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Michaela DePrince to Star in New "Coppélia" Film, Bringing Together Animation and Ballet

Michaela de Prince and Daniel Camargo. Courtesy Dutch National Ballet.

Have we mentioned that we love ballet movies? Thankfully, Dutch National Ballet just gave us something new to look forward to. The company announced today that filming is now underway for Coppelia, a new star-studded fusion of animation and ballet set to be released at the end of 2020. And, wait for it... Michaela DePrince will be dancing Swanilda, with DNB principal Daniel Camargo as her Franz.

The standout cast also includes DNB principal Igone de Jongh, former Bolshoi and Royal Ballet star Irek Mukhamedov, Dutch dancer and actor Jan Kooijman and English prima ballerina Darcey Bussell.


Coppelia will feature choreography by DNB artistic director Ted Brandsen, based on his modern 2008 stage version. Though still closely inspired by E.T.A. Hoffmann's 1816 story "The Sandman" and set to Léo Delibes classic 1870 score, Brandsen's ballet takes place in a "retro-futuristic" era. His characters interact in a sports school, juice bar and plastic surgery clinic rather than a rural village. And while we don't know exactly how animation and ballet will come together in this new film, directors Jeff Tudor, Steven de Beul and Ben Tesseur have brought together a top notch international team of designers and animators to make it happen.

We get it; we're excited too, and we'll be sure to keep you posted as updates on this project come to light.

Ballet Careers
Eri Nishihara in Rex Wheeler's Symphonic Dances. Sarah Ferguson, Courtesy Richmond Ballet.

This is one of a series of stories on recent graduates' on-campus experiences—and the connections they made that jump-started their dance careers. Eri Nishihara graduated from University of Utah with a BFA in ballet performance in 2016.

As her time in high school drew to a close, Eri Nishihara knew she wasn't ready to dance professionally. She had seen dancers her age from other cities at summer intensives and didn't think that she was up to company caliber yet. "I didn't want to feel like I was having to keep up for a lack of training or experience, while adjusting to a new professional life," she says. Nishihara had trained with University of Utah professors in the past, through summer intensives at Ballet West, and felt that their teaching style would best prepare her for a future career.

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Courtesy Apolla

Ballet dancers today are asked to do more with their bodies than ever before. The physical demands of a ballet career can take an immense toll on a dancer's joints and muscles—subjecting them to pain, inflammation and an increased risk of injury. Considering all that is required of today's dancers, having a top-notch recovery regime is paramount.

Enter Apolla Performance Wear, which is meeting ballet's physical demands with a line of compression footwear that is speeding up the recovery process for professional dancers by reducing inflammation and stabilizing the joints.

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The Washington Ballet's NEXTsteps program opens this week. Here are company dancers Ashley Murphy-Wilson and Alexandros Papajohn. Procopio Photography, Courtesy The Washington Ballet.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Ballet West in rehearsal for Le Chant du Rossignol. Beau Pearson, Courtesy Ballet West.

Ballet West opens its season October 25–November 2 with a triptych of works from George Balanchine's early choreographic career with Sergei Diaghilev's Ballets Russes. Highlighting the program is Balanchine's 1925 The Song of the Nightingale (Le Chant du Rossignol), never before seen in the U.S. This ballet is not only the first piece that a then-21-year-old Balanchine made for the Ballets Russes; it also marks his first collaboration with Igor Stravinsky, and features costumes by Henri Matisse. To bring it to Salt Lake City, Ballet West is working closely with Millicent Hodson and Kenneth Archer, who reconstructed the work for Les Ballets de Monte-Carlo in 1999.

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