June/July 2016


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  • Editor’s Letter: Be Your Own Best Advocate

    At our cover shoot, American Ballet Theatre soloist Cassandra Trenary was so easygoing that it was hard to believe ... More »

  • Callboard

    Changing Directors at Paris Opéra Ballet The Paris Opéra Ballet is gearing up for another transition. This summer, Benjamin ... More »

  • Studio to Street: Dores André

    Dores André doesn’t like shopping, but she loves clothes. Her favorite source of style inspiration is the 1964 comedy ...

  • Show and Tell: Inside Kayla Rowser’s Dance Bag

    Nashville Ballet dancer Kayla Rowser is one organized woman—her teal Lug bag is full of compartments. “That’s why I ...

  • Dancer Spotlight: Elizabeth Murphy

    On any given day, Pacific Northwest Ballet’s rehearsal studios are filled with ballerinas decked out in a rainbow of ...

  • Ask Amy: Gaining Perspective

    I can’t stop beating myself up over past mistakes. How can I focus on what’s in front of me? ...

  • The Tipping Point

    It seems that, in ballet careers, everything happens at once. For a few years, you notice a dancer and ...

  • Inside the “Golden Cockerel”

    Choreographer Alexei Ratmansky is passionate about promoting the splendor of early Russian ballet and has, over the last few ...

  • Building Brand “YOU”

    New York City Ballet principal dancer Lauren Lovette, a prolific user of Instagram, discovered she had an eager following ... More »

  • Endless Summer

    Jackie Nash: Atlanta Ballet Typical summer break: mid-May–August  On rest: I need to take one solid week, at least, ... More »

  • East Meets West

    As Hong Kong Ballet corps member Xia Jun rehearses his solo from Krzysztof Pastor’s In Light and Shadow, a ...

  • Confessions of a Pointe Shoe Fitter

    For many dancers, the quest for the perfect pointe shoe is a long one, littered with years’ worth of ... More »

  • Anchors Aweigh

    Sail into summer with nautical-inspired rehearsal looks. Related

  • Squats to Make You Feel the Burn

    Though you may not think about it much, building strength in the muscles around the hips is a must ...

  • “Am I Ready to Leave Home?”

    Harper Ortlieb knew something needed to change. Her three-hour commute to daily classes at the School of Oregon Ballet ... More »

  • The Workout: Georgina Pazcoguin

    Sock walk: As soon as she wakes up, Pazcoguin pulls on compression socks and takes her dog for an ...

  • Brokenhearted Heroine

    In John Cranko’s Onegin, based on the poem by Alexander Pushkin, Boston Ballet’s Anaïs Chalendard taps into her own ...

  • Steel City Strength

    “I was tricked into it,” says Pittsburgh Ballet Theatre artistic director Terrence S. Orr, recalling his introduction to ballet. ...

  • Taking the Lead

    From the outside, one might assume that the stars onstage are leaders offstage, too. It might be so, but ...

  • Reverence: Laura Morera, Modern Muse

    You’ve been a muse to Liam Scarlett. What’s your relationship like? I owe him a rebirth. He completely gets ...

Latest Posts


Courtesy ABC

Dance Theatre of Harlem’s Alicia Mae Holloway Talks About Her Time on ABC's “The Bachelor”

Bunheads tuning in to the season premiere of ABC's "The Bachelor" on January 4 may have recognized a familiar face: Dance Theatre of Harlem's Alicia Mae Holloway, literally bourréeing out of a limousine to greet bachelor Matt James. While Holloway unfortunately didn't get a rose that night, she did thoroughly enjoy being the long-running reality franchise's first professional-ballerina contestant, as she told Pointe in a recent Zoom call.

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#TBT: Carla Fracci and Stephen Jefferies in "La Esmeralda" (1987)

Carla Fracci, a former principal dancer of La Scala Ballet in Milan, is among the rare class of ballerinas who continued to perform into her 50s and beyond. Romantic ballets were her calling card throughout her career. In 1987, when Fracci was 51, she was featured in a television special, dancing reconstructed 19th-century ballets in the style of historical ballerinas. In this clip of La Esmeralda from the program, Fracci and her partner Stephen Jefferies, a former principal at The Royal Ballet, deliver an extraordinary performance, capturing the verve and spirit of their characters.

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Getty Images

Ask Amy: How Can I Make the Most of Performance Opportunities in a Pandemic?

My school is connected to a professional company that operates on a show-to-show basis. Students can audition for company performances when they're 15. My 15th birthday is in February, and I think that our directors are choosing people to participate in virtual performances based off of whether they have performed with the company before. This was supposed to be my big first year with the company, but COVID-19 has changed that. How do I make it known that I want to participate? Do you think I should wait until things are more normal? —Lila
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