Ballet Stars

The Standouts of 2018: Houston Ballet's Nozomi Iijima in Stanton Welch's "Just"

Iijima with Cuhan Wai Chan in Stanton Welch's Just. Photo by Christopher Duggan, Courtesy Houston Ballet.

Houston Ballet first soloist Nozomi Iijima transformed into a Zen goddess in the pas de deux for Stanton Welch's Just, commissioned specially for Jacob's Pillow Dance Festival in August. Partnered by Chun Wai Chan, Iijima moved as if in a dream state, casting a deliciously hypnotic spell. It was as if she was literally pouring her weight from one movement to another. Welch's sculptural choreography brings out her most mesmerizing abilities. Even though the ballet is completely fluid, tension slowly builds to a crescendo until finally we feel the pain of loss that memory holds. Her stoic but powerful performance held the audience captive—it was the kind of dancing that you don't want to exhale during.


Ijima and Chan in "Just." Photo by Christopher Duggan, Courtesy Houston Ballet.

At Houston Ballet since 2008 (minus two seasons when she danced in Japan and Zurich), Iijima has always been an important muse for Welch. He created the lead on her for his Rite of Spring in 2013, and she made her Houston Ballet debut as Odette/Odile in Welch's Swan Lake in 2014. She's definitely one to watch this season.

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Ballet Stars
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Dancers like Clark are what propel former Dutch National Ballet principal Casey Herd recently; since leaving the company three years ago, Herd has become determined to shed light on the lesser-known stories of dancers making it around the world. Now, he and his friend and colleague Chris Weisler are creating a documentary project called Ballet Rising. Together they have been transversing the globe, searching for people embracing ballet. (Since the series is still in development, a premiere date is TBA.) Between stops, Pointe touched base with Herd over the phone to learn about the project, where his travels have taken him so far, and what his hopes are for the future of global ballet.

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