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Onstage This Week: The Mariinsky Returns to DC, New "Frankenstein" at Carolina Ballet and More!

The Mariinsky Ballet in Paquita. Darian Volkova, Courtesy Mariinsky Ballet.

Wonder what's going on in ballet this week? We've rounded up some highlights.


The Mariinsky Brings Its New "Paquita" to DC

October 8–13, the Mariinsky Ballet presents the U.S. premiere of its 2017 production of Paquita at The Kennedy Center. Though the Mariinsky performed the ballet's famed wedding pas de deux at the Kennedy Center in 2016, the St. Petersburg–based company is now showcasing the ballet in its entirety. This new rendition of the Marius Petipa classic features a reconstruction of the wedding pas de deux by Yuri Burlaka, and new choreography by Yuri Smekalov, who worked from a libretto of his own making based on Miguel de Cervantes' 1613 novella La gitanilla. —Cadence Neenan

Carolina Ballet's New "Frankenstein" is Tutu Spooky

Halloween creates the perfect inspiration this fall. October 10–27, Carolina Ballet artistic director Zalman Raffael brings Frankenstein to life in Raleigh, North Carolina. His new, full-length ballet will feature a commissioned score by J. Mark Scearce. Costumes, designed by Carolina Ballet's resident designer Kerri Martinsen, will allude to the story's original 19th-century setting, though Raffael's interpretation emphasizes the timelessness of Mary Shelley's tale.

Fall for Dance's Final Program Features NYCB Stars

The 16th annual New York City Center Fall for Dance Festival enters its final two programs this week. Program 5, running October 12-13, features Les Ballets Jazz de Montréal in Dance Me by Andonis Foniadakis and Ihsan Rustem. Also on the bill is the world premiere of a duet for New York City Ballet principals Sara Mearns and Taylor Stanley created by European ballet choreographer Kim Brandstrup.

Kansas City Ballet Presents the World Premiere of Adam Houghland's "Carmina Burana"

October 11-20, Kansas City Ballet audiences can see the world premiere of Adam Houghland's new Carmina Burana. The ballet will feature Carl Orff's famous score performed live by Kansas City Symphony and Kansas City Symphony Chorus. Also on the program are Annabelle Lopez Ochoa's Tulips and Lobster and Helen Pickett's Petal.

"Don Quixote" Returns to Pennsylvania Ballet

Pennsylvania Ballet's Don Quixote, restaged by artistic director Angel Corella, returns to Philadelphia's Academy of Music October 10-20. Catch a glimpse of the fiery classic, set to Ludwig Minkus' 1869 score, in the above trailer.

Nevada Ballet Theatre Collaborates with Cirque Du Soleil 

A Choreographer's Showcase, Nevada Ballet Theatre's innovative collaboration with Cirque du Soleil, is back for the 12th year October 6, 12 and 13. This year's performance will feature over 60 performers in work by 16 choreographers from the two Las Vegas-based troupes. The genre-bending show will include media technology elements and video projections alongside live dancing, acrobatics and more.

American Contemporary Ballet Focuses on the Darker Side of Halloween

Lincoln Jones' Inferno. Courtesy ACB.

October 11-November 2, Los Angeles-based American Contemporary Ballet gets into the Halloween spirit with two works by artistic director Lincoln Jones "serving gothic horror." Inferno is based on the first part of Dante's epic 14th century poem, Divine Comedy, while Burlesque is a series of dance episodes blending ballet and burlesque.

Peter and His Animal Friends Take the Stage at Nashville Ballet

Audiences of all ages can crawl, fly and scurry to Nashville Ballet October 10-13 to see Paul Vasterling's family-friendly Peter and the Wolf. This production, set to Sergei Prokofiev's score, unfolds like a life-sized storybook, filled with many species of animal characters.

Festival Ballet Providence's Season Opens with "Hansel & Gretel" 

October 12-20, Festival Ballet Providence's 2019/20 season opens with Ilya Kozodayev's 2016 Hansel & Gretel. This ballet, perfect for children and adults alike, features a commissioned score/soundscape by David Ikard.

Health & Body
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I have very tapered Morton's toes (longer second toes). My big toe joints are about a half centimeter shorter than my second and third toe joints, so I have a terrible time finding stability on demi-pointe. My weight lands on that second toe joint, which is pretty narrow and uncomfortable under that pressure. How can I find a more stable relevé? —Larissa

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From left: Sarah Lapointe, Derek Dunn and Jeanette Kakareka. Courtesy The Rock School

For more than five decades, The Rock School for Dance Education has been launching young dancers into professional ballet careers around the globe. Boasting distinguished alumni such as Beckanne Sisk, Michaela DePrince and Taylor Stanley, the Philadelphia-based institution has garnered a well-deserved reputation for pairing rigorous training with a tight-knit, welcoming community. Their summer intensives are no different, with a wealth of prestigious faculty members, many of whom are Rock School alums currently dancing at companies around the world.

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The National Ballet of Canada's Harrison James and Emma Hawes in Orpheus Alive. Karolina Kuras, Courtesy NBoC.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Courtesy Apolla

Ballet dancers today are asked to do more with their bodies than ever before. The physical demands of a ballet career can take an immense toll on a dancer's joints and muscles—subjecting them to pain, inflammation and an increased risk of injury. Considering all that is required of today's dancers, having a top-notch recovery regime is paramount.

Enter Apolla Performance Wear, which is meeting ballet's physical demands with a line of compression footwear that is speeding up the recovery process for professional dancers by reducing inflammation and stabilizing the joints.

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