Wendy Whelan leads a crowded morning class. "The energy was amazing," she says. "Among the visiting companies, there was such a shared respect and friendliness toward each other." Kyle Froman.

Eight Companies, One Iconic Choreographer: Inside Rehearsals for New York City Center’s Balanchine Festival

On a crisp day in late October, the studio air is thick and hot as dozens of sweaty dancers finish up grand allégro at New York City Center. Despite the fact that many of them are jet-lagged, there is a palpable, positive energy throughout the studio. Teaching class is former New York City Ballet star Wendy Whelan, which seems fitting. The dancers, culled from eight major companies around the world, are getting ready for opening night of Balanchine: The City Center Years, a five-day festival highlighting the choreographer George Balanchine's early works.


NYCB was officially founded at City Center in 1948, 16 years before the company moved into its current, much larger home at Lincoln Center. Some of Balanchine's most groundbreaking works, such as 1957's Agon, were created while the company was in residence there. To celebrate its 75th-anniversary season and its place in dance history, City Center invited eight companies—American Ballet Theatre, The Joffrey Ballet, Mariinsky Ballet, Miami City Ballet, NYCB, Paris Opéra Ballet, The Royal Ballet and San Francisco Ballet—to showcase 13 Balanchine ballets over six programs. Each troupe prepared one to two ballets for the festival, ranging from modernist (The Four Temperaments, Agon) to classical (Divertimento No. 15, Symphony in C) to sweepingly lyrical (Serenade).

The event had New York City audiences buzzing with excitement, but it couldn't compare with the excitement of the dancers themselves. "I have friends here from all over the place, even some who I know only from Instagram," says Mariinsky Ballet principal Xander Parish. "This brings us all together and makes the ballet world even smaller."

Pointe went behind the scenes with the dancers to capture the festival's final preparations.

Kyle Froman

NYCB principal Anthony Huxley

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This is Pointe's Summer 2020 cover story. You can subscribe to the magazine here, or click here to purchase this issue.

Just days before the world shuttered under the strain of the coronavirus pandemic, and the curtain came down indefinitely on dance companies everywhere, Pennsylvania Ballet soloist Sydney Dolan debuted Gamzatti in La Bayadère with captivating ease. Her jumps soared, her technique was sound, and her cheeky smile paired with exquisite port de bras was beguiling. Though she didn't know the company would soon cancel the remainder of its season, her beautiful performance acted as a kind of send-off into the unknown.

Dolan's career could be described in one word: charmed. At just 19 years old, she's flown through the ranks at PAB, debuted a long list of roles, won a Princess Grace Award and been named one of Dance Magazine's "25 to Watch." Yet it's her challenges that have shaped not only her training but her outlook, giving her a solid foundation for becoming one of Pennsylvania Ballet's rising stars.

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YAGP Has Announced the Winners of the 2020 Pas De Deux Virtual Competition

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You can watch the full virtual awards ceremony, hosted by YAGP director of external affairs Sergey Gordeev, below, or scroll down for the list of winners. And if you're missing the thrill of competition, don't fear: Gordeev announced that registration for the 2021 season will open on July 10, with both in-person and virtual options available.

Congratulations to all!

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