Photo by Kyle Froman

Inside "American in Paris" Star Leanne Cope's Dance Bag

This story originally appeared in the June/July 2015 issue of Pointe.

Ever wonder what life is like as a ballerina on Broadway? Just peek inside Leanne Cope's dance bag. Cope, who stars as Lise in Christopher Wheeldon's production of An American in Paris, carries not only pointe shoes in her Parisian canvas tote but also a well-worn pair of LaDuca heels. “My dresser, Midge, carries this bag around with her during the show, just in case of emergencies," says the Royal Ballet first artist, who's on sabbatical from the company through the end of the show's run. “She basically shadows me, because I have a lot of quick changes."


Cope always has her script nearby, as well. “Not only is every word of the show written in here, but all my stage directions. It's nice to go back to it every once in a while. When you reread it, almost as a novel, it gives you another spin on things." Her other Broadway must-have? Lip balm. “With all the singing and talking, my lips tend to get dry," she says. It also serves as a better alternative to lipstick during kissing scenes with her co-star, New York City Ballet principal Robert Fairchild. “We don't do lipstick—it would end up all over his face!"

Photo by Kyle Froman

The Goods

Clockwise from top right: Canvas bag; character shoes; ballet slippers; booties; water bottle; practice skirt (“This is actually from Zara, but it moves really nicely and is similar to all my costumes"); legwarmers; mints (“Very important, since I speak so close to people onstage"); scissors; jelly tubes (“My big toenails are always bruised"); assorted lip balms; makeup bag; Jet Glue; phone; Hypafix athletic tape (“I brought practically a year's supply from London—it stretches with you"); Coco Chanel perfume (“I wanted to choose a scent for Lise, especially since she works behind the perfume counter. It's French—I think it's quite her"); pointe shoes; toe pads; script.

Latest Posts


Vikki Sloviter

Sydney Dolan Takes Center Stage at Pennsylvania Ballet

This is Pointe's Summer 2020 cover story. You can subscribe to the magazine here, or click here to purchase this issue.

Just days before the world shuttered under the strain of the coronavirus pandemic, and the curtain came down indefinitely on dance companies everywhere, Pennsylvania Ballet soloist Sydney Dolan debuted Gamzatti in La Bayadère with captivating ease. Her jumps soared, her technique was sound, and her cheeky smile paired with exquisite port de bras was beguiling. Though she didn't know the company would soon cancel the remainder of its season, her beautiful performance acted as a kind of send-off into the unknown.

Dolan's career could be described in one word: charmed. At just 19 years old, she's flown through the ranks at PAB, debuted a long list of roles, won a Princess Grace Award and been named one of Dance Magazine's "25 to Watch." Yet it's her challenges that have shaped not only her training but her outlook, giving her a solid foundation for becoming one of Pennsylvania Ballet's rising stars.

Keep reading SHOW LESS
VAM/Siggul, Courtesy YAGP

YAGP Has Announced the Winners of the 2020 Pas De Deux Virtual Competition

Last weekend, Youth America Grand Prix took to the internet, hosting its first virtual pas de deux competition. Over the course of three days, YAGP streamed videos from its regional events' highest-ranked competitors for a panel of esteemed judges. And, drum roll please... YAGP has just announced the winners, spanning three categories: Senior Classical, Junior Classical and Contemporary.

You can watch the full virtual awards ceremony, hosted by YAGP director of external affairs Sergey Gordeev, below, or scroll down for the list of winners. And if you're missing the thrill of competition, don't fear: Gordeev announced that registration for the 2021 season will open on July 10, with both in-person and virtual options available.

Congratulations to all!

Keep reading SHOW LESS
Rosalie O'Connor, Courtesy ABT

Defining and Refining Musicality: How to Tune In and Develop Your Artistic Voice

Ask a hundred people what musicality is, and you're likely to get a hundred different answers. "Musicality is where an artist's personality shines brightest," says Smuin Contemporary Ballet member Ben Needham-Wood. For American Ballet Theatre soloist Skylar Brandt, "it's what distinguishes one dancer from another. It helps me express myself more vividly and emotionally."

Teachers encourage it, directors seek it out and dancers who possess it bring choreography to life in compelling ways. But what exactly is musicality, and how can dancers get more of it?

Keep reading SHOW LESS

Editors' Picks