Ballet Stars

Royal Winnipeg Ballet’s Jo-Ann Sundermeier Doesn’t Sweat the Small Stuff

Réjean Brandt Photography, Courtesy Royal Winnipeg Ballet

After growing up in Florida, how did you adjust to the climate when you moved to Winnipeg, Canada?

It was shocking. The winter is brutal! Now I know what to expect, but it's still a bit of a shock. I think the first day of snow was September 26th.

Do you have a go-to anecdote about company life?

Once we were on tour in Arkansas for Nutcracker. We got to the finale, and the music cut out. There was a womp-womp moment, the curtain came down, and we had to restart from the top of the coda. But the audience was excited they saw it twice—they felt like they got double their money!


Sundermeier as Giselle

Stanislav Balyaevksy, Courtesy RWB

You left Winnipeg to dance with Smuin Ballet for two years. What did you gain from your time there?

I started in RWB's school and was in the company for 10 years before I left. Going to Smuin Ballet, I could start over; there were unbiased eyes looking at me. It's unranked, and the rep definitely put me in my place now and then! I came back to RWB with a fresh outlook.

Why did you return to RWB?

I felt like I hadn't fulfilled that principal opportunity when it was given to me. I came back and the first thing I did was Giselle, and then we went on a four-week tour to Europe. It was wonderful.

What aspect of your dancing have you worked particularly hard for?

Developing my artistry. I'm a bit of a technique nut. But I'm at a point in my career where I don't need to prove anything, and I want to connect with my audience. I try to come up with facial expressions or movements for different scenarios, and in rehearsal I focus on being in the story and reacting to my partner.

Is there something you do really well outside of ballet?

I like to cook. I love golfing and swimming. Some of us RWB dancers go paintballing at the beginning of every season together—I'm a sharpshooter!

Sundermeier with Liang Xing in Carmina Burana

Réjean Brandt, Courtesy RWB

And you're a new mom! What has that been like?

Wonderful. I'm definitely in the mentality of "Don't sweat the small stuff," because there are more important things in life. I feel like my body is slowly getting put back together, and I'm hoping that I'm good to go in February for Romeo and Juliet.

Do you have advice for up-and-coming dancers?

Really listen to the music. You could be doing the best thing, but if you're dancing off the music, no one cares. Musicality is key.

The Conversation
Ballet Stars
Houston Ballet's Yuriko Kajiya and Linnar Looris in "The Merry Widow." Photo by Amitava Sarkar, Courtesy of Houston Ballet.

With Houston Ballet's Sunday performance of Marie, the company bade farewell not only to its spring season, but to two of its most beloved leading men: principal Jared Matthews and first soloist Linnar Looris each took their final bows on the Wortham Theater Center stage. Both men will travel soon to Estonia, where they will work together to lead the Estonian National Ballet, with Looris serving as the company's artistic director and Matthews as the assistant to the artistic director.

Keep reading... Show less
The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

Keep reading... Show less
Ballet Careers
Getty Images

As an aspiring or professional dancer, whose voice do you hear the most in your head? While you may think it's the voice of your teacher, ballet master or director, or perhaps even your friends and colleagues, it's most likely your own. Even when we're not speaking out loud, we're in constant dialogue with ourselves. But whether you're thinking about choreography or your to-do list, how does that voice sound?

In a field that is already hypercritical, let's pause and evaluate exactly what we're saying to ourselves. Is our inner voice helping, or could it be hurting?

Keep reading... Show less
Site Network
James Whiteside (Jayme Thornton for Dance Magazine)

Say you're perpetually impeccable designer Thom Browne. Say you're planning your Spring 2020 Paris menswear show along a "Versailles country club" theme. Say you want a world-class danseur to open the show with some kind of appropriately fabulous choreography.

Who do you call? James Whiteside, of course. On Saturday, the American Ballet Theatre principal—wearing pointe shoes and a glorious pinstriped tutu—kicked off Browne's presentation at the École des Beaux-Arts with a 15-minute, show-stealing solo. Whiteside choreographed the piece himself, with the help of detailed notes from the designer.

Keep reading... Show less