Pacific Northwest Ballet principal dancers Elizabeth Murphy and Sarah Ricard Orza in Peter Boal's staging of "Giselle." Photo by Angela Sterling.

Celebrate National Best Friend Day With Our 5 Favorite Ballet BFFs


Though you may not know it, June 8 is National Best Friends Day. Obviously this provides an opportunity to celebrate some of our favorite friendships in ballet, but maybe not the kind you're thinking of. Instead of rounding up our favorite real-life besties (hi, ABT Cindies), we're taking a look at some of ballet's onstage friendships. While lots of classical ballets include love triangles with characters tearing each other down, there are some occasions where friendship flourishes. Check out some of our favorites below, and don't forget to wish your studio BFFs a happy National Best Friends Day!

Romeo, Mercutio and Benvolio, Romeo & Juliet

Pacific Northwest Ballet principal dancers Benjamin Griffiths (Benvolio), James Moore (Romeo), and Jonathan Porretta (Mercutio) in Jean-Christophe Maillot's "Roméo et Juliette." Photo by Angela Sterling.

Sure, Juliet has her nurse, but Mercutio literally duels to his death against Tybalt for his BFF Romeo—talk about a loyal friend. But before all of the drama unfolds, Romeo, Mercutio and Benvolio were just your average besties, sneaking into parties and hanging out at the marketplace.


Four Little Swans, Swan Lake

Pacific Northwest Ballet corps de ballet dancers Carli Samuelson and Madison Rayn Abeo, and soloists Angelica Generosa and Leta Biasucci in Kent Stowell's "Swan Lake." Photo by Angela Sterling.

These ladies are the original clique. Not only are they attached at the hip, they're completely in sync all the time, from the tilt of their heads to their precise footwork.

Don Quixote and Sancho Panza, Don Quixote

Pacific Northwest Ballet guest artists Tom Skerritt (Don Q) and Allen Galli (Sancho Panza) with company dancers in Alexei Ratmansky's "Don Quixote." Photo by Angela Sterling.

While ballets are filled with all manner of trusty sidekicks, there is no one quite as idealistic and optimistic in his commitment to his pal as Sancho Panza is to Don Quixote. Even though Don Q may be dreaming of a more beautiful companion, they're content to spend their days adventuring together.

Myrtha's Sidekick Wilis, Giselle

Pacific Northwest Ballet principal dancers Elizabeth Murphy and Sarah Ricard Orza in Peter Boal's staging of "Giselle." Photo by Angela Sterling.

Even in death, Moyna and Zulma are BFFs, helping Myrtha round up the rest of the Wilis. While some might say the Wilis are a little coldhearted given that they spend their nights dancing men to death, we think M and Z's friendship proves otherwise (plus, most of those guys probably deserved it).

Swanilda's Crew, Coppélia

San Francisco Ballet's Frances Chung in "Coppelia." Photo by Erik Tomasson, courtesy SFB.

1

Ask yourself this: If your BFF found a key lying outside someone's house, would you be down to follow her inside? After all, this is an act better known as breaking and entering. Basically, what we're getting at is that Swanilda's friends must really love her if they're willing to get into those sorts of shenanigans.

Latest Posts


Peter Mueller, Courtesy Cincinnati Ballet

2020 Stars of the Corps: 10 Dancers Making Strides In and Out of the Spotlight

The corps de ballet make up the backbone of every company. In our Fall 2020 issue, we highlighted 10 ensemble standouts to keep your eye on. Click on their names to learn more!

Dara Holmes, Joffrey Ballet

A male dancer catches a female dancer in his right arm as she wraps her left arm around his shoulder and executes a high arabesque on pointe. Both wear white costumes and dance in front of a blue backdrop onstage.

Dara Holmes and Edson Barbosa in Myles Thatcher's Body of Your Dreams

Cheryl Mann, Courtesy Joffrey Ballet

Wanyue Qiao, American Ballet Theatre

Wearing a powder blue tutu, cropped light yellow top and feather tiara, Wanyue Qiao does a piqu\u00e9 retir\u00e9 on pointe on her left leg and pulls her right arm in towards her.

