LINES Ballet's Adji Cissoko in rehearsal for Fury. Photo by Alex Reneff-Olsen, Courtesy Fury.

Onstage This Week: "Mad Max" Rock Ballet Makes Its Debut, Ricardo Amarante World Premiere at Atlanta Ballet, and More!

Wonder what's going on in ballet this week? We've pulled together some highlights.


"Fury," The "Mad Max" Rock Ballet, Makes Its Debut in San Francisco This Week

Who said that action movies and ballet don't go together? September 14–15, San Francisco audiences can see Fury, a contemporary rock ballet based on the 2015 post-apocalyptic film Mad Max: Fury Road. Choreographed by former Australian Ballet principal and Nederlands Dans Theater member Danielle Rowe, the project will feature seven dancers hailing from Alonzo King LINES Ballet and San Francisco Ballet: Adji Cissoko, Babatunji, Dores André, Frances Chung, Luke Ingham, Ulrik Birkkjaer and Jennifer Stahl-Weitz. For producer Kate Duhamel, the goal of the project is to "appeal to a broader audience than those who typically go to the theater to see classical ballet." To that end, Fury will use an original score by indie pop band YASSOU and be performed in-the-round at music clubs, rather than in a proscenium theater. Sets will be projected on various surfaces, and the audience will be standing, able to mingle throughout.

Atlanta Ballet's Season Opener Includes a World Premiere by Ricardo Amarante

Atlanta Ballet's 2018/2019 season opens September 14-16 with a program titled Return to Fall. This mixed repertoire lineup covers a lot of ground: Jiří Kylián's Return to a Strange Land, a selection of divertissement from works including Don Quixote and George Balanchine's Tschaikovsky Pas de Deux, and a world premiere by Brazilian choreographer Ricardo Amarante, fittingly titled The Premiere. The program also includes a special performance of Mauro Bigonzetti's Vertigo, danced by Czech National Ballet, as part of Atlanta Ballet's new transatlantic partnership.

Houston Ballet Presents a Weekend of Free Outdoor Performances

Summer might be over, but Houston Ballet is taking advantage of the lingering warm weather with a weekend of outdoor performances at Houston's Miller Outdoor Theatre, September 13-15. The program includes excerpts from some of Houston Ballet's best-loved works: Romeo and Juliet, Swan Lake, Don Quixote, Raymonda, Sons de L'aime, Spring Waters and The Ladies, as well as artistic director Stanton Welch's newest work, Just!, which the company premiered at Jacob's Pillow last month.

Traverse City Dance Project's One-Night-Only Collaboration With the Traverse Symphony Orchestra

For the sixth year, Traverse City Dance Project co-directors Jennifer McQuiston Lott and Brent Whitney gather dancers from around the country to northern Michigan to present new choreography. Past dancers have hailed from Ballet Memphis, The Milwaukee Ballet, Ballet X, Sacramento Ballet, and more. This year's performance, slated for September 15, mixes things up; the group is collaborating with a full symphony orchestra. The program includes a new work by McQuiston Lott to Debussy's "La Mer," and a premiere choreographed by Whitney to Richard Danielpour's "Urban Dances."

Latest Posts


Left to right: Dance Theatre of Harlem's Daphne Lee, Amanda Smith, Lindsey Donnell and Alexandra Hutchinson in a scene from Dancing Through Harlem. Derek Brockington, Courtesy Dance Theatre of Harlem

Dancers Share Their Key Takeaways After a Year of Dancing on Film

Creating dances specifically for film has become one of the most effective ways that ballet companies have connected with audiences and kept dancers employed during the pandemic. Around the world, dance organizations are finding opportunities through digital seasons, whether conceiving cinematic, site-specific pieces or filming works within a traditional theater. And while there is a consistent sentiment that nothing will ever substitute the thrill of a live show, dancers are embracing this new way of performing.

Keep reading SHOW LESS

#TBT: Mikhail Baryshnikov in "Fancy Free" (1981)

In Jerome Robbins's 1944 ballet Fancy Free, three sailors on leave spend the day at a bar, attempting to woo two young women by out-dancing and out-charming one another. In this clip from 1981, Mikhail Baryshnikov, who was then both the artistic director of American Ballet Theatre and a leading performer with the company, pulls out all the stops to win the ladies' affections.

Keep reading SHOW LESS
Bethany Kirby, Courtesy Tulsa Ballet

An Infectious-Disease Physician on What Vaccines Mean for Ballet

As the coronavirus pandemic grinds into its second year, the toll on ballet companies—and dancers—has been steep. How long before dancers can rehearse and perform as they once did?

Like most things, the return to normal for ballet seems to hinge on vaccinations. Just over 22 percent of people in the U.S. are now vaccinated, a way from the estimated 70 to 85 percent experts believe can bring back something similar to pre-pandemic life.

But what would it mean for 100 percent of a ballet company to be vaccinated? Tulsa Ballet artistic director Marcello Angelini is about to find out—and hopes it brings the return of big ballets on the big stage.

"I don't think companies like ours can survive doing work for eight dancers in masks," Angelini says. "If we want to work, dance, and be in front of an audience consistently and with the large works that pay the bills, immunization is the only road that leads there."

Keep reading SHOW LESS

Editors' Picks