A madcap solstice celebration: The Joffrey Ballet in Alexander Ekman's Midsummer Night's Dream. Photo by Cheryl Mann, Courtesy Joffrey Ballet.

The Standouts of 2018: The Joffrey Ballet in Alexander Ekman's "Midsummer Night's Dream"

During Alexander Ekman's Midsummer Night's Dream, a singer croons: "By morning the dancers/Will start to wonder/Had it all been a dream?/Had it all been a blunder?" While The Joffrey Ballet's performances of Ekman's 2015 full-length last April were most certainly the former, they could not have been further from the latter.

Ekman's 'Midsummer Night's Dream' | Official Trailer www.youtube.com


Hostess Victoria Jaiani welcomes us and sends us on our way, humming an infectiously bright tune as she gifts the Dreamer (Temur Suluashvili) two handfuls of hay and pulls him behind the curtain. A madcap solstice celebration with no relation to Shakespeare, this Midsummer asks dancers to toe the line between daydream and nightmare, beauty and farce, whether the ensemble is joyously tossing fistfuls of hay or sliding through balletic positions with slinky control. The 40-dancer Joffrey cast met the challenge with strength and verve. Though Jaiani, Jeraldine Mendoza, Greig Matthews, April Daly and Fabrice Calmels were particularly enchanting, each person onstage was individually captivating throughout—if only the longest days of the year could stretch but a little longer.

Latest Posts


Maria Kochetkova. Darian Volkova, Courtesy Kochetkova

Maria Kochetkova on How COVID-19 Affected Her Freelance Career, and Her New Home at Finnish National Ballet

When international star Maria Kochetkova embarked on a freelance career three years ago, she never envisioned how a global pandemic would affect it. In 2018, the Russian-born ballerina left the security of San Francisco Ballet, a company she called home for more than a decade, for the globe-trotting life of a guest star. Before the pandemic, Kochetkova managed her own performing schedule and was busier than ever, enjoying artistic freedom and expanding her creative horizons. This all changed in March 2020, when she saw her booming career—and her jet-setting lifestyle—change almost overnight.

After months of uncertainty, Kochetkova landed at Finnish National Ballet, where she is a principal dancer for the 2020–21 season. Pointe spoke with her about her time during the quarantine and what helped her to get through it, her new life in Helsinki, and what keeps her busy and motivated these days.

Keep reading SHOW LESS
DTH's Alexandra Hutchinson and Derek Brockington work out with trainer Lily Overmyer at Studio IX. Photo by Joel Prouty, Courtesy Hutchinson.

Working Out With DTH’s Alexandra Hutchinson

Despite major pandemic shutdowns in New York City, Alexandra Hutchinson has been HIIT-ing her stride. Between company class with Dance Theater of Harlem and projects like the viral video "Dancing Through Harlem"—which she co-directed with roommate and fellow DTH dancer Derek Brockington—Hutchinson has still found time to cross-train. She shares her motivation behind her killer high-intensity interval training at Studio IX on Manhattan's Upper West Side.

Keep reading SHOW LESS
Getty Images

As Ballet Looks Toward Its Future, Let's Talk About Its Troubling Emotional Demands

As a ballet student, I distinctively remember being told that to survive ballet as a profession, one must be exceptionally thick-skinned and resilient. I always assumed it was because of the physically demanding nature of ballet: long rehearsal hours, challenging and stressful performances, and physical pain.

It wasn't until I joined a ballet company that I learned the true meaning behind those words: that the reason one needs thick skin is not because of the physical demands, but because of the unfair and unnecessary emotional demands.

Undoubtedly, emotional and physical strength go hand in hand to some extent. But the kind of emotional demand I am talking about here is different; it is not the strength one finds in oneself in moments of fatigue or unwillingness. It is the strength one must have when being bullied, humiliated, screamed at, manipulated or harassed.

Keep reading SHOW LESS

Editors' Picks