Courtesy CPYB

The Loss of a Legend: Remembering Marcia Dale Weary

"At every possible opportunity, I hope to instill in children a love for the arts and for classical music," said Marcia Dale Weary, beloved teacher and founder of Central Pennsylvania Youth Ballet. "Along with that, I hope to help them develop self-discipline, generosity and the ability to focus."

Weary passed away at the age of 82 on Monday, March 4, 2019.


Since opening her first school in 1955, Weary taught generations of students, training them for professional careers, and changing their lives through dance. In 1974, the Marcia Dale School of Dance became the Central Pennsylvania Youth Ballet, a nonprofit school and performing company, and the red barn behind her house in Carlisle, Pennsylvania, was established as an iconic ballet studio and center for dance education.

Many of her students, affectionately known as "barn babies," remember the way she created a safe and beautiful haven—a home away from home—that inspired both dreams and hard work.

Marcia Dale Weary shaping a student's tendu at the barre

Rosalie O'Connor

Weary had a magical way of commanding a student's attention. As one of CPYB's guest teachers, I remember sitting in the corner of the barn's Studio A, watching her teach a beginner level. Not one of those young dancers was fidgeting, talking or daydreaming. They were all completely engaged and eager to please, under her spell.

She was able to communicate and connect with students in a way that consistently brought out their best.

While I did not have the privilege of training with Weary, my husband and his sister grew up dancing in the barn and often speak of the impact she had on their careers and lives. My mother-in-law was one of Weary's first students and taught by her side for more than 30 years. Many of my professional colleagues studied with Weary, and each of them had a technical fearlessness, refined artistry, confidence and pristine attention to detail—trademark qualities of Weary's training.

Generations of students that studied with her are now teaching, dancing in major companies or directing them. So many more have excelled in other areas, due to the skills they learned under her watchful and caring eye.

Weary had high expectations for all her students. They learned discipline, focus and respect for the art form. They learned musicality and the importance of creative expression, as she often talked about showing your soul through movement.

She encouraged dancers to maintain a certain level of professionalism both inside and outside the studio. She was strict but had a sense of humor. She was a master who always kept learning and passed that knowledge to her students.

The first time I taught at CPYB's summer program almost 15 years ago, Weary watched the last few minutes of my class. Students were muddling through a series of big jumps but seemed to be enjoying the challenge. "They need to go back to the barre," Weary told me. "Break it down for them. Don't just make it fun." Her words resonated.

The practice of "breaking it down" was key to Weary's teaching philosophy. She could dissect and explain each step in a way that everyone could understand, and she never underestimated children. The young dancers she trained have a strength and maturity beyond their years and could often perform the repertoire typical of a major professional company.

She believed that all students could become dancers if they worked hard enough and had the passion. "There is a place for them in the ballet world if they really want it," she once said. Weary made dreams come true. She touched the lives of countless people and will remain in our hearts as future generations of dancers grow and blossom through her legacy.

Thank you, Marcia. We are grateful and enriched beyond words.

Latest Posts


Maria Kochetkova. Darian Volkova, Courtesy Kochetkova

Maria Kochetkova on How COVID-19 Affected Her Freelance Career, and Her New Home at Finnish National Ballet

When international star Maria Kochetkova embarked on a freelance career three years ago, she never envisioned how a global pandemic would affect it. In 2018, the Russian-born ballerina left the security of San Francisco Ballet, a company she called home for more than a decade, for the globe-trotting life of a guest star. Before the pandemic, Kochetkova managed her own performing schedule and was busier than ever, enjoying artistic freedom and expanding her creative horizons. This all changed in March 2020, when she saw her booming career—and her jet-setting lifestyle—change almost overnight.

After months of uncertainty, Kochetkova landed at Finnish National Ballet, where she is a principal dancer for the 2020–21 season. Pointe spoke with her about her time during the quarantine and what helped her to get through it, her new life in Helsinki, and what keeps her busy and motivated these days.

Keep reading SHOW LESS
DTH's Alexandra Hutchinson and Derek Brockington work out with trainer Lily Overmyer at Studio IX. Photo by Joel Prouty, Courtesy Hutchinson.

Working Out With DTH’s Alexandra Hutchinson

Despite major pandemic shutdowns in New York City, Alexandra Hutchinson has been HIIT-ing her stride. Between company class with Dance Theater of Harlem and projects like the viral video "Dancing Through Harlem"—which she co-directed with roommate and fellow DTH dancer Derek Brockington—Hutchinson has still found time to cross-train. She shares her motivation behind her killer high-intensity interval training at Studio IX on Manhattan's Upper West Side.

Keep reading SHOW LESS
Getty Images

As Ballet Looks Toward Its Future, Let's Talk About Its Troubling Emotional Demands

As a ballet student, I distinctively remember being told that to survive ballet as a profession, one must be exceptionally thick-skinned and resilient. I always assumed it was because of the physically demanding nature of ballet: long rehearsal hours, challenging and stressful performances, and physical pain.

It wasn't until I joined a ballet company that I learned the true meaning behind those words: that the reason one needs thick skin is not because of the physical demands, but because of the unfair and unnecessary emotional demands.

Undoubtedly, emotional and physical strength go hand in hand to some extent. But the kind of emotional demand I am talking about here is different; it is not the strength one finds in oneself in moments of fatigue or unwillingness. It is the strength one must have when being bullied, humiliated, screamed at, manipulated or harassed.

Keep reading SHOW LESS

Editors' Picks