NYCB's Teresa Reichlen in Schumacher's Clearing Dawn. Photo by Paul Kolnik, Courtesy NYCB.

New York City Ballet's Forward-Thinking Fall Season

New York City Ballet's fall season is packed with world premieres, including three by choreographers who have never made work for the company.

NYCB resident choreographer Justin Peck and corps member Troy Schumacher will each create a new ballet. Schumacher's second piece for NYCB will feature a commissioned score from Ellis Ludwig-Leone, the music director for Schumacher's Ballet Collective and the frontman of the band San Fermin. Peck's new work will feature Steve Reich's Variations for Vibes, Pianos and Strings.


Audiences can also expect first-time work from Canadian Robert Binet, San Francisco Ballet corps member Myles Thatcher and UK-based artist Kim Brandstrup.

Binet and Thatcher are both early-career artists who've had huge opportunities to choreograph on major companies. Binet has made work on the National Ballet of Canada and for Wayne McGregor | RandomDance, while Thatcher has choreographed for SFB and recently participated in the Rolex Mentor & Protégé Arts Initiative. For their NYCB debuts, Binet will use two movements of Maurice Ravel's Miroirs: "Oiseaux Tristes" and "Une Barque sur l'Océan," while Thatcher has chosen the first movement of William Walton's piano quartet in D minor.

Brandstrup's premiere at NYCB will be his first work ever for an American company. He has received two Olivier Awards and has choreographed works for multiple companies, including The Royal Ballet, Royal Danish Ballet and Les Grands Ballets Canadiens de Montréal. He will create a ballet to Jeux, by Claude Debussy.

Latest Posts


James Barkley, Courtesy Dance for Change

Take Class From Celebrated Black Dancers and Raise Money for the NAACP Through Dance for Change

Since the nationwide fight against racial inequality took center stage in May, organizations across the dance world have been looking for meaningful ways to show their support, rather than fall back on empty social media signifiers. July 10-11, Diamante Ballet Dancewear is taking action with Dance for Change, a two-day event dedicated to fundraising for the NAACP, and amplifying the voices of Black professional dancers.

Organized by Diamante Ballet Dancewear's founder, Nashville Ballet 2 dancer Isichel Perez, and Pittsburgh Ballet Theatre teacher Elise Gillum, Dance for Change makes it easy to participate. Dancers need only to make a donation to the NAACP (in any amount) and email proof to diamante.ballet@gmail.com to be given online access to a full schedule of Zoom master classes taught by Black pros artists. Teachers include Ballet Memphis' George Sanders, Boston Ballet's Daniel Durrett, Pittsburgh Ballet Theatre's Corey Bourbonniere, and more. "It's important that we amplify BIPOC voices during this time, and it's also important that we're conscious of where we're putting our dollars," says Bourbonniere. "Diamante is doing both with Dance for Change, and I'm honored to be in this talented group of melanated dancers."

Keep reading SHOW LESS

Houston Ballet's "Dancing With Myself" Captures How We All Feel Right Now

What are dancers to do when they're still stuck at home in isolation? After all, there's only so much time you can spend taking barre, tackling your reading list (or Netflix queue) or ticking items off your to-do list. Even wistfully looking out the window has lost its appeal after a few months.

That's when you need a dance party—even it's for a party of one.

Keep reading SHOW LESS
Getty Images

"Our Studio Is Failing Its Students of Color": One Dancer's Experience of Racism and Microaggressions

I recently spent a Saturday night with my husband and my 17-year-old dancing daughter, who sobbed at the foot of our bed. My daughter revealed her experiences with implicit bias and overt racism in school, and especially in the dance studio.

For six years, she has danced at a classical ballet school tied to the city's ballet company. The previous six years were spent at a mid-sized recreational/competition studio. I want to recount a few examples of the racism that my daughter shared that night.

Keep reading SHOW LESS

Editors' Picks