Miami City Ballet’s Dream-y New Underwater Production

Miami City Ballet principal Patricia Delgado as Titania. Photo by Alberto Oviedo, Courtesy MCB.

To celebrate its 30th-anniversary season, Miami City Ballet is making a splash. The company's closing program this spring will transplant A Midsummer Night's Dream, Balanchine's 1962 full-length ballet, to the Florida shore, diving underwater for elements of the supernatural realm. Coral Castle, a romantic old-Miami landmark, provides the model for the court in this production. The ballet premieres tonight at the Adrienne Arsht Center in Miami.

“The reimagining gives us a great chance to mount a masterpiece with inspiration from the place where we live," says artistic director Lourdes Lopez. For years, Lopez has wanted to see this Shakespeare-based ballet, with sundry music by Felix Mendelssohn, as a new concept. Now, The George Balanchine Trust has approved her vision while counting on her to keep the choreography intact.


Miami Beach–born artist Michele Oka Doner proposed the aquatic theme and has been instrumental in the redesign. Her tutus evoke jellyfish while her unitards derive patterns from a coral reef. In the spirit of this version, Bottom will turn into a manatee—tempted with sea-grass by Titania. Stunning videos on the company's Instagram account have given fans a glimpse of what to expect in tonight's performance.

Lopez also emphasizes the contribution of dramaturge Tarell Alvin McCraney. The young playwright—a MacArthur Fellow who grew up in Miami's inner city—is a dedicated explorer of Shakespeare's plays and served as playwright in residence at the Royal Shakespeare Company in the UK. “He's helped the dancers think more deeply about the text, giving meaning to their steps," says Lopez, who hopes to turn this dream project for a special occasion into a recurrent company success.

Francisco Estevez, Courtesy Colorado Ballet Academy

When you're looking for a ballet program to take you to the next level, there are a lot of factors to consider. While it's tempting to look for the biggest name that will accept you, the savvy dancer knows that successful training has more to do with the attention and opportunities you'll get.

We put together a few of the most important things for dancers to look for in a summer or year-round training program, with the help of the experts at Colorado Ballet Academy:

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Everything Nutcracker
Pennsylvania Ballet demi-soloist Thays Golz as the Sugar Plum Fairy during a stage rehearsal for George Balanchine's Nutcracker. All photography by Arian Molina Soca.

For many professional ballet dancers, Nutcracker means weeks of performances. That usually translates to multiple casts—and important breakout opportunities for those in the junior ranks. On the afternoon of December 13, Pennsylvania Ballet demi-soloist Thays Golz made her debut as the Sugar Plum Fairy along with her Cavalier, corps member Austin Eylar. For the Brazilian-born dancer, who joined PAB in 2018 after two seasons at Houston Ballet, Sugar Plum marks one of her first principal roles.

"I'm really excited," says Golz. PAB artistic director Angel Corella appointed 12 casts of Sugar Plum Fairies over the run's 29 performances. "When I first found out, I was like, 'Pinch me!' I still can't believe it."

We caught up with Golz just before her debut to see how she prepared for her big break.

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Rosalie O'Connor, Courtesy US Prix de Ballet

The US Prix de Ballet is taking an unconventional approach to the ballet competition—by putting the competitors' health first. After a successful first year in 2018, the Prix is returning to San Diego, CA this February with an even more comprehensive lineup of wellness workshops and master classes, in addition, of course, to the high-level competition.

Though the talent is top-notch, the environment is friendly, says HARID Conservatory faculty member Victoria Schneider, who serves on US Prix de Ballet's elite panel of judges. "The wellbeing of the dancer is the main focus," says Schneider, who awarded three scholarships to HARID at last year's competition.

US Prix de Ballet was born after its founders traveled to the Japan Grand Prix International Ballet Competition in 2016. "The company ran every aspect of the competition with professionalism, dignity, honor and precision," says founder Neisha Hernandez. "We knew we wanted this level of experience for America."

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