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Orlando Ballet dancers Kate-Lynn Robichaux and Arcadian Broad. Photo by Michael Cairns, courtesy Orlando Ballet.

It's been nearly a year and a half since Hurricane Maria devastated the island of Puerto Rico, but that doesn't mean the effects of the storm aren't still being widely felt. Thousands of Puerto Ricans relocated to Florida after the storm hit (the exact number is unknown), and many are still settled in Orlando.

This weekend, Orlando Ballet brings its Bailamos! program to audiences in Central Florida, and the company is offering 1,000 free tickets to Puerto Ricans in the area who were displaced by the hurricane. The ticket donation was organized in partnership with Orlando's Hispanic Chamber of Commerce and the Puerto Rico Federal Affairs Administration, who helped spread the word about how individuals and families could claim their tickets to the February 16 matinee. Some of the marketing for the performance was entirely in Spanish, and the program will also include an insert for Spanish-speaking audiences. "We're not just a professional ballet company; we are Orlando Ballet and we have a role to play in this community," says executive director Shane Jewell. "We have a social responsibility, I believe, as an arts organization, to do whatever we can to enrich the quality of life for everyone who's here."

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Complexions Contemporary Ballet. Photo by Steven Trumon Gray, courtesy Complexions.

Complexions Contemporary Ballet is celebrating their 25th anniversary this year, and we can hardly contain our excitement. Their longstanding commitment to diversity and daring, edgy repertoire has made them an exemplar of American contemporary ballet today. The company's season opener will be held at the Joyce Theater from February 19–March 3. Works include the world premiere of Complexions co-founder and choreographer Dwight Rhoden's WOKE; a compilation spanning 25 years of the company's repertory titled From Then to Now; the return of the David Bowie tribute Star Dust; and the New York City premiere of Bach 25. A gala evening will be held February 21, in which Complexions co-founder and co-artistic director Desmond Richardson will perform for the last time as a full-time company member.

Pointe caught up with Rhoden and Richardson in separate interviews to hear them reflect on what the past 25 years has meant to them, what audiences can expect from their anniversary season, and why Richardson is choosing to step away from his role as full-time company member.

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Wonder what's going on in ballet this week? We've pulled together some highlights.

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State Ballet of Siberia dancer Yuri Kudriavstev. Courtesy Siberian Swan.

As ballet's gender roles grow increasingly blurred, more men than ever are reaching new heights: the tips of their toes.

It's no longer just Les Ballets Trockadero de Monte Carlo and the few pointe-clad male character parts, like in Cinderella or Alexei Ratmansky's The Bright Stream. Some male dancers are starting to experiment with pointe shoes to strengthen their feet or expand their artistry. Michelle Dorrance even challenged the men in her cast at American Ballet Theatre to perform on pointe last season (although only Tyler Maloney ended up actually doing it onstage).

The one problem? Pointe shoes have traditionally only been designed for women. Until now.

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Mackenzie Brown, the only American prizewinner, at the Awards Ceremony. Gregory Bartadon, Courtesy Prix de Lausanne.

After a full week of class, coaching and competition, the 2019 Prix de Lausanne has announced its eight prizewinners. The dancers were selected from an initial group of 74, narrowed down to 21 selected to perform in last Saturday's Finals. The eight winners will receive company apprenticeships or scholarships to one of the Prix de Lausanne's partner schools. In addition, the Prix awarded five other prizes, and all of the remaining finalists received the Finalist Award, which includes 1,000 Swiss Francs.

This year, the Prix offered an unprecedented number of live streaming hours. If you tuned in this week, you weren't alone; more than 562,530 ballet fans watched the daily sessions, and the selections have been viewed more than 1,199,322 times. If you missed out, you can catch up here.

Get to know the winners below!

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Mackenzie Brown, one of the four Prix de Lausanne finalists from the U.S. Rodrigo Buas, Courtesy Prix de Lausanne.

