Ballet Stars

There's a New Documentary About Sergei Polunin, and It Looks Amazing

Polunin in David LaChapelle's video to Hozier's "Take Me to Church." Photo via Dance Magazine.

There are times when Sergei Polunin's life seems straight out of a movie. From his notorious rebelliousness—exemplified by his shocking decision to walk away from his promising career at The Royal Ballet—to his glamorous relationship with Natalia Osipova to his trademark tattoos, the international ballet superstar has had his fair share of drama. We can never predict what he's going to do next, but let's face it—that's part of the reason we love him.

So when we heard there would be a new documentary about his life, it seemed only fitting. The trailer for the film, Dancer, was just released, and from the looks of it, there will be tons of jaw-dropping footage of Polunin in motion. In case we needed a reminder of how powerful this can be, the trailer is set to Hozier's "Take Me to Church," bringing to mind his passionate, soaring moves in last year's viral YouTube video. It also looks like the film will dig into Polunin's challenging past, with the trailer alluding to family drama and inner turmoil.


No word yet on when the film will be released, but we'll be keeping our eyes out. Until then, check out the video below:

It turns out we may have even more opportunities to see Polunin dance in the near future: He recently told The Guardian that he hopes to rejoin the Royal as a guest artist, and he's spoken about his desire to dance with Osipova as often as possible. He'll get a chance to do that when the pair heads to New York's City Center this fall to perform in a program of U.S. premieres—and fans lucky enough to be in the New York area can see them in action.

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Rachel Hutsell Photographed for Pointe by Jayme Thornton.

This is Pointe's June/July 2018 Cover Story. You can subscribe to the magazine here, or click here to purchase this issue.

"I'm very cautious by nature," Rachel Hutsell says over herbal tea at Lincoln Center between rehearsals. You wouldn't think so from the way she moves onstage or in the studio. In fact, one of the most noticeable characteristics of Hutsell's dancing is boldness, a result of the intelligence and intention with which she executes each step. (What she calls caution is closer to what most people see as preparedness.) She doesn't approximate—she moves simply and fully, with total confidence. That quality hasn't gone unnoticed.

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Looking for your next audition shoe? Shot at and in collaboration with Broadway Dance Center, Só Dança has launched a new collection of shoes working with some pretty famous faces of the musical theater world! Offered in two different styles and either 2.5" or 3" heels, top industry professionals are loving how versatile and supportive these shoes are! Pro tip: The heel is centered under the body so you can feel confident and stable!

Ballet Stars
Jacques d'Amboise and Adrian Danchig-Waring in conversation at the National Dance Institute. Photo Courtesy NDI.

"Jerry, throughout his life, wanted a world where races, cultures and people came together without conflict and hate and anger, but lovingly, to make a community." These words were spoken earlier this week by Jacques d'Amboise at an event titled Upper West Side Story: A Celebration of Jerome Robbins, hosted by National Dance Institute, which d'Amboise founded in 1976 to provide free arts education to children in New York City and beyond. D'Amboise then reiterated his point by quietly singing the famous refrain from West Side Story, which Robbins choreographed and directed for both screen and stage: "There's a place for us."

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Courtesy Soffe, Dicsount Dance Supply, Danskin. LeaMarie leotard photographed by Jayme Thornton

Considering we practically live in our dance clothes, there's really no such thing as having too many leotards, tights or leggings (no matter what our mom or friends say!). That's why we treat every sale as an opportunity to stock up. And thanks to the holiday weekend, you can shop all of your dancewear go-tos or try something totally new for as much as 50% less than the usual price.

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Joffrey Ballet dancers Christine Rocas and Dylan Gutierrez in "Giselle." Photo Courtesy Spring to Dance Festival.

For the first time since its inception 11 years ago, Dance St. Louis' annual Emerson Spring to Dance Festival — May 25 and 26 at the University of Missouri–St. Louis' Touhill Performing Arts Center — will be curated by someone other than festival founder Michael Utoff. That job fell to newly hired programming consultant Terence Marling.

Hailed as "arguably the best dance buffet in the Midwest" by the Chicago Tribune, the popular festival is known for championing lesser-known regional dance artists and companies. It will retain that focus under Marling, along with representation by more familiar names such as Houston Ballet, Joffrey Ballet and Marling's former company, Hubbard Street Dance Chicago.

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La Fille Mal Gardée, or in English "The Wayward Daughter," is one of the oldest story ballets still in modern repertoire. The tale's enduring magic lies in themes of youth, following your heart and true love, along with playful bits of entertainment, like the clog dance and ribbon pas de deux. As Lise, Russian-born ballerina Valentina Kozlova captures the character's spirited innocence. Dancing alongside her as her beloved Colas is Chris Jensen, star of Switzerland's Basel Ballet. This clip of their ribbon pas de deux from Basel Ballet's 1986 film is as lighthearted and charming as it is technically brilliant.

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I'm 15 and want to be a professional ballet dancer. I have ballet five times a week, contemporary once a week and rehearsals year-round. It is 15 to 20 hours a week. When I hear about dancers doing 30-plus hours a week, I worry that I dance too little. Is my schedule enough? —Caroline

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