Congratulations are in order for Kathryn Morgan! After a long struggle with hypothyroidism, which led to the ballerina's resignation from New York City Ballet in 2012, Morgan is now set to dive back into full-time professional dance as a soloist at Miami City Ballet.
Petit Pas's En Pointe bracelet, made from used pointe shoes. Courtesy Petit Pas.
Have you ever looked at the ever-growing pile of dead pointe shoes in the corner of your closet, unsure of what to do with them? It seems wasteful to throw them out, but they can't be recycled. And many dancers feel a sentimental attachment to their old shoes and want to hang onto them. This is where Petit Pas comes in. This new New York City-based company is dedicated to finding a second life for pointe shoes, creating bracelets and other items out of discarded shoes.
Sarah Lane will perform in one of the "You Are Us" benefit concerts. Photo by Erin Baiano, Courtesy ABT
After the horrific March 15 terrorist attacks at two New Zealand mosques, the music and arts community sprang into action to plan a way to help victims and their families. A series of resulting concerts, titled "You Are Us/Aroha Nui," will take place in New Zealand (April 13 and 17), Jersey City, New Jersey (April 17) and Los Angeles (April 18). Proceeds from ticket sales will be donated to the Our People, Our City Fund, which was established by the Christchurch Foundation to aid those affected by the attacks.
Hough in Sir Kenneth MacMillan's "Manon." Joerg Wiesner, Courtesy Norwegian National Ballet.
Melissa Hough's career is as dynamic as her dancing. After stints with Boston Ballet and Houston Ballet, Hough (our April/May 2011 cover star) joined the Norwegian National Ballet as a principal in 2013, and her dance card has been full ever since. She's turning heads as a choreographer, too. Her work Epic Short, commissioned for Norwegian National Ballet's 2017 Sleepless Beauty program, won Dance Europe magazine's Critic's Choice for Best Premiere that year and recently debuted at the 2018 Diaghilev P.S. Festival in St. Petersburg, Russia.
Hough is also juggling her dance and choreography career with motherhood, and has had an incredibly eventful year since returning to the stage last fall after the birth of her daughter. On April 6, she premieres a new ballet called Bout of the Imperfect Pearl for Norwegian National Ballet's Baroque Motion quadruple bill. Hough took a rehearsal break to talk to me about her busy season.
Newly promoted soloist Lawrence Rines in Mikko Nissinen's The Nutcracker. Liza Voll, Courtesy Boston Ballet.
Boston Ballet announced some happy news this morning: seven dancers have been promoted! The company named three to soloist and four to demi-soloist for the 2019-20 season. "I am excited to see how they continue to grow as dancers in the upcoming season with its versatile and challenging repertoire," says artistic director Mikko Nissinen in a statement. So, who are these lucky dancers? Read on to find out.
Hallberg and Osipova in Ratmansky's Valse Triste. Johan Persson, Courtesy New York City Center.
In recent years, Royal Ballet principal and international touring artist Natalia Osipova has curated her own evenings of new works, collaborating with a slew of contemporary choreographers. The newest of these is Pure Dance, which premiered last September at Sadler's Wells and comes to New York City Center April 3–6. "I really like to try new things," she told the Financial Times last year. "There is something in my personality that makes me want to start new projects."
Lawrence Rhodes passed away on Wednesday, March 27, at age 80. Rhodes, best known as Larry, had a long and celebrated career as a dancer, teacher and director, most recently heading The Juilliard School's dance department.
I first met Rhodes in 2017, when we started work together on an autobiography charting his life and career. Over countless hours spent seated at the kitchen table of his Upper West Side apartment, Rhodes often reminded me that his dance career, both on and off stage, had spanned over 60 years; his passion for the work remained his driving force.
From left: Catherine Hurlin, Siphesihle November and Kristian Lever. Karolina Kuras, Courtesy NBoC.
Over the weekend, eight of the world's most promising young dancers competed in Toronto for The Erik Bruhn Prize. Since 1988 the prize, named for celebrated danseur noble Erik Bruhn, has brought together one male and one female dancer from each of the companies that he was affiliated with. Dancers must be between the ages of 18 and 23, and are invited by their artistic directors to compete. Each couple performs a classical and contemporary pas de deux, though they're judged individually.