Smuin Ballet dancers Erica Felsch, Rex Wheeler, Mengjun Chen and Tessa Barbour in "White Christmas," choreographed by dancers Ben Needham-Wood and Michael Smuin. Photo by Keith Sutter, Courtesy Smuin Ballet.

Hip Hop to Hans Christian Andersen: Seven Alternatives to the Traditional "Nutcracker"

Nutcracker-ed out? Or just can't get enough holiday ballets? These unique Nutcracker interpretations and non-Nutcracker productions will make your season bright.


The Hip Hop Nutcracker

Through December 30

Tchaikovsky's masterful Nutcracker score isn't just for classical ballet…

Hip Hop + a live DJ + an electric violinist unite in The Hip Hop Nutcracker, currently touring the U.S.

Familiar characters such Drosselmeyer, the Nutcracker, Mouse King and Marie (here called Maria-Clara) dance through an updated New York City storyline with choreography by Jennifer Weber, artistic director of the Brooklyn-based theatrical hip hop company Decadancetheatre.

Premiered in 2014, The Hip Hop Nutcracker is produced by New Jersey Performing Arts Center.



The Christmas BalletSmuin Ballet

November 17-December 24

What do you do when your city already offers several Nutcrackers?

For Smuin Ballet, the answer was to create an entirely different Yuletide production—The Christmas Ballet. Debuted in 1995, the show features a variety of original choreography in ballet, tap, jazz and other styles performed to holiday music.

"With a classical first act and a pop second act, it has become a tradition for many families," says artistic director Celia Fushille. "The program changes every year, with new songs added and old favorites returning. Smuin now performs it in four cities across the Bay Area every holiday season."


Nigel Tau and Connie Flachs rehearse "A Christmas Carol" with Brian Enos. Photo Scott Rasmussen, Courtesy Grand Rapids Ballet.

A Christmas Carol—Grand Rapids Ballet

December 22-23

Just as soon as The Nutcracker wraps up at Grand Rapids Ballet, the company will debut a new, full-length story ballet based on Charles Dickens's classic tale A Christmas Carol.

Why back-to-back holiday ballets?

"The company's Nutcracker is a large production and they are looking for something that can be toured more easily and performed on smaller stages," explains Brian Enos, the production's choreographer and artistic director of The Big Muddy Dance Company.

Enos says his choreography will feature a blend of classical and contemporary dance and touch on some of the darker humor in the story. The production's score will feature music by Tchaikovsky—mostly from his string quartets—arranged by Brendan Hollins.


Dylan Santos and Ingrid Silva in "The Brooklyn Nutcracker." Photo by Julie Lemberger, Courtesy Brooklyn Ballet.

The Brooklyn NutcrackerBrooklyn Ballet

December 7-16

For a borough-inspired NYC Nutcracker, get a ticket to Brooklyn Ballet's The Brooklyn Nutcracker.

Artistic director Lynn Parkerson says she loves the many traditional versions of The Nutcracker but wanted to create a production that reflected the diversity of Brooklyn and the company dancers' varied training in different styles.

The Brooklyn Nutcracker, which debuted last year, blends ballet, hip hop, tap, modern and world dance with scenes that tap into the history of Brooklyn and costumes enhanced with motion-sensor LED lights.


Hip Hoppin' Rats, Rappin' Sugarplum Fairy and Philly Cheesesteak Nerd in "Philly Nutt-Crak Up." Photo by Bill Hebert, Courtesy ContempraDANCE Theatre.

Philly Nutt-Crak Up—ContempraDANCE Theatre

December 15-17

For another Nutcracker with local flavor—and a whole lot of zaniness—check out ContempraDance Theatre's Philly Nutt-Crak Up, which has been making audiences laugh for over 10 seasons.

"I created this show because there was nothing in the area other than the traditional Nutcracker," says artistic director Gail Vartanian. "I wanted to blend various genres of dance with a Philly flair and make it viewable for everyone."

