Amy Brandt, Editor in Chief

Amy has been the editor in chief of Pointe magazine since 2014, following a 19-year dance career. She danced professionally with the Milwaukee Ballet and The Suzanne Farrell Ballet, among others, and performed in honor of Ms. Farrell at the 2005 Kennedy Center Honors. While pursuing her college degree part-time, she began writing extensively for several dance publications, including Pointe's "Ask Amy" advice column. Amy graduated summa cum laude from Marymount Manhattan College with a BA in English and World Literatures, and currently serves on its advisory board. Before joining Pointe, she was an associate editor for Dance Teacher and Dance Magazine.


Raymond Mingst, Creative Director

Raymond E. Mingst is the creative director of Pointe Magazine and Dance Magazine. He has been recognized with numerous awards as an art and creative director. He is also an artist, writer and curator.

Emily Giacalone, Art Director

Emily Giacalone earned a BFA in Communication Design (majoring in Illustration) from Pratt Institute. She got her start in magazine design with George Magazine and has worked on a variety of publications including Vogue, Four Seasons, Show People, and Pilates Style. Emily is also the art director for Dance Teacher magazine.


Madeline Schrock, Managing Editor

A native of Floyds Knobs, Indiana, Madeline studied ballet at Southern Indiana School for the Arts and was later introduced to modern dance by Bill Evans. She received her BFA in Dance Performance and Choreography from Ohio University's Honors Tutorial College. As a dance videographer and editor, she has worked on projects for Bates Dance Festival and the Regina Klenjoski Dance Company in Southern California. She later served as a marketing and education manager for Lar Lubovitch Dance Company. Madeline is currently the managing editor of Dance Magazine and Pointe.


Marissa DeSantis, Assistant Editor

Marissa joins Pointe Magazine having worked as a beauty editor for publications like Teen Vogue and InStyle. She graduated from Rider University with a BFA in dance and journalism, training at the Princeton Ballet School during her studies. She has also danced with The Rock School and South Jersey Ballet Theater.


Chava Lansky, Assistant Editor

Originally from Amherst, MA, Chava graduated from Barnard College with a B.A. in Dance and a minor in English. She has worked for Jacob's Pillow Dance and the Bates Dance Festival, and held a fellowship in the Dance Division of the Library of Congress. Chava has performed works by Martha Graham, Mark Morris, Lucinda Childs, Molissa Fenley, Patricia Hoffbauer, Joanna Kotze, Loni Landon and Kate Weare. She continues to create work and perform in the city, and is a member of Debbie Mausner Dance Collective. Chava also reviews books for Paper Brigade literary magazine.

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Ballet Stars
Photo by Amitava Sarkar, Courtesy Houston Ballet

Houston Ballet soloist Harper Watters has a good thing going on. Not only is he one of the company's rising young dancers, but he's also a ballet celebrity on social media, where he charts his life on Instagram and on his hugely popular YouTube series, "The Pre Show" (which he describes as "tons of ballet, banter, boys and lots of backstage shenanigans").

The Dover, New Hampshire, native, who seems just as comfortable in a pair of pink heels as he does onstage, trained at Walnut Hill School for the Arts and Portsmouth School of Ballet. While a member of Houston Ballet II, he landed an apprenticeship with the company after winning the Contemporary Dance Prize at the 2011 Prix de Lausanne. He joined the main company that same year and was promoted to soloist in December 2017. Known for his big personality, elegantly long lines and sensual flow in contemporary work, Watters, 26, is ready to take on the next phase of his career. He recently spoke with Pointe about his new rank and his mission to help others feel proud of who they are.

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Cleaning is a daily procedure. Proper maintenance will help extend the life of your floor and protect its special slip-resistant surface.

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News
Sara Webb and Connor Walsh with Artists of Houston Ballet in "Swan Lake" choreographed by Stanton Welch. Photo by Amitava Sarkar, Courtesy Houston Ballet.

