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New York City Ballet Announces Interim Leadership Team

From left: Justin Peck, Rebecca Krohn, Jonathan Stafford and Craig Hall. Photo by Erin Baiano, Courtesy New York City Ballet.

The New York City Ballet Board of Directors announced on Saturday the interim team that has been appointed to run the artistic side of the company during ballet master in chief Peter Martins' leave of absence. Martins requested a temporary leave from both NYCB and the School of American Ballet last Thursday while the company undergoes an internal investigation into the sexual harassment accusations aimed at him.

The four-person group is made up of members of the company's current artistic staff, led by ballet master and former principal dancer Jonathan Stafford. Joining Stafford are NYCB resident choreographer and soloist Justin Peck and ballet masters Craig Hall and Rebecca Krohn, both former dancers with the company. While the members of this group haven't had much leadership experience, their close familiarity with the company (Krohn left the stage for her new role just two months ago) should help to ease the dancers' transition.

The team will be responsible for the day-to-day artistic needs of the company including scheduling, casting and conducting rehearsals. While there's no word yet on the length of their tenure, we'll continue to keep you updated as the story surrounding Martins unfolds.

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Alicia Alonso with Igor Youskevitch. Sedge Leblang, Courtesy Dance Magazine Archives.

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The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

We dug into the details of Stretch Pointe's most game-changing features:

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During one of Charlotte Nash's first few weeks with Houston Ballet II, she was thrown into a run-through of Balanchine's Theme and Variations. "I had never really understudied before and I didn't know what I was doing," she says. "I fell right away and was quickly replaced." For Nash, now a dancer with Festival Ballet Providence, the episode was a tough lesson. "I was mortified, but then I said to myself, 'Okay, I need to figure out how to learn things more quickly.'"

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