Profiles

2019 Stars of the Corps: San Francisco Ballet's Jasmine Jimison

Jasmine Jimison as the Fairy of Playfulness in The Sleeping Beauty. Erik Tomasson, Courtesy SFB.

Jasmine Jimison is just 17, but she's already experiencing a fairy-tale ballet career: In her first year as a San Francisco Ballet apprentice, Jimison made sparkling main- stage debuts as Cupid in Don Quixote, the Ballerina Doll in The Nutcracker and, in The Sleeping Beauty, the Fairy of Playfulness and the Enchanted Princess, partnered by principal dancer Esteban Hernandez in the Bluebird pas de deux. Her tenure as an apprentice came to an abrupt end when artistic director Helgi Tomasson promoted her to the corps in March, just eight weeks into the season.


Jimison as a student at San Francisco Ballet School in George Balanchine's Stars and Stripes. Lindsay Thomas, Courtesy SFB.

"Growing up, I actually never thought that I could ever become a ballerina," says Jimison, utterly unpretentious about her remarkable trajectory. After entering SFB's school at 12, she was made a trainee at 15 and an apprentice just a year later. "From day one I was taken by Jasmine," says school director Patrick Armand. "She has a wonderful free quality in her movement, with the most beautiful adagio and a very strong technique." Those qualities will only become richer as she takes on SFB's wide-ranging repertoire—she had a corps role in Liam Scarlett's Die Toteninsel this year—and looks ahead to her future. "My heart is full," she says, "and I hope I can stay at SFB for as long as possible."

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Darian Volkova, Courtesy Shayer

After years of rigorous training, ballet dancers become accustomed to constructive and oftentimes harsh criticism. Being scrutinized is something that comes with the territory.

I myself spent the better half of my high school years in Russia, where political correctness does not get in the way of progress. We were trained to use criticism as fuel to propel us forward. Everything said in class or rehearsal was meant to help better ourselves and not to be taken personally.

But where is the line between helpful advice and offensive language?

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News
Greta Hodgkinson and Guillaume Côté in Margeurite and Armand. Karolina Kuras, Courtesy National Ballet of Canada.

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Training
Students at Sun King Dance's Adult Ballet Camp. Jenny McQueen of Capture Photography, Courtesy Sun King Dance.

For adult recreational dancers, summer isn't just a time for swapping out warm-up sweaters for breezy tees—it's also about taking your training to the next level, and perhaps packing your bags for a ballet workshop. Why should teens and pre-professionals have all of the fun? Fortunately, there are scores of adult summer programs all over the United States, and even abroad for those of you looking to sprinkle in a little sightseeing after your final reverénce. (Can't wait for summer? Check out these spring workshops at National Ballet of Canada and Sarasota Ballet.)

What can adults expect from a weekend or a week of dance training? Everything from technique to repertoire to yoga. Most of all, it's a chance to just dig in and dance, without a pesky to-do list waiting for you after class. Here are some summer programs designed for adult recreational dancers to keep on your radar.

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