Earlier today, 74 young dancers from 19 countries had their chance to take the stage at the Beaulieu Theater in Lausanne, Switzerland to compete in the 2019 Prix de Lausanne. A panel of nine esteemed judges including Gillian Murphy and Carlos Acosta chose 21 dancers to advance to Saturday's Finals.

Check out the complete list of finalists below.

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Rowser and Owen Thorne rehearse "Attitude: Lucy Negro Redux." Photo by Heather Thorne, courtesy Nashville Ballet.

Nashville Ballet's Kayla Rowser has performed a long list of leading roles: Aurora, Odette/Odile, Sugar Plum Fairy, the Firebird. But this weekend, Rowser takes on a new one created especially for her: the famous Dark Lady of William Shakespeare's sonnets, in artistic director Paul Vasterling's world premiere Attitude: Lucy Negro Redux. The ballet (running February 8-10) is based on the book Lucy Negro, Redux by poet Caroline Randall Williams. It explores the theory that Shakespeare's Dark Lady was a black woman, an actual London prostitute known as Black Luce or Lucy Negro.

For Rowser, who is African American, the ballet offers a rare opportunity to portray a character based on a woman of color. "Being able to explore a character who demands so much of who I am naturally, as well as through the gifts I have to share through ballet, is new to me," says Rowser. "It's different than being an African American woman dancing Odette or Aurora. Now what people are seeing is actually what is written. There's a lot of weight in that."

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Grand Rapids Ballet in rehearsal. Jade Butler, Courtesy GRB.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Heather Milne, Courtesy RWB

When Catherine Wreford found out that she had brain cancer in June 2013, with doctors predicting she had only two to six years left to live, there was one thing she knew she wanted to do: dance.

She had grown up training in the recreational division at the Royal Winnipeg Ballet School, then went on to perform on Broadway and in musical theater productions around the country. She eventually left the stage to find more stable work, running a mortgage company and later getting a nursing degree because, she says, "I knew that I could do that for a long time."

But a diagnosis of anaplastic astrocytoma meant she didn't have a long time left.

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Competitors in class. Gregory Bartadon, Courtesy Prix de Lausanne.

Prepare to give up your plans for this entire week. The 2019 Prix de Lausanne is underway, with more hours of streaming available than ever before. Bunheads and balletomanes can enjoy up to six hours a day of free streaming live from Switzerland.

The broadcast started this morning with the junior category girls running through their classical variations onstage for the first time, followed by the senior boys in contemporary class. The full schedule for the week is available here, and streaming can be viewed on ARTE Concert or on the Prix de Lausanne website. (The ARTE Concert site is in French, but don't let that deter you; the stream itself is all in English.)

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James Whiteside and Isabella Boylston. Courtesy In the Lights PR.

"Cindies" fans, this one's for you. February 9-10, American Ballet Theatre's James Whiteside and Isabella Boylston are collaborating with pop singer Rozzi to put on a full-length show titled When I Think Of You at The Argyros Performing Arts Center in Ketchum, Idaho. Set to Rozzi's debut album Bad Together, performed live by the singer and her band, the show features choreography by Whiteside, Boylston, ABT's Gemma Bond and commercial dancer Ai Shimatsu with dancing by Whiteside, Boylston and ABT soloist Calvin Royal III.

Whiteside is no stranger to pop music. The principal dancer doubles as singer/songwriter JbDubs, known for choreographing and producing his own wild music videos and performances. We touched base with Whiteside to hear all about how When I Think of You came to be, what this unique show will look like, and how he balances his musical career with his work at ABT.

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Colorado Ballet's Dana Benton as Dorothy. Kate Rolston, Courtesy Colorado Ballet.

Picture The Wizard of Oz, and your head probably fills with yellow brick roads, flying monkeys, emerald cities and ruby slippers. Now imagine what it takes to translate that magic to the stage—and what it would look like in pointe shoes.

