Kansas City Dance Festival Grows by Leaps and Bounds

Photo by Philip Koenig, Courtesy Kansas City Ballet.

The Kansas City Dance Festival, which mixes Kansas City Ballet members with performers from other companies, has significantly increased its programming since its 2013 debut. Now the festival is presenting its biggest season yet, bringing fresh choreography to Kansas City and new opportunities to the participating dancers.

This year features KCDF's first world premiere, choreographed by Garrett Smith. The lineup also includes ballets by Matthew Neenan and Vincente Nebrada. Festival dancers hail from KCB, Pennsylvania Ballet and Richmond Ballet, among other companies. The eclectic program gives KC audiences a chance to see new dancers and choreography, mixed with their hometown favorites.


In an effort to offer more to both dancers and audience members, KCDF has expanded its outreach and education efforts. "With 'festival' in our name we wanted to grow from two shows to a weeklong event," says festival general manager and former KCB dancer Jill Marlow Krutzkamp. Now, attendees can look forward to multiple performances, master classes (taught by festival dancers) and an artist talk, June 18–25.

Ballet Training
Kali Kleiman performing at YAGP's New York Finals. VAM Productions, Courtesy YAGP.

As someone who has judged many ballet competitions, I've had the opportunity to see some breathtaking contemporary solos that combine fantastic technique with well-conceived choreography. Yet it's often hard for us judges to see the artistic intention behind these solos the way we can when watching a classical variation. For one thing, we're simply more familiar with classical ballet's repertoire and characters. But also, when a contemporary solo is just a string of one trick after another, or only delivers one emotion (such as overwrought angst), we don't get to see any artistic depth.

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Francisco Estevez, Courtesy Colorado Ballet Academy

When you're looking for a ballet program to take you to the next level, there are a lot of factors to consider. While it's tempting to look for the biggest name that will accept you, the savvy dancer knows that successful training has more to do with the attention and opportunities you'll get.

We put together a few of the most important things for dancers to look for in a summer or year-round training program, with the help of the experts at Colorado Ballet Academy:

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Ballet Stars
Elle Macy in Benjamin Millepied's Appassionata. Angela Sterling, Courtesy PNB.

Cross-training misconceptions: Before Elle Macy became an apprentice with Pacific Northwest Ballet, she was apprehensive about cross-training. "I was warned that it might bulk you, or not to do certain activities because they could potentially injure you." But a stress fracture in her foot changed her perspective. Unable to bear much weight, Macy reluctantly tried stationary biking at her physical therapist's suggestion. "What I learned is that you're not going to get injured from being on an elliptical for 20 minutes or by taking a Pilates class," says Macy. Today, it's not uncommon to find the soloist training on the elliptical, doing ankle stability exercises, using the Pilates reformer or taking a hot yoga class.

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Courtesy School of Pennsylvania Ballet

While many of us are deep in Nutcracker duties, The School of Pennsylvania Ballet director James Payne has been looking further ahead, finalizing preparations for the school's summer intensive programs. In January, he and his staff will embark on a 24-city audition tour to scour the country for the best young dancers, deciding whether or not to offer them a spot—maybe even a scholarship—in the school's rigorous 5-week intensive focused on high-caliber ballet instruction. Though he'll be evaluating aspirants, he urges that as a student, you should be equally selective in choosing programs that could galvanize your training—and possibly even your career.

We got Payne's advice on strategizing your summer intensive plan before the audition cycle kicks in:

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