Wanyue Qiao as an Odalisque in Konstantin Sergeyev's Le Corsaire

Gene Schiavone, Courtesy ABT

Joshua Guillemot-Rodgerson, Houston Ballet

Three male dancers in tight-fitting, multicolored costumes stand in positions of ascending height from left to right. All extend their right arms out in front of them.

Joshua Guillemot-Rodgerson (far right) with Saul Newport and Austen Acevedo in Oliver Halkowich's Following

Amitava Sarkar, Courtesy Houston Ballet

Leah McFadden, Colorado Ballet

Wearing a white pixie wig and a short light-pink tunic costume, a female ballet dancer poses in attitude front on pointe with her left arm bent across her ribs and her right hand held below her chin.

Leah McFadden as Amour in Colorado Ballet's production of Don Quixote

Mike Watson, Courtesy Colorado Ballet

Maria Coelho, Tulsa Ballet

Maria Coelho and Sasha Chernjavsky in Andy Blankenbuehler's Remember Our Song

Kate Lubar, Courtesy Tulsa Ballet

Alexander Reneff-Olson, San Francisco Ballet

A ballerina in a black feathered tutu stands triumphantly in sous-sus, holding the hand of a male dancer in a dark cloak with feathers underneath who raises his left hand in the air.

Alexander Reneff-Olson (right) as Von Rothbart with San Francisco Ballet principal Yuan Yuan Tan in Swan Lake

Erik Tomasson, Courtesy SFB

India Bradley, New York City Ballet

Wearing a blue dance dress with rhinestone embellishments and a sparkly tiara, India Bradley finishes a move with her arms out to the side and hands slightly flexed.

India Bradley practices backstage before a performance of Balanchine's Tschaikovsky Piano Concerto No. 2.

Erin Baiano, Courtesy NYCB

Bella Ureta, Cincinnati Ballet

Wearing a white dress with pink corset, Bella Ureta does a first arabesque on pointe in front of an onstage stone wall.

Bella Ureta performs the Act I Pas de Trois in Kirk Peterson's Swan Lake

Hiromi Platt, Courtesy Cincinnati Ballet

Alejándro Gonzales, Oklahoma City Ballet

Dressed in a green bell-boy costume and hat, Alejandro Gonz\u00e1lez does a saut\u00e9 with his left leg in retir\u00e9 and his arms in a long diagonal from right to left. Other dancers in late 19-century period costumes watch him around the stage.

Alejandro González in Michael Pink's Dracula at Oklahoma City Ballet.

Kate Luber, Courtesy Oklahoma City Ballet

Nina Fernandes, Miami City Ballet

Wearing a long white tutu and crown, Nina Fernandes does a saut de chat in front of a wintery backdrop as snow falls from the top of the stage.

Nina Fernandes in George Balanchine's The Nutcracker

Alexander Iziliaev, Courtesy Miami City Ballet

Getty Images

Thinking About College Ballet Programs? Here's a Comprehensive Guide to the Application Process

Gone are the days when you had to skip college in order to have a successful ballet career. College ballet programs are better than ever before, providing students with the training, professional connections and performance experience they need to thrive in companies postgraduation. But given the number of elements involved in the application process, choosing the right program can feel daunting. We've broken the college application timeline down step by step to help you best approach each stage along the way.

Keep reading SHOW LESS
Evelyn Cisneros-Legate. Photo by Beau Pearson, Courtesy Ballet West

Ballet West Academy's New Director on Dream Building During COVID-19

Evelyn Cisneros-Legate is bringing her hard-earned expertise to Ballet West. The former San Francisco Ballet star is taking over all four campuses of The Frederick Quinney Lawson Ballet West Academy as the school's new director.

Cisneros-Legate, whose mother put her in ballet classes in an attempt to help her overcome her shyness, trained at the San Francisco Ballet School and School of American Ballet before joining San Francisco Ballet as a full company member in 1977. She danced with the company for 23 years, breaking barriers as the first Mexican American to become a principal dancer in the U.S., and has graced the cover of Dance Magazine no fewer than three times.

As an educator, Cisneros-Legate has served as ballet coordinator at San Francisco Ballet, principal of Boston Ballet School's North Shore Studio and artistic director of after-school programming at the National Dance Institute (NDI). Dance Teacher spoke with her about her new position, her plans for the academy and leading in the time of COVID-19.

Keep reading SHOW LESS

Editors' Picks