Profiles

2019 Stars of the Corps: New York City Ballet's Mira Nadon

Mira Nadon in A Midsummer Night's Dream. Erin Baiano, Courtesy NYCB.

You can't miss Mira Nadon when she's onstage: The 18-year-old, who joined New York City Ballet as an apprentice in fall 2017 and became a corps member in 2018, is tall and raven-haired, and dances with fullness and lyricism, carried along by the music. At her 2017 School of American Ballet Workshop performance, she was the female lead in the dramatic second movement of Balanchine's Scotch Symphony. New York dance critic Robert Gottlieb, of The Observer, described her performance as "delicate yet authoritative, charming but never cute, fully expressive but never pushing, lyrical and strong." This past spring, as a demi-soloist in that ballet with NYCB, she projected those same qualities. "It felt so good to be in that music again, after spending three months in it at SAB," she says.


Nadon as the Courage Fairy in The Sleeping Beauty

Erin Baiano, Courtesy NYCB

Nadon, whose dream is to one day dance the pas de deux in "Diamonds," also has range; she was delicate in Mozartiana, but unflappable in Pam Tanowitz's knotty, jagged steps for Bartók Ballet. From the looks of it, she could take on just about any ballet in the repertoire, from the pas de deux in Agon to Odette/Odile or one of the leads in Concerto Barocco. Let's hope she gets her chance.

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Are you a total bunhead who loves to write? You might be the perfect fit for Pointe. We're seeking an editorial intern who's equally passionate about ballet and journalism.

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Darian Volkova, Courtesy Shayer

After years of rigorous training, ballet dancers become accustomed to constructive and oftentimes harsh criticism. Being scrutinized is something that comes with the territory.

I myself spent the better half of my high school years in Russia, where political correctness does not get in the way of progress. We were trained to use criticism as fuel to propel us forward. Everything said in class or rehearsal was meant to help better ourselves and not to be taken personally.

But where is the line between helpful advice and offensive language?

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News
Greta Hodgkinson and Guillaume Côté in Margeurite and Armand. Karolina Kuras, Courtesy National Ballet of Canada.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Training
Students at Sun King Dance's Adult Ballet Camp. Jenny McQueen of Capture Photography, Courtesy Sun King Dance.

For adult recreational dancers, summer isn't just a time for swapping out warm-up sweaters for breezy tees—it's also about taking your training to the next level, and perhaps packing your bags for a ballet workshop. Why should teens and pre-professionals have all of the fun? Fortunately, there are scores of adult summer programs all over the United States, and even abroad for those of you looking to sprinkle in a little sightseeing after your final reverénce. (Can't wait for summer? Check out these spring workshops at National Ballet of Canada and Sarasota Ballet.)

What can adults expect from a weekend or a week of dance training? Everything from technique to repertoire to yoga. Most of all, it's a chance to just dig in and dance, without a pesky to-do list waiting for you after class. Here are some summer programs designed for adult recreational dancers to keep on your radar.

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