Ballet Stars

2018 Stars of the Corps: Kansas City Ballet's Lilliana Hagerman

Hagerman, here with Kevin Wilson and Liang Fu in Twyla Tharp's In The Upper Room, easily shifts between classical and contemporary roles. Photo by Kenny Johnson, Courtesy Kansas City Ballet.

Lilliana Hagerman stepped into the spotlight in 2016, dancing the role of the Sugar Plum Fairy in Kansas City Ballet's Nutcracker during her first season as a full company member. But it's her chameleon-like ability to shift between classical and contemporary roles—such as her featured performances in Matthew Neenan's The Uneven and Stanton Welch's Play last season—which make this dancer so special.


Born in Italy to a military family, Hagerman trained in jazz, ballet and contemporary before joining Orlando Ballet as a trainee and then as a main company member. She was accepted into KCB's second company in 2014 after auditioning with her then-boyfriend (now husband) Lamin Pereira dos Santos. "Thankfully, we both got jobs," she says.

Hagerman with Dillon Malinski and Ryan Jolicoeur-Nye in Helen Pickett's "Petal." Photo by Brett Pruit & East Market Studios, Courtesy KCB.

KCB is unranked, so it's not unheard of for newer dancers to perform principal roles. But dancing Sugar Plum in her first year, and Tinkerbell the following season, in artistic director Devon Carney's Peter Pan, is notable in a company with plenty of veterans. Even as an apprentice, Hagerman was awarded a featured role in Helen Pickett's Petal, which she points to as a significant launchpad for her KCB career.

Carney says Hagerman is "quite driven and very talented." As KCB presents an increasingly contemporary repertoire, we are likely to see more of this versatile dancer.

Summer Intensive Survival
Getty Images

There's a sweet spot toward the end of August—after summer intensives have wrapped up and before it's time to head back to school or work—where the days are long, lazy and begging to be spent neck-deep in a pile of good books. Whether you're looking for inspiration for the upcoming season or trying to brush up on your dance history, you can never go wrong with an excellent book on ballet. We've gathered eight titles (all available at common booksellers like Amazon and Barnes and Noble) guaranteed to give you a deeper understanding of the art form, to add to your end-of-summer reading list.

Keep reading... Show less
Site Network
James Yoichi Moore and Noelani Pantastico warm up onstage. Angela Sterling, Courtesy SDC.

On a sunny July weekend, hundreds of Seattle-area dance fans converged on tiny Vashon Island, a bucolic enclave in Puget Sound about 20 miles from the city. They made the ferry trek to attend the debut performance of the fledgling Seattle Dance Collective.

SDC is not a run-of-the-mill contemporary dance company; it's the brainchild of two of Pacific Northwest Ballet's most respected principal dancers: James Yoichi Moore and Noelani Pantastico. The duo wanted to create a nimble organization to feature dancers and choreographers they felt needed more exposure in the Pacific Northwest.

Keep reading... Show less
News
Roman Mejia in Robbins' Dances at a Gathering. Erin Baiano, Courtesy NYCB.

The Princess Grace Foundation has just announced its 2019 class, and we're thrilled that two ballet dancers—New York City Ballet's Roman Mejia and BalletX's Stanley Glover—are included among the list of über-talented actors, filmmakers, playwrights, dancers and choreographers.

Keep reading... Show less
Trending
The Royal Ballet's Alexander Campbell and Yasmine Naghdi in Ashton's The Two Pigeons. Tristram Kenton, Courtesy ROH.

While most ballet casts are 100 percent human, it's not unheard of for live animals to appear onstage, providing everything from stage dressing to supporting roles. Michael Messerer's production of Don Quixote features a horse and a donkey; American Ballet Theatre's Giselle calls for two Russian wolfhounds; and Sir Frederick Ashton's La Fille Mal Gardee requires a white Shetland pony. Another Ashton masterpiece, The Two Pigeons, is well known for its animal actors. But though ballet is a highly disciplined, carefully choreographed art form, some performers are naturally more prone to flights of fancy—because they're birds.

Keep reading... Show less