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This New Trailer Featuring Misty Copeland Has Us Counting Down the Days Till "The Nutcracker and the Four Realms" Hits Theaters

Misty Copeland as the Ballerina Princess in The Nutcracker and the Four Realms. Photo Courtesy Disney.

It's August—the sun is shining, summer intensives are winding down, and Nutcracker seems very far away. But this new trailer for Disney's The Nutcracker and the Four Realms is already getting us in the holiday mood. While this modern take on the classic holiday story, in theaters November 2, is not a dance film, it does include mega-stars Misty Copeland and Sergei Polunin as the Ballerina Princess and Nutcracker Prince.


The Nutcracker and the Four Realms is not all sparkles and candy. The film pulls from the ballet's darker, eerier roots, E.T.A. Hoffmann's 1816 "Nutcracker and Mouse King," although the storyline has been changed. Clara (played by Mackenzie Foy) is on a quest to find a key to unlock a box holding a gift from her late mother, an accomplished inventor. Her search takes her through four realms that should sound familiar to any bunhead worth their salt: the Land of Snowflakes, Land of Flowers, Land of Sweets and the ominous Fourth Realm, home to an evil Mother Ginger (played by Helen Mirren). Beloved characters Drosselmeyer (Morgan Freeman) and the Sugar Plum Fairy (Keira Knightley) join Clara on her journey.

Liam Scarlett, resident choreographer at The Royal Ballet, choreographed the film's dance sequences. Copeland and Polunin, paired together for the first time, are joined by a group of 18 dancers from a variety of countries and schools. Bringing the well-known story to life on screen provides a whole different perspective for dancers for whom the ballet is second nature. Scarlett made his Nutcracker debut as one of Fritz's friends at age 11; Copeland danced Clara at age 13, only nine months into her ballet training. We'll keep you posted as more details on the film are released—in the meantime, join us in counting down the days until November 2!

Ballet Careers
Gray Davis with wife, ABT soloist Cassandra Trenary, after his graduation from the South Carolina Criminal Justice Academy. Courtesy Trenary.

When Gray Davis retired from American Ballet Theatre in July of 2018, he moved home to South Carolina, unsure of what would come next. Last month, just over a year later, Davis graduated from the South Carolina Criminal Justice Academy. Today, he's working as a deputy for the Abbeville County Sheriff's Office.

Though Davis danced in ABT's corps for 11 years and is married to soloist Cassandra Trenary, to many he's best known for saving the life of a man who was pushed onto the subway tracks in New York City in 2017. The heroic effort earned him the New York State Liberty Medal, the highest civilian honor bestowed by a member of the New York State Senate. We caught up with Davis to hear about how the split second decision he made in the subway affected the course of his life, what it's been like starting a second career and what he sees as the similarities between ballet and law enforcement.

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Sponsored by BLOCH
Courtesy BLOCH

Today's ballet dancer needs a lot from a pointe shoe. "What I did 20 years ago is not what these dancers are doing now," says New York City Ballet shoe manager Linnette Roe. "They are expected to go harder, longer days. They are expected to go from sneakers, to pointe shoes, to character shoes, to barefoot and back to pointe shoes all in a day."

The team at BLOCH developed their line of Stretch Pointe shoes to address dancer's most common complaints about the fit and performance of their pointe shoes. "It's a scientific take on the pointe shoe," says Roe. Dancers are taking notice and Stretch Pointe shoes are now worn by stars like American Ballet Theatre principal Isabella Boylston, who stars in BLOCH's latest campaign for the shoes.

We dug into the details of Stretch Pointe's most game-changing features:

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Ballet Stars
Megan Amanda Ehrlich, Courtesy LEAP Program

Claire Sheridan wanted to change the status quo. Leading up to the 1990s, she recalls, "there was a 'shut up and dance' mind-set," and as the founder of the dance program at St. Mary's College of California and a longtime teacher in professional companies, she had seen too many dancers retire with no plan for a successful career transition. "At that time, if you thought about education and the future," she says, "you were not a committed dancer. I wanted to fight that."

With the support of St. Mary's, Sheridan developed the Liberal Education for Arts Professionals program, or LEAP, an innovative liberal-arts bachelor's degree program designed especially for professional dancers. She first presented her idea to executives at San Francisco Ballet. "Kudos to that company, because they said, 'This is great,'" she says. "Eleven of the first 18 dancers who started in August 1999 were from SFB."

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Ballet Training
Getty Images

I'm a college freshman, and my dance program isn't challenging enough. We only have ballet three times a week and a few hours of modern, and my classmates aren't as dedicated as I am. There's a small dance company nearby, where I was hoping to take extra classes, but I don't have a car. I want to transfer, but I feel like I won't be in good enough shape for auditions. —Tara

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