The cast of characters includes the Rappin' Sugarplum Fairy, Hip Hoppin' Rats, City Hall Dolls, Captain Philadelphia, Liberty Belle-Anne and the Philly Cheesesteak Nerd.


Milwaukee Ballet School & Academy students rehearse "'Twas the Night Before Christmas." Photo by Anne Metcalfe, Courtesy Milwaukee Ballet School & Academy.

'Twas the Night Before ChristmasMilwaukee Ballet School & Academy

November 19

Right before The Nutcracker gets underway at Milwaukee Ballet, the company's school will perform a new production of 'Twas the Night Before Christmas.

The ballet offers students the opportunity to learn lead roles, and its one-hour runtime provides a holiday ballet option for children who might be too young to sit through The Nutcracker.

"Our students are invited to audition for the company's Nutcracker, but there are only so many roles available and they are all in the ensemble," says Rolando Yanes, director of the Milwaukee Ballet School & Academy. "In 'Twas the Night Before Christmas, students learn to create characters and dance as principals or soloists. This process mirrors company rehearsals and prepares them for experiences further down the road."


The Little Match GirlArthur Pita, Sadler's Wells

December 13-24

Arthur Pita's reimagining of Hans Christian Andersen's tale of a doomed young match seller has been lighting up stages since 2013 with its blend of dance, theater, Italian text and songs.

This somber story of injustice and human cruelty is about as different from The Nutcracker as you could find in holiday show, but the production includes gorgeous visuals, moments of humor and, ultimately, a message of hope and love—which never fails to resonate at this time of year.

Latest Posts


Peter Mueller, Courtesy Cincinnati Ballet

2020 Stars of the Corps: 10 Dancers Making Strides In and Out of the Spotlight

The corps de ballet make up the backbone of every company. In our Fall 2020 issue, we highlighted 10 ensemble standouts to keep your eye on. Click on their names to learn more!

Dara Holmes, Joffrey Ballet

A male dancer catches a female dancer in his right arm as she wraps her left arm around his shoulder and executes a high arabesque on pointe. Both wear white costumes and dance in front of a blue backdrop onstage.

Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

Wanyue Qiao, American Ballet Theatre

Wearing a powder blue tutu, cropped light yellow top and feather tiara, Wanyue Qiao does a piqu\u00e9 retir\u00e9 on pointe on her left leg and pulls her right arm in towards her.

Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

Three male dancers in tight-fitting, multicolored costumes stand in positions of ascending height from left to right. All extend their right arms out in front of them.

Joshua Guillemot-Rodgerson (far right) with Saul Newport and Austen Acevedo in Oliver Halkowich's Following

Amitava Sarkar, Courtesy Houston Ballet

Leah McFadden, Colorado Ballet

Wearing a white pixie wig and a short light-pink tunic costume, a female ballet dancer poses in attitude front on pointe with her left arm bent across her ribs and her right hand held below her chin.

Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

Maria Coelho and Sasha Chernjavsky in Andy Blankenbuehler's Remember Our Song

Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

A ballerina in a black feathered tutu stands triumphantly in sous-sus, holding the hand of a male dancer in a dark cloak with feathers underneath who raises his left hand in the air.

Alexander Reneff-Olson (right) as Von Rothbart with San Francisco Ballet principal Yuan Yuan Tan in Swan Lake

Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

Wearing a blue dance dress with rhinestone embellishments and a sparkly tiara, India Bradley finishes a move with her arms out to the side and hands slightly flexed.

India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

Wearing a white dress with pink corset, Bella Ureta does a first arabesque on pointe in front of an onstage stone wall.

Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

Hiromi Platt, Courtesy Cincinnati Ballet

Alejándro Gonzales, Oklahoma City Ballet

Dressed in a green bell-boy costume and hat, Alejandro Gonz\u00e1lez does a saut\u00e9 with his left leg in retir\u00e9 and his arms in a long diagonal from right to left. Other dancers in late 19-century period costumes watch him around the stage.

Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

Nina Fernandes, Miami City Ballet

Wearing a long white tutu and crown, Nina Fernandes does a saut de chat in front of a wintery backdrop as snow falls from the top of the stage.

Nina Fernandes in George Balanchine's The Nutcracker

Alexander Iziliaev, Courtesy Miami City Ballet

Quinn Wharton

Pacific Northwest Ballet's Angelica Generosa Shares Her Classic, Comfy Style In and Out of the Studio

"I love the feeling and look of effortless fashion," says Angelica Generosa. Preferring a classic style, the Pacific Northwest Ballet soloist keeps her wardrobe stocked with blazers. But they serve a practical purpose, too. "It tends to get chilly in Seattle, so it's the perfect accessory for layering," Generosa explains.

She's also quite fond of designer handbags. "They're my go-to accessory, and they're also my weakness when shopping," she says, naming Chloé, Chanel and Dior as some of her favorite brands. "I really appreciate the craftsmanship it takes to produce one—they're so beautiful and each has its own story, in a way."

In the studio, Generosa prioritizes comfort, and she'll change up her look depending on the repertoire (leotards and tutus for classical works, breathable shirts with workout pants for contemporary). But she always arrives to work in style. "I really love putting together outfits for even just going to the studio," she says. "It's another way of expressing my mood and what kind of vibe I'm going for that day."

The Details: Street

Angelica Generosa, wearing a blue blazer, white blouse and gray jeans, is photographed from underneath as she walks and looks to the right.

Quinn Wharton

BCBG blazer: "It has some shoulder pads and a really cool pattern," says Generosa. "It reminds me of my mom and '80s fashion."

Zara blouse: She incorporate neutrals, like this white satin button-up, to balance bright pops of colors.

Angelica Generosa looks off to her right in front of a glass-windowed building. She wears a blue blazer, white blouse, gray jeans and carries a small green handbag.

Quinn Wharton

Madewell jeans: Comfort is a major factor for Generosa, who gets her fashion inspiration from her mom, friends and people she comes across day to day.

Chloé bag: "I tend to have smaller purses because I'm quite small. Bigger bags overwhelm me sometimes—unless it's my dance bag, of course!"

The Details: Studio

Angleica Generosa, wearing a blue tank leotard, black wool leggings and pink pointe shoes, balances in a lunge on pointe with her left leg in front, facing a wall of windows.

Quinn Wharton

Label Dancewear leotard: "This was designed by my good friend Elizabeth Murphy, a principal dancer here at PNB. Her leotards always fit me really well."

Mirella leggings: "I get cold easily," says Generosa, who wears leggings and vests to stay warm throughout the day.

Angelica Generosa, wearing a blue tank leotard, black wool tights and pink pointe shoes, jumps and crosses her right foot over her left shin while lifting her arms up to the right.

Quinn Wharton

Freed of London pointe shoes: "When sewing them, I crisscross my elastics and use an elasticized ribbon from Body Wrappers," which helps alleviate Achilles tendon issues, she says. She then trims the satin off of the tip of the shoe. "Then I bend the shank a bit to loosen it up and cut a bit off where my arch is."

Getty Images

This New "Nutcracker" Competition Wants Your Dance Studio to be Part of a Virtual Collaboration

Despite worldwide theater closures, the Universal Ballet Competition is keeping The Nutcracker tradition alive in 2020 with an online international competition. The event culminates in a streamed, full-length video of The Virtual Nutcracker consisting of winning entries on December 19. The competition is calling on studios, as well as dancers of all ages and levels, to submit videos by November 29 to be considered.

"Nutcracker is a tradition that is ingrained in our hearts," says UBC co-founder Lissette Salgado-Lucas, a former dancer with Royal Winnipeg Ballet and Joffrey Ballet. "We danced it for so long as professionals, we can't wait to pass it along to dancers through this competition."

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