It's hard to imagine the National Ballet of Canada without ballerina Greta Hodgkinson. Yet this week NBoC announced that the longtime company star will take her final bow in March, as Marguerite in Sir Frederick Ashton's Marguerite and Armand.
You ever just wish that Kenneth MacMillan's iconic production of Romeo and Juliet could have a beautiful love child with the 1968 film starring Olivia Hussey? (No, not Baz Luhrmann's version. We are purists here.)
Canada's Ballet Jörgen is committed to telling Canadian stories by Canadian choreographers. For its next full-length ballet, director Bengt Jörgen turned to what he calls "perhaps the most quintessential Canadian story" of all time: Lucy Maud Montgomery's beloved 1908 novel Anne of Green Gables, about the flame-haired, precocious orphan Anne Shirley. Jörgen is choreographing the work, which will debut in Halifax, Nova Scotia (not far from Anne's fictional home in Avonlea, Prince Edward Island), on September 28 before embarking on a two-year tour of Canada and the U.S.
Earlier this year, we shared that photographer Dane Shitagi's Ballerina Project—his gorgeous, ongoing collection of dance photos that have dominated our Instagram feeds for years—would be coming to an end. But all is not lost—startingSeptember 17, you can enjoy over 170 of these photographs in Ballerina Project, a stunning new book showcasing Shitagi's work.
From left: Kathryn Posin Dance Company members Daniel White, Claire Mazza and Momchil Mladenov in Evolution: The Letters of Charles Darwin. Nan Melville, Courtesy Posin.
Charles Darwin and his theory of evolution might not seem like a natural fit for the ballet stage. But that's exactly the topic of one of choreographer Kathryn Posin's three new ballets, scheduled to premiere at New York City's 92nd Street Y September 13-14.
Dancers breaking world records before they've even had their morning coffee? Shouldn't surprise you, considering our next-level enthusiasm for absolutely anything that has to do with dance. And that's exactly the feat 300+ dancers—myself included!—achieved this morning on the streets of NYC.
Imagine this scenario: Hilarion likes Giselle, but she swipes right on Albrecht, and is smitten. Little does she know, Albrecht is already involved with Bathilde. When Giselle finds out, she livestreams her downward spiral (perhaps her hair even comes down in the midst of her heartbreak?), and enters a realm of women who've similarly been ghosted, or otherwise spurned by online relationships.
This is the basic premise of Joshua Beamish's new @giselle. Created for his troupe Joshua Beamish/MOVETHECOMPANY, the ballet will have its world premiere September 5-7 at the Vancouver Playhouse in British Columbia. For @giselle, which stars American Ballet Theatre soloist Catherine Hurlin and National Ballet of Canada principal Harrison James, Beamish has dug deep into the plot of the original ballet, adapting it for the digital age and showing the pitfalls of changing relationship norms.
We touched base with Beamish to hear all about this new project, from his cleverly modern Wilis to his favorite parts of Adolphe Adam's original score.