Artists of the Joffrey Ballet in Christopher Wheeldon's "Nutcracker." Photo by Cheryl Mann, Courtesy Joffrey Ballet.

Don't Miss This Behind-the-Scenes PBS Documentary of Christopher Wheeldon's "Nutcracker" at Joffrey Ballet

When we go to the Nutcracker, we expect to be transported to a world that's both magical and familiar: the timeless Tchaikovsky music, the classic tale of a little girl and her Nutcracker prince, the sugary Land of Sweets. Yet when the Joffrey Ballet presented the world premiere of Christopher Wheeldon's new Nutcracker last year, audiences got a uniquely Chicagoan production that turns the original story on its head. Here, Marie is a poor Polish immigrant whose family lives in a shack on the construction grounds of Chicago's 1863 World's Columbian Exposition. The result is both daring and visually spectacular.

But a lot of work goes into making that magic look...well, magical. A new PBS documentary, Making a New American NUTCRACKER, follows the Joffrey Ballet, Wheeldon and his stellar creative team as they build the ballet from the ground up.

While the documentary is full of the kind of behind-the-scenes footage dancers love, it also reveals the important reasoning behind the revamped story. The Columbian Exposition setting was the brainchild of Joffrey artistic director Ashley Wheater, and both he and Wheeldon found the traditional Nutcracker story's message somewhat troubling. Wheeldon notes that the protagonist is typically a privileged, wealthy child. "And then she falls asleep and dreams of more," says Wheeldon. "More candy, more entertainment."


Slowly, they cobble together a different kind of story, enlisting children's book author Brian Selznick to write the libretto. In their narrative, Marie is the daughter of a single mother (who is sculpting the Exposition's golden statue), while the Drosselmeyer character takes the shape of the fair's architect Daniel Burnham, aka The Great Impresario. The film contains plenty of rehearsal and stage footage, as well as commentary by Joffrey dancers Amanda Assucena, Yoshihisa Arai, April Daly, Dylan Gutierrez and Jeraldine Mendoza. But what's even more fascinating is the intense planning by Wheeldon's production team—designer Julian Crouch, puppeteer Basil Twist and lighting designer Natasha Katz—as they bring his ideas to life. Making a New American NUTCRACKER premieres on PBS stations nationwide in December (check your local listings) and will stream on pbs.org starting December 1. Until then, enjoy the exclusive sneak peek below.


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A Letter from the Editor in Chief

Hi Everyone,

These are challenging times. The social distancing measures brought about by COVID-19 has likely meant that your regular ballet training has been interrupted, while your performances, competitions—even auditions—have been cancelled. You may be feeling anxious about what the future holds, not only for you but for the dance industry. And that's perfectly understandable.

As you adjust to taking virtual ballet class from your living rooms, we here at Pointe are adjusting to working remotely from our living rooms. We've had to get a little creative, especially as we put our Summer Issue together, but like you we're taking full advantage of modern technology. Sure, it's a little inconvenient sometimes, but we're finding our groove.

And we know that you will, too. We've been utterly inspired by how the dance community has rallied together, from ballet stars giving online classes to companies streaming their performances to the flood of artist resources popping up. We've loved watching you dance from your kitchens. And we want to help keep this spirit alive. That's why Pointe and all of our Dance Media sister publications are working nonstop to produce and cross-post stories to help you navigate this crisis. We're all in this together.

We also want to hear from you! Send us a message on social media, or email me directly at abrandt@dancemedia.com. Tell us how you're doing, send us your ideas and show us your dance moves. Let the collective love we share for our beloved art form spark the light at the end of the tunnel—we will come out the other side soon enough.

Best wishes,

Amy

Tulsa Ballet in Ma Cong's Tchaikovsky: The Man Behind the Music. Kate Luber Photography, Courtesy Tulsa Ballet.

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