On Friday, Colorado Ballet will present the company premiere of Septime Webre's The Wizard of Oz, a ballet they produced jointly with Kansas City Ballet and Royal Winnipeg Ballet (KCB presented the world premiere back in October, and RWB will have their turn this May). The three companies split the costs of creating the full-length story ballet, which includes an original score by Matthew Pierce; 120 colorful costumes (plus 112 hats!) designed by Liz Vandal; projection technology and flying effects; and puppetry (including a puppet Toto) by Nicholas Mahon, who recently worked on the opening ceremony for the 2018 Winter Olympics. The result is a major new production none of the companies likely would have been able to pull off on their own.

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American Contemporary Ballet presents five Fred Astaire and Ginger Rogers duets this week. Victor Demarchelier, Courtesy ACB.

Wonder what's going on in ballet? We've rounded up some highlights.

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Oleg Ivenko as Rudolf Nuryev in "The White Crow." Still via YouTube.

It's the moment many of us have been waiting for since early 2017: our first glimpse of The White Crow, a feature film about Rudolf Nureyev's 1961 defection from the Soviet Union while on tour with the Kirov Ballet. Directed by Hollywood A-lister Ralph Fiennes, the movie follows Nureyev from his birth on a train in Siberia to his request for asylum at Paris' Le Bourget Airport. It is based on Julie Kavanaugh's 2007 book, Nureyev: A Life.

THE WHITE CROW - Official Trailer - Directed by Ralph Fiennes www.youtube.com

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Hi there, fans of the Ballerina Project (so, all of you). Do you want the good news first, or the bad news?

The bad? We were afraid of that. OK:

The Ballerina Project—an 18-year labor of love by photographer Dane Shitagi, featuring images of gorgeous dancers in striking settings—is coming to an end.

The good? Many of those stunning images will be featured in a Ballerina Project book, set for release in the fall of 2019.

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Richmond Ballet's Maggie Small in "Portrait of Billie." Sarah Ferguson, Courtesy Richmond Ballet.

We love ballet live streams. No matter where we are , they give us a chance to see different parts of the ballet world up close and on the go. Tomorrow (Thursday, January 24) marks two exciting streams. Read all about them below.

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Valdes and Alonso. Photo by Nancy Reyes, courtesy BNC

Alicia Alonso's famed ballet company in Cuba has a new leader: the beloved hometown prima ballerina Viengsay Valdés.

Ballet Nacional of Cuba just named Valdés deputy artistic director, which means she will immediately assume the daily responsibilities of running the company. Alonso, 98, will retain the title of general director, but in practice, Valdés will be the one making all the artistic decisions.

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Joffrey Ballet's Victoria Jaiani and Temur Suluashvili in "Orphée et Eurydice" with the Lyric Opera of Chicago. Photo courtesy "Great Performances."

You might say, "You just had to be there," about the Joffrey Ballet's 2017 world premiere of John Neumeier's reimagined Orphée et Eurydice with the Lyric Opera of Chicago. But on January 18, audiences from around the country will have a chance to witness this extraordinary collaboration up close, from the comfort of their living rooms, as PBS stations broadcast Orphée et Eurydice on "Great Performances".


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Patricia Delgado will dance in new choreography by Jamar Roberts at Guggenheim Works & Process' program The Choreography of Light. Erin Baiano, Courtesy Works & Process.

Wonder what's going on in ballet this week? We've pulled together some highlights.

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Courtesy Birmingham Royal Ballet

Birmingham Royal Ballet announced today that international star Carlos Acosta will be taking over as director in January of 2020. Current BRB director David Bintley will be stepping down this summer, at the end of the company's 2019 season, after a 24-year tenure. "It is a tremendous honor and privilege to have been appointed to lead Birmingham Royal Ballet," Acosta said in a statement.

Since retiring from The Royal Ballet in 2015, Acosta has focused much of his attention on his native Cuba, where he's proven his directorial abilities at the helm of Acosta Danza, the contemporary company that he founded in 2016. In 2017 Acosta also opened his first Dance Academy through his foundation, which provides free training to students. We don't yet know how Acosta will balance his time between his projects in Cuba and his new role at BRB.

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Aurelie Dupont explained she did not share Polunin's values. Photo via Instagram

Sergei Polunin, whose recent homophobic and sexist Instagram posts have sparked international outrage, will not be appearing with the Paris Opéra Ballet as previously announced.

