the studio and physically rest her body. "All the performances take a toll. Of course, I did stretches and exercised, but we never give ourselves enough time to rest as dancers."

She also resumed college courses toward a second career. Oga is one of many Boston Ballet dancers taking advantage of a special partnership with Northeastern University to help them earn bachelor's degrees. Focusing on finance and accounting, Oga upped her classes in economics, algebra, business and marketing. She also joined Boston Ballet's Color Our Future Mentoring Program to raise awareness and support diversity, equity and inclusion. "I am trying to have my voice inspire the next generation," she says.

Jayme Thornton for Pointe

One pandemic silver lining has been spending more time with her husband, Grand Rapids Ballet dancer James Cunningham. The two met at Cincinnati Ballet, dancing together in Adam Hougland's Cut to the Chase just after Oga's arrival, and got married shortly before her move to Boston. Cunningham took a position in Grand Rapids, so they've been navigating a long-distance marriage ever since. They spend a lot of time texting and on FaceTime, connecting in person during layoffs. "It's really hard," Oga admits, but adds, "We are both very passionate about the art form, so it's easy to support each other's goals."

Oga's best advice for young dancers? "Don't take any moment for granted," she says without hesitation. "It doesn't matter what rank you are, just do everything to the fullest—people will see the hard work you put in. Don't settle for anything less. Knowing [yourself] is also very important, not holding yourself to another's standards. No two paths are going to be the same."

And for the foreseeable future, Oga's path is to live life to the fullest, inside and outside ballet. "The pandemic put things in perspective. Dancing is my passion. I want to do it as long as I can, but it's only one portion of my life. I truly believe a healthy balance between social and work life is good for your mental health and helps me be a better dancer."

Kaatsbaan Cultural Park artistic director Stella Abrera and executive director Sonja Kostich. Photo by Quinn Wharton, Courtesy Kaatsbaan Cultural Park

The Inaugural Kaatsbaan Spring Festival Brings Together Leading Figures in Dance

The rollout of vaccinations is helping the U.S. turn a corner during this coronavirus pandemic, and artists and audience members alike are looking forward to enjoying live performances once again. It couldn't be more perfect timing, then, for the inaugural Kaatsbaan Spring Festival, which will feature 16 presentations on two outdoor stages in New York's Hudson Valley. Taking place May 20–23 and May 27–30, the festival brings together luminaries from multiple disciplines, including dance, music, poetry, sculpture and the culinary arts.

"During a challenging year such as this, we really wanted to provide artists from various genres opportunities for support and work," says Sonja Kostich, Kaatsbaan Cultural Park's executive director.

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Ballet West principal Katlyn Addison in a still from In The Balance. Courtesy Ballet West

Ballet West’s New Web Series Documents an Uncertain November

If the story of a ballet company presenting performances amidst a global pandemic, a divisive presidential election, and uprisings for justice sounds like it was made for TV, Ballet West has a series for you. In The Balance: Ballet for a Lost Year is a nine-episode documentary about BW's November 2020 performances, which took place at Salt Lake City's Capitol Theatre. The series premieres Friday, May 7, on Ballet West's social media channels, with a new episode released every Friday. (Viewers can also unlock all nine episodes on Ballet West's website starting May 7.)

For a month filmmakers Diana Whitten and Tyler Measom of Skyscape Studios had unlimited access to company class (divided into pods to abide by COVID-19 restrictions), rehearsals for new ballets by Jennifer Archibald and Nicolo Fonte, and interviews with artists and administrators. Some of the series' most fascinating insights come from people's different ways of navigating uncertainty, and how this connects to the arts.

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