Wonder what's going on in ballet this week? We've pulled together some highlights.


The Australian Ballet's Triple Bill, Verve, Includes New Work by Company Dancer Alice Topp

Verve, a triple-bill program from The Australian Ballet running June 21-30 in Melbourne, will host revivals of works from resident choreographers Stephen Baynes and Tim Harbour, as well as a world premiere from company coryphée Alice Topp. Topp's Aurum is inspired by kintsugi, a Japanese art in which broken ceramics are mended using lacquer colored with silver or gold, so that the cracks are emphasized, instead of hidden. In Aurum, Topp applies that philosophy to the human ability to find beauty in vulnerability and imperfections. Completing the bill are Baynes's Constant Variants, which pairs neo-classical ballet with a Tchaikovsky score, and Harbour's Filigree and Shadow, a contemporary ballet featuring striking set and lighting design.

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Ballet Stars
ABT principals Christine Shevchenko and James Whiteside rehearse "Swan Lake" in Singapore.

In the middle of American Ballet Theatre's spring season, principal dancer Christine Shevchenko takes a break from her comedic role of Pierrette in Harlequinade to (briefly) transform into a swan. During the half hour rehearsal, Shevchenko seamlessly transitions from Odette to Odile, running through her various solos without pause—save for the short conferences with ballet mistress Irina Kolpakova, which switch between Russian and English almost as quickly as Shevchenko whips out her fouetté turns (but more on those later).

"The rehearsal process is a lot different right now because every week it's a new ballet," Shevchenko says during a rehearsal break last week. "I'm really trying to squeeze in as many Swan Lake rehearsals as I can, and at the same time, I'm trying to prepare for Don Quixote, which is the week after," she explains of juggling the season's eight programs. "This is my first year as a principal during the Met season, so I'm learning how to figure it out as we keep going. In a way, I'm used to doing parts last minute because that's how I got most of my roles," she says. Ahead, Shevchenko shares exactly how she's gearing up for her Met debut on June 20.

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Ballet Stars
Carla Fracci in "Giselle," via YouTube.

In the late 1950s and 60s, Italian ballerina Carla Fracci won the world over with her definitive interpretations of romantic ballets like La Sylphide, La Sonnambula, and, of course, Giselle. At just 22 years old, she left her home stage at La Scala in Milan to begin guesting internationally, eventually forming a famous partnership with the dashing danseur Erik Bruhn at American Ballet Theatre. The two appear together in this film of ABT's Giselle, in which Fracci's Act I variation is as near to perfection as any Giselle before or after.

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News
David Hallberg in rehearsal. Photo by Kate Longley, Courtesy The Australian Ballet.

Have you ever dreamt of the chance to choreograph for American Ballet Theatre? Thanks to ABT Incubator, the company's newly launched choreographic initiative directed by company principal (and recent author) David Hallberg, that wish could become a reality this fall. The two-week choreographic lab will run from October 31-November 10 at ABT's New York studios and will give both members of the company and freelance choreographers the chance to create new work on dancers from ABT and the ABT Studio Company. Participants will also have access to crucial dance making tools including a stipend, studio space, collaborators, feedback and mentorship from Hallberg and other artists. They'll present their creations in a private showing on November 10. "It has always been my vision to establish a process-oriented hub to explore the directions ballet can forge now and in the future," said Hallberg in a statement released today. "I am thrilled that Incubator will provide the resources for emerging and established creators to explore movement and new paths in dance."

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Health & Body
Photo by Trust "Tru" Katsande/Unsplash

Most commonly consumed as a powdery spice, turmeric has seen a recent spike in popularity but has been used in Indian and other Asian cuisines and natural medicine for centuries. Today, it's often consumed as a natural anti-inflammatory and a dietary supplement for a variety of medical conditions. Comparable to ginger, turmeric tastes warm and peppery. (It has a slight kick, so a little goes a long way.)

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