POB artistic director Aurélie Dupont sent an internal email to company staff and dancers on Sunday, explaining that she did not share Polunin's values and that the Russian-based dancer would not be guesting with the company during the upcoming run of Rudolf Nureyev's Swan Lake in February.

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YoungArts 2019 finalist Kali Kleiman in rehearsal Katherine Bollens, Courtesy YoungArts.

Let the ballet live streams continue! Last week we let you know that Youth American Grand Prix is streaming its regional semi-finals each weekend. Tonight, National YoungArts is sharing its finalists' dance performance.

The National YoungArts Foundation seeks out high school aged artists from around the country and gives them monetary awards, mentorship opportunities and the chance to participate in regional workshops. Artists span across 10 disciplines ranging from music to writing to visual art to dance. The finalists from each region are invited to the annual National YoungArts Week, an all-expenses-paid experience including master classes, workshops and performances with top artists (this year the dance faculty includes former New York City Ballet star Wendy Whelan). Nominations for the U.S. Presidential Scholars in the Arts will also be made from this group.

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Photo by Carlos Quezada, Courtesy ABT

American Ballet Theatre announced today that Brooklyn Mack, a former Washington Ballet star, will join the company as a guest for its spring season at the Metropolitan Opera House. Currently an in-demand international guest artist, Mack will dance in three performances of ABT's Le Corsaire this June.

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Courtesy VAM Productions

Raise your hand if you're excited for competition season! Youth America Grand Prix Regional Semi-Finals are well underway, leading up to the much-awaited New York Finals April 12-19. Even better, they're live-streamed, meaning you now have the perfect excuse to spend your weekend at home, watching ballet (while sewing your pointe shoes and stretching, of course).

This weekend features semi-finals in Seattle, Washington and Tampa, Florida. To see the full schedules and set up streaming, click here. Streaming starts at $13.99. Packages of 2, 4, 6 or 12 total viewing hours are available, and viewers can log in and out as often as they like.

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A photo from Miko Fogarty's 2015 cover shoot (Nathan Sayers)

Back in 2015, gorgeous ballerina Miko Fogarty was on top of the ballet world (and on the cover of Dance Spirit). After starring in the 2011 dance doc First Position, she'd racked up numerous competition titles, achieved social media stardom, and earned a contract with the Birmingham Royal Ballet.

Then, suddenly, she disappeared.

Well—not exactly. As she revealed last summer, Fogarty decided to switch gears, trading the ballet world for the world of academia. She's currently majoring in integrative biology at UC Berkeley. And now she's been tapped to give a TEDx talk about why, and how, she made the transition.

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Melanie Hamrick for Flexistretcher, via @flexistretcher

ABT corps dancer Melanie Hamrick will be taking a leave of absence from the company's spring season, but for the best reason possible: She's working on her own ballet. Her piece is set to premiere in March, and will feature music curated by Hamrick's longtime boyfriend, Rolling Stones frontman Mick Jagger (cue the moves like Jagger puns).

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Sono Osato, Screenshot via YouTube

Sono Osato, a trailblazing ballet and musical theater dancer, passed away last Wednesday at her home in New York City.

Best known for originating the role of Miss Turnstiles in Jerome Robbins' hit On the Town—one of Broadway's first non-segregated musicals—Osato got her start at 14 as the youngest member of the Ballets Russes de Monte Carlo, and as the troupe's first Japanese-American performer. She went on to dance for Ballet Theatre (now American Ballet Theatre), where she found success in New York City but was banned from touring in Mexico and California because of her Japanese background. For a brief time, Osato went by her mother's maiden name, Fitzpatrick, in an effort to escape the World War II-era anti-Japanese sentiment. During the war, her father was confined under military guard in Chicago as an enemy alien.

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Happy New Year! Photo by rawpixel via Unsplash

2019 is almost here—can you believe it? As you tend to your Nutcracker-sore bodies and prep your resolutions, take some time to curl up with a mug of hot chocolate and delve into 10 of 2018's best ballet stories.

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