Ashley Shaw as Victoria Page. Photo by Johan Persson.

Matthew Bourne's "The Red Shoes" Makes U.S. Debut

This fall, Matthew Bourne's New Adventures presents the U.S. premiere of a fresh take on an old classic. The Red Shoes, based on a Hans Christian Andersen fairy tale and an Academy Award–winning film, tells the story of Victoria Page, a dancer obsessed with passion and ambition who winds up in a triangle involving two men invested in her career.




Following sold out performances in London and across the UK, the upcoming U.S. tour will share this exciting new work with audiences across the country. The Red Shoes will open at the Ahmanson Theatre in Los Angeles this week with performances from September 15 through October 1, and then tour the country through November with stops at the Kennedy Center (October 10-15) the Blumenthal Performing Arts Center in Charlotte, North Carolina (October 17-22) and New York City Center (October 26-November 5). American Ballet Theatre principal Marcelo Gomes will join the tour in the role of the composer Julian Craster, which he'll share with New Adventures' dancer Dominic North. The City Center stop brings the addition of another New York ballet star, New York City Ballet's Sara Mearns, who will alternate with New Adventures' Ashley Shaw in the role of Victoria Page. While in New York, Bourne and members of the company will also teach a master class workshop at Steps on Broadway (October 30, November 1, 3).


Sam Archer as Boris Lermontov and New Adventures company members in "The Red Shoes." Photo by Johan Persson, Courtesy of New Adventures.

Latest Posts


Jayme Thornton

Roman Mejia Is Carving His Own Path at New York City Ballet

In a brightly lit studio high above the busy Manhattan streets, Roman Mejia rehearses George Balanchine's Allegro Brillante. Though just 20, the New York City Ballet corps dancer exudes an easy confidence. Practicing a tricky sequence of triple pirouettes into double tours his breathing becomes labored, but his focus doesn't waver. He works until he finds the music's inherent rhythm, timing his turns evenly and finally landing them with a satisfied smile.

Since joining NYCB in 2017, Mejia has had the chance to take on ballets ranging from Romeo + Juliet to Fancy Free to Kyle Abraham's hip-hop–infused The Runaway. Though he often finds himself the youngest person in the room, Mejia is rarely intimidated. He's been immersed in ballet since birth. His father, Paul Mejia, danced with NYCB in the 1960s, and his mother, Maria Terezia Balogh, danced for Chicago City Ballet and Fort Worth-Dallas Ballet. Both of Mejia's parents and his grandmother attended the School of American Ballet. Now, Mejia is quickly building on his family's legacy, creating buzz with his shot-from-a-cannon energy, rapid-fire footwork and charismatic charm.

Keep reading SHOW LESS
Getty Images

A Letter from the Editor in Chief

Hi Everyone,

These are challenging times. The social distancing measures brought about by COVID-19 has likely meant that your regular ballet training has been interrupted, while your performances, competitions—even auditions—have been cancelled. You may be feeling anxious about what the future holds, not only for you but for the dance industry. And that's perfectly understandable.

As you adjust to taking virtual ballet class from your living rooms, we here at Pointe are adjusting to working remotely from our living rooms. We've had to get a little creative, especially as we put our Summer Issue together, but like you we're taking full advantage of modern technology. Sure, it's a little inconvenient sometimes, but we're finding our groove.

And we know that you will, too. We've been utterly inspired by how the dance community has rallied together, from ballet stars giving online classes to companies streaming their performances to the flood of artist resources popping up. We've loved watching you dance from your kitchens. And we want to help keep this spirit alive. That's why Pointe and all of our Dance Media sister publications are working nonstop to produce and cross-post stories to help you navigate this crisis. We're all in this together.

We also want to hear from you! Send us a message on social media, or email me directly at abrandt@dancemedia.com. Tell us how you're doing, send us your ideas and show us your dance moves. Let the collective love we share for our beloved art form spark the light at the end of the tunnel—we will come out the other side soon enough.

Best wishes,

Amy

Bethany Kirby, Courtesy Tulsa Ballet

Ballet Company Costume Departments Jump Into Action, Sewing Masks for Coronavirus Aid

The novel coronavirus pandemic has forced ballet companies worldwide to cancel or postpone their seasons. But it's not just dancers and artistic staff that have found their work at a standstill. Costume departments, a vital component in bringing performances to life, have also hit pause. However, costume shops around the country, including Tulsa Ballet, Milwaukee Ballet and Miami City Ballet, have figured out a creative way to utilize their resources to give back to their communities during this challenging time. We touched base with Tulsa's team to find out what their experience has been like.

Keep reading SHOW LESS