State Ballet of Siberia dancer Yuri Kudriavstev. Courtesy Siberian Swan.

There's a New Pointe Shoe Designed Specifically for Men

As ballet's gender roles grow increasingly blurred, more men than ever are reaching new heights: the tips of their toes.

It's no longer just Les Ballets Trockadero de Monte Carlo and the few pointe-clad male character parts, like in Cinderella or Alexei Ratmansky's The Bright Stream. Some male dancers are starting to experiment with pointe shoes to strengthen their feet or expand their artistry. Michelle Dorrance even challenged the men in her cast at American Ballet Theatre to perform on pointe last season (although only Tyler Maloney ended up actually doing it onstage).

The one problem? Pointe shoes have traditionally only been designed for women. Until now.


A Russian company called Siberian Swan has just announced the debut of the first pointe shoe model specifically designed for men, named "Rudolf" (after Nureyev, of course). It will be released next month, giving men an alternative to custom orders.

a male ballet dancer poses on a stage in second position on pointe

Yuri Kudriavstev

Courtesy Siberian Swan

Research shows that aside from being significantly longer on average, male feet are typically wider at the ball, instep and heel. Yet the heights of the ankle bones, instep and toes can be shorter. Men's feet are also typically less flexible, and they often support more weight.

So you can't simply make bigger pointe shoes and stick them on—they need a different design altogether to ensure a proper fit.

The Rudolf takes this into account, with a roomy box, medium-high vamp, a wide platform and medium profile. The shanks, made of plastic, are designed to support longer, less flexible feet, with options for medium, hard or super-hard strengths.

It's all the brain child of two former Bolshoi Ballet dancers who launched Siberian Swan three years ago to support the needs of their company, the State Ballet of Siberia. They since realized there was international demand beyond their studio.

Case in, well, point: Even though the Rudolf has not yet been officially released, it already has dozens of pre-orders.

Latest Posts


James Barkley, Courtesy Dance for Change

Take Class From Celebrated Black Dancers and Raise Money for the NAACP Through Dance for Change

Since the nationwide fight against racial inequality took center stage in May, organizations across the dance world have been looking for meaningful ways to show their support, rather than fall back on empty social media signifiers. July 10-11, Diamante Ballet Dancewear is taking action with Dance for Change, a two-day event dedicated to fundraising for the NAACP, and amplifying the voices of Black professional dancers.

Organized by Diamante Ballet Dancewear's founder, Nashville Ballet 2 dancer Isichel Perez, and Pittsburgh Ballet Theatre teacher Elise Gillum, Dance for Change makes it easy to participate. Dancers need only to make a donation to the NAACP (in any amount) and email proof to diamante.ballet@gmail.com to be given online access to a full schedule of Zoom master classes taught by Black pros artists. Teachers include Ballet Memphis' George Sanders, Boston Ballet's Daniel Durrett, Pittsburgh Ballet Theatre's Corey Bourbonniere, and more. "It's important that we amplify BIPOC voices during this time, and it's also important that we're conscious of where we're putting our dollars," says Bourbonniere. "Diamante is doing both with Dance for Change, and I'm honored to be in this talented group of melanated dancers."

Keep reading SHOW LESS

Houston Ballet's "Dancing With Myself" Captures How We All Feel Right Now

What are dancers to do when they're still stuck at home in isolation? After all, there's only so much time you can spend taking barre, tackling your reading list (or Netflix queue) or ticking items off your to-do list. Even wistfully looking out the window has lost its appeal after a few months.

That's when you need a dance party—even it's for a party of one.

Keep reading SHOW LESS
Getty Images

"Our Studio Is Failing Its Students of Color": One Dancer's Experience of Racism and Microaggressions

I recently spent a Saturday night with my husband and my 17-year-old dancing daughter, who sobbed at the foot of our bed. My daughter revealed her experiences with implicit bias and overt racism in school, and especially in the dance studio.

For six years, she has danced at a classical ballet school tied to the city's ballet company. The previous six years were spent at a mid-sized recreational/competition studio. I want to recount a few examples of the racism that my daughter shared that night.

Keep reading SHOW LESS

Editors' Picks