News

Up Close and Personal with the Costumes of New York City Ballet Galas Past

NYCB dancers Peter Walker (left) and Jonathan Fahoury performing Kyle Abraham's "The Runaway," with costumes by Giles Deacon. Erin Baiano, Courtesy NYCB.

Autumn in the Big Apple means one thing: New York City Ballet's Fall Fashion Gala. Since its inception in 2012 by Sarah Jessica Parker, the gala has produced dozens of new ballets, complete with original costumes designed by the fashion industry's biggest names. Ahead of this year's gala—which takes place September 26th and features new works by Lauren Lovette and Edwaard Liang, with costumes designed by Zac Posen and Anna Sui—NYCB joined forces with INTERSECT by Lexus on an exhibition showcasing the many stunning gala costumes from years past. We met up with Marc Happel, NYCB's Director of Costumes, to talk about the retrospective, the biggest lessons he's learned over the years, and the designers he'd love to work with in the future.


What's one of the biggest lessons you've learned over the many years of preparing for this gala?

As simple as it sounds, just having patience—patience, taking a deep breath, and remembering that everything will get figured out somehow. It always does.

Details of a costume for Thou Swell, designed by Peter Copping of Oscar de la Renta. Olivia Manno.

What are your favorite costumes of all time?

This is almost an impossible question, but I'd have to say any of the Giles Deacon costumes for Kyle Abraham's The Runaway; the breathtaking Alexander McQueen coat from Liam Scarlett's piece, Funérailles; the Iris Van Herpen plastic disc costumes for Benjamin Millepied's Neverwhere (people are still talking about that pointe shoe boot); and the square-necked dress by Gareth Pugh for Matthew Neenan's ballet, The Exchange—there's something so lovely about the simplicity and way it hangs. They all came alive onstage.

Former NYCB principal Robbie Fairchild modeling one of Happel's favorite costumes, a jacket designed by Alexander McQueen for Liam Scarlett's "Funérailles." Erin Baiano, Courtesy NYCB.


Which designers are you dying to work with in the future?

Alessandro Michele, because he's got such an amazing imagination and it would be so interesting to see it interpreted as a ballet, Prada, and threeasfour.

NYCB principal Tiler Peck modeling another one of Happel's all-time favorite costumes, a dress by Gareth Pugh designed for Matthew Neenan's "The Exchange." Erin Baiano, Courtesy NYCB.


What do you wish the audience knew about pulling off an event of this magnitude?

I wish they could see the team of people who work tirelessly to make this gala a reality—literally even right now, back at the shop, putting the finishing touches on this year's costumes. These costumes aren't pulled out of a magic closet, and I just can't emphasize enough how much energy goes into this production.

"Design In Motion" is free and open to the public through October 20th at INTERSECT by Lexus, 412 West 14th Street, New York, NY.

popular
Getty Images

During one of Charlotte Nash's first few weeks with Houston Ballet II, she was thrown into a run-through of Balanchine's Theme and Variations. "I had never really understudied before and I didn't know what I was doing," she says. "I fell right away and was quickly replaced." For Nash, now a dancer with Festival Ballet Providence, the episode was a tough lesson. "I was mortified, but then I said to myself, 'Okay, I need to figure out how to learn things more quickly.'"

Keep reading... Show less
Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

We dug into the details of Stretch Pointe's most game-changing features:

Keep reading... Show less
News
The Joffrey Ballet's Amanda Assucena and Greig Matthews in Cathy Marston's Jane Eyre. Cheryl Mann, Courtesy Joffrey Ballet.

Wonder what's going on in ballet this week? We've rounded up some highlights.

Keep reading... Show less
News
Herman Cornejo in Don Quixote. Gene Schiavone, Courtesy ABT.

American Ballet Theatre's fall season at Lincoln Center's Koch Theater offers a chance to see the company in shorter works and mixed-repertoire programs. This year's October 16–27 run honors principal Herman Cornejo, who's celebrating his 20th anniversary with the company. Cornejo will be featured in a special celebratory program as well as a new work by Twyla Tharp (her 17th for the company), set to Johannes Brahms' String Quartet No. 2 in G Major, Op. 111. The October 26 program will include Cornejo in a pas de deux with his sister, former ABT dancer Erica Cornejo.

Keep reading... Show less