London's Response

Richmond Ballet is currently making its international debut in a tour to London. Dancer Maggie Small is giving Pointe the inside scoop. Read her earlier posts here and here.

 

We've completed our weekend of performances at the Linbury Theater! The audiences were responsive both evenings with more than a few "Bravos!" plus a "Come back anytime!" from a particularly enthusiastic front row center patron. There's nothing like the energy of an opening night show or the bittersweet feeling of putting a ballet to bed; having experienced both in the past 48 hours I am a touch bone-weary, very satisfied and can't believe that not only do I get to do something I truly love every day, but it comes with all kinds of amazing perks like international travel and realizing childhood dreams. Now for a day off!

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Dean Barucija, Courtesy Lopes Gomes

Chloé Lopes Gomes Speaks Out About Racial Harassment at Staatsballett Berlin

In November, the French dancer Chloé Lopes Gomes went public with accusations of institutional racism against Staatsballett Berlin, first reported by the German magazine Der Spiegel. In the article, several anonymous dancers confirm her account. Lopes Gomes, 29, who trained in Marseille and at the Bolshoi Ballet Academy, danced for the Ballet de l'Opéra de Nice and Béjart Ballet Lausanne before joining Staatsballett Berlin as a corps de ballet member in 2018, under then co-directors Johannes Öhman and Sasha Waltz. After the company told her in October that her contract, which ends in July, would not be renewed, she shared her story with Pointe.


I didn't know I was the first Black female dancer at Staatsballett Berlin when I joined the company in 2018. I learned that from German journalists who came to interview me almost immediately. I grew up in a mixed-race family—my mother was French, my father from Cape Verde—and I was educated to believe that we all have the same opportunities.

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Virginia Trudeau, Courtesy NBT

Viva Las Vegas: Life at Nevada Ballet Theatre, Plus Audition Tips From Director Roy Kaiser

Most people associate Las Vegas with "the Strip," where tourists enter a fantasy universe of blackjack, Cher shows and cocktails. But beyond the razzle-dazzle is a metropolitan area of more than 2 million with its own ballet company, Nevada Ballet Theatre. An ensemble of 25 dancers, NBT is now led by Roy Kaiser, former artistic director of Pennsylvania Ballet.

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Kylie Jefferson (center, back) in "Tiny Pretty Things" (Sophie Giraud, courtesy Netflix)

Netflix’s “Tiny Pretty Things” Faces Ballet Stereotypes Head-On

The pilot of Netflix's dance-centric series "Tiny Pretty Things"—based on the YA novel by Sona Charaipotra and Dhonielle Clayton—will leave you breathless. It touches on, well, everything: love, murder, racism, competition, jealousy, girl cliques, sexual experimentation, eating disorders. And the intricate plot is propelled by equally breathtaking ballet sequences.

Here are the basics of that plot: The Archer School of Ballet is the premiere conservatory in Chicago. During the first three minutes of the episode (no spoilers!), star student Cassie Shore is pirouetting along the edge of the roof of the school when she's pushed off by a hooded man (Her boyfriend? A jealous lover? A ballet master or choreographer?) and dies. Neveah Stroyer, who'd previously been rejected from the school, is flown in from L.A. to replace her.

While the series can verge on melodrama—the pilot does open with a dancer being pushed off a roof, after all—its depiction of the finer details of the ballet world feels spot-on. That was paramount to the production team. "We wanted the dancers to feel represented in their athleticism, and in the sometimes ugly business of making something beautiful," says executive producer Jordanna Fraiberg. "The show encompasses the grit and sweat, before it's wrapped up in costumes and makeup."

Catch "Tiny Pretty Things" streaming on Netflix Monday, December 14.

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