Mayumi Enokibara in Miami City Ballet's production of George Balanchine's The Nutcracker. Alexander Iziliaev, Courtesy MCB.

2019 Stars of the Corps: Miami City Ballet's Mayumi Enokibara

As a first-timer in the corps of Concerto Barocco, Mayumi Enokibara exercised a basic tenet: to find joy in a challenge. Though in the end she felt exhausted by the nonstop, intricately entwined Balanchine steps, the Brazilian-born ballerina—in her fourth year, following an apprenticeship, at Miami City Ballet—calls that performance last season's high point. "I loved giving it my all!" she says.


A growing number of ballets have let this MCB School alumna reach for the top. Sparkling with personality, she brings individual gusto to action-packed works. Yet she never loses rapport with her dance companions. "In Tschaikovsky Piano Concerto, my eyes were everywhere," she says, stressing she drew special energy from the principals. Equally alert in Brahms/Handel, she tore through the Jerome Robbins/Twyla Tharp choreography, coming to relish its collective quirks.

While nursing a shoulder injury last fall, Enokibara gained a more holistic view of ballet. "Watching like an audience member," she says, "I appreciated the beauty in everything coming together." Sure, it felt great to return to The Nutcracker as a Marzipan Shepherdess—but now she understands better how every waltzing Flower perfumes the whole bouquet.

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Bill Cooper, Courtesy The Royal Opera House

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Sergei Gavrilov, Courtesy Joy Womack

Catching Up With Joy Womack on Two Upcoming Films Based on Her Life, Plus How She's Managed in Quarantine

Many ballet films canonize the careers of dancers long retired from the stage. But that's not the case for Joy Womack, who at just 26 has not one, but two films in the works based on her life. Womack made a splash early on as the first American to graduate from the domestic program of the Bolshoi Ballet Academy in over 60 years, and the first American woman to join the Bolshoi Ballet. After whirlwind careers as a principal with the Kremlin Ballet Theatre of Moscow and South Korea's Universal Ballet, Womack has just completed her first season as an artist with Boston Ballet.

Both upcoming films cover Womack's years in Russia. Joy Womack: The White Swan, a documentary made by Dina Burlis and Sergey Gavrilov, debuted at Cannes Marché in June. It is currently in post-production. The second project, Joika, is a feature film directed by James Napier Robertson starring Thomasin McKenzie as Womack. Production has been halted due to the pandemic, but filming is rescheduled to start in early 2021 in New Zealand.

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