The next time your teacher makes the class repeat a petit allégro combination endlessly, don't groan. Aside from improving your footwork and ballon, you may notice that you eat healthier after class.
In case you've been living under a rock, we've been counting down the days until the July 20th release of Tiler Peck's documentary, Ballet Now, all summer. Officially available for streaming on Hulu, the documentary follows the New York City Ballet principal tackling a new role as the curator of The Music Center's BalletNOW program in Los Angeles, CA. The three-performance program featured an international cast of 24 dancers, 15 pieces across multiple dance genres and a live orchestra—all organized (and often danced) by Peck. Phew, we're exhausted just thinking about it.
As if that wasn't challenging on its own, Peck signed on to have the days leading up to opening night filmed. Produced by Paul G. Allen's Vulcan Productions, Emmy® Award-winning actress (and Peck's friend) Elisabeth Moss, and Stick Figure Studios, the team turned BalletNOW into a behind-the-scenes experience for everyone to enjoy. We caught up with Peck ahead of the documentary's release for the inside scoop on her curatorial debut, the filming process, and a few very stressful moments where she wondered how it would all come together.
Dance Theatre of Harlem's vivacious Ingrid Silva is extending her efforts beyond the borders of the dance world. Last winter she founded EmpowHerNY, a platform that allows women from all over the world to connect and support one another by sharing their day-to-day lives. We touched base with Silva to learn all about her new initiative.
How did you come up with the idea for EmpowHerNY?
It started last December when I met my partner, Helya Mohammadian. She is the founder of Slick Chicks, a line of underwear for women with disabilities. We met while walking our Frenchies and we became very close friends. We both wanted to do something that would make an impact by giving voices to women and helping them achieve their goals. One day we were sitting at a beer garden with our dogs, and came up with the name and created the Instagram, and then all of these people found our account. As women, we haven't had space to have our voices heard for so long, and finally now everyone is breaking their shell and speaking out, so I'm very proud to be part of this movement, giving a voice to other women.
Summertime...and the dressing is eeeeeeeeeeasy. When you're heading straight from the dance studio to the pool or beach, you don't want to be messing around with complicated cover-ups. That's where these 5 MVPs of the romper room come in, bringing their breezy style to your pre-class, post-rehearsal, and everything-in-between looks. Oh, and three out of the five are on sale right now. So what are you waiting for? Go ahead and romper-ound! (Sorry, couldn't resist.)
The Soline, by Wear Moi
This oversized cap sleeve romper with a half zip in the front features four-way stretch and extra-comfy wide leg openings. You can get it now on Wear Moi's US website for less than half of its original price.
You'd think the Paris Opéra Ballet would be in damage-control mode after a leaked dancers' survey, in April, brought up worrying reports of harassment and mismanagement. But instead of addressing these issues internally, the French company is suing one of its own dancers in order to strip him of his union representative status and subsequently be free to fire him.
Dalloz Actualité, a French online magazine specializing in legal matters, elaborated on the lawsuit in an article published last week. The corps de ballet dancer taken to court, whom we'll call "S." to protect his identity, wasn't actually a member of the Commission for Artistic Expression, the elected group of dancers who put together the survey. He is described as a "geek" who provided technical support to ensure the validity of the results.
The entrancing power of Instagram can't be denied. I've lost hours of my life scrolling the platform looking at other people documenting theirs. What starts as a "quick" fill-the-moment check-in can easily lead to a good 10-15 minute session, especially if I enter the nebulous realm of "suggested videos."
My algorithm usually shows me professional ballet dancers in performances, rehearsals, class, backstage and on tour, which I quite enjoy. But there are the other dance feeds that I find myself simultaneously intrigued and horrified by: the hyper-elastic, hyper-extended, gumby-footed girls always at the barre doing developpés to six o'clock. There are the multiple turners, the avid stretchers and we can't forget the endless balancers.
This parade of tricksters always makes me wonder, What else can they do? Can they actually dance?
"You'll find people say that we're very demanding, but we're not mean," says Daniel Duell, co-founder of the Ballet Chicago Studio Company, a rigorous, Balanchine-based pre-professional training program located in the heart of downtown Chicago. Duell originally formed Ballet Chicago as a professional company, which disbanded after 11 seasons in 1998. Today, the organization is wholly dedicated to training and is one of the only pre-professional programs in the country entrusted with staging George Balanchine's ballets.
In addition to running the Ballet Chicago Studio Company (BCSC) and its affiliated school, former New York City Ballet principal Duell and his wife, Patricia Blair, who danced with Eglevsky Ballet, are répétiteurs for The George Balanchine Trust. The couple's investment in Balanchine's technique and repertoire has afforded Ballet Chicago a unique relationship with the Trust, giving BCSC dancers the opportunity to perform classic ballets like Concerto Barocco, "Rubies," Tarantella and Valse-Fantaisie.
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There's nothing more purrrrfect than some fabulous trinas and their feline friends. We're not kitten: these bonds are paw-sitively adorable! From hanging out backstage to working out together and more, these pairs will pas de chat their way straight into your heart.
Wonder what's going on in ballet this week? We've pulled together some highlights.
Isabella Boylston Curates Her Second Hometown Ballet Festival
American Ballet Theatre principal Isabella Boylston moonlights as artistic director of Ballet Sun Valley, which she founded last year. The second annual festival will run July 17–18 in Sun Valley, Idaho, Boylston's hometown. Boylston has created two programs composed of pas de deux and solo pieces from choreographers including George Balanchine, Jerome Robbins and William Forsythe, as well as Justin Peck's In Creases, the one work for a larger ensemble.
For the members of Boston Ballet II, Thursday mornings are a special treat. At 9 am, well before the company arrives, they begin their own class with BBII associate director Peter Stark. It's their chance to talk through corrections and dig into the details of their technique—a welcome break from the fast-paced company environment they're just getting used to. "I really enjoy our Thursday class," says Catherine Livingston, 19, who joined BBII last fall. "It's just the 10 of us, and Peter coaches us all individually."
What do you do when you finally have some time off after a busy season? Well, if you're the dancers of New York City Ballet, you find new ways to dance, obviously. Ahead of the company's 52nd annual residency at Saratoga Performing Arts Center, corps members (and super creatives) Peter Walker and Emily Kikta teamed up with their fellow dancers to choreograph and produce a series of videos leading up to the mainstage performances July 17-21.