News

NYCB's Summer Home Celebrates 50 Years

Violette Verdy in front of the SPAC sign in 1966. Photo by Martha Swope, Courtesy Saratoga Performing Arts Center.

New York City Ballet's home away from home, Saratoga Performing Arts Center, will reach the half-century landmark on July 8. In 1966, NYCB opened SPAC with a performance of Balanchine's A Midsummer Night's Dream, and the company has returned every summer since. "When I stand onstage at SPAC, I can't help but think of how many people have stood in the exact same spot," says principal dancer Sterling Hyltin. "It adds to the magic that is SPAC."


SPAC has hosted some of NYCB's most historic moments, including Mikhail Baryshnikov's company debut in 1978 and Justin Peck's appointment as resident choreographer in 2014. Peck will choreograph a new ballet, set to premiere at the anniversary gala on July 23, to celebrate SPAC's enduring relationship with NYCB.

Suki Shorer posing on SPAC Lawn. Photo by Martha Swope, Courtesy Saratoga Performing Arts Center.

From NYC to Paris

This summer, New York City Ballet will perform at Les Etés de la Danse festival in Paris from June 28 through July 16. This will be the company's first-ever engagement at the festival, and Paris audiences can look forward to 20 ballets, including 14 by George Balanchine.

The Conversation
Ballet Stars
Angela Sterling, Courtesy PNB

Your teacher at Central Pennsylvania Youth Ballet, Marcia Dale Weary, recently passed away. What impact did she have on you?

I feel deeply indebted to her. She shaped my life's course, and I know that were it not for her, I would not be living out my dream today. She led by example through her remarkable commitment to her work, as well as her genuine kindness and generosity.

You were a trainee with San Francisco Ballet. What was that experience like?

It was an exposure to different schools of thought. We were mostly in the full-lengths, and watching run-throughs of Sleeping Beauty and Don Quixote was revolutionary for me. But I was young and far away from home. That transition was hard. My body started changing. It wanted to be fleshy. Biology is cruel in that way. I desperately wanted to fit in, but it wasn't meant to be.

Keep reading... Show less
The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

Keep reading... Show less
Site Network
Left: Misa Kuranaga in The Veritginous Thrill of Exactitude. Gene Schiavone, Courtesy Boston Ballet. Right: Sasha Mukhamedov in Apollo. Altin Kaftira, Courtesy Dutch National Ballet.

San Francisco Ballet just announced some major news: longtime Boston Ballet star Misa Kuranaga will be joining the company as a principal dancer for the 2019-20 season, while Dutch National Ballet principal Sasha Mukhamedov has been hired as a soloist. They join a slew of newly promoted SFB principals and soloists, announced earlier this year.

Keep reading... Show less
Ballet Stars
Xiao Nan Yu in company class. Aaron Vincent, Courtesy National Ballet of Canada.

On June 22, National Ballet of Canada principal Xiao Nan Yu will retire from the stage after 22 years with the company. Originally from Dalian, China, Yu studied at the Shen Yang School of Dance and the Beijing Dance Academy before coming to Canada's National Ballet School at age 17. She joined the National Ballet of Canada less than two years later, and was promoted to principal in 2001.

"She is a supreme dance actress with an innate ability to bring the audience into her world," says NBoC artistic director Karen Kain. "Nan has always brought such a calm confidence into the studio and has been a role model for so many dancers I will miss her generosity both inside the studio and out." We spoke with Yu as she prepared for her final week of performances. She opened up about her initial culture shock upon moving to Toronto, her thoughts on artistry and why she chose Hanna Glawari in The Merry Widow as her final role.

Keep reading... Show less