Studio to Street: Ebony Williams

When it comes to fashion, this Cedar Lake Contemporary Ballet dancer is fearless. She will unabashedly wear a leotard—and just a leotard—out clubbing with friends, or put on a pair of five-inch Giuseppe Zanotti heels to go to work. “The great thing about living in New York is that there’s so many different people with different influences, you can be yourself,” she says. “I can go out in a bow-tie or suspenders or a full-body catsuit.” Williams’ biggest fashion influence is her mom, who always dolled her up in pumps and dresses as a kid. “She likes me to have style, to look like a girl. And to make sure I’m not coming out of the house looking crazy.”


The Details—Studio
Crop top: ?“This used  to be a unitard that I wore once while dancing with Beyoncé. I just cut off the legs.?”
Earrings: “I always wear earrings, even when I’m dancing. They’re a little decoration for the face, especially when I don’t want to wear makeup.”
Pants from a boutique in Puerto Rico: “I need some color on my body when I dance. Too much black kills me.”


The Details—Street

Blazer from Zara: “My pop of color.”
Top: “It’s got an open back, which is my signature look.”
Leather shorts: “I work hard for my body. Why not show a little skin?”
Heels: “I have 50 pairs of heels at home, and more in storage. I can do anything in heels: go out after rehearsal, run to catch a bus—no problem.”

Health & Body
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I have very tapered Morton's toes (longer second toes). My big toe joints are about a half centimeter shorter than my second and third toe joints, so I have a terrible time finding stability on demi-pointe. My weight lands on that second toe joint, which is pretty narrow and uncomfortable under that pressure. How can I find a more stable relevé? —Larissa

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Sponsored by The Rock School
From left: Sarah Lapointe, Derek Dunn and Jeanette Kakareka. Courtesy The Rock School

For more than five decades, The Rock School for Dance Education has been launching young dancers into professional ballet careers around the globe. Boasting distinguished alumni such as Beckanne Sisk, Michaela DePrince and Taylor Stanley, the Philadelphia-based institution has garnered a well-deserved reputation for pairing rigorous training with a tight-knit, welcoming community. Their summer intensives are no different, with a wealth of prestigious faculty members, many of whom are Rock School alums currently dancing at companies around the world.

What inspires busy pros to keep returning to their alma mater? We talked to three of The Rock School's buzziest alums about why they make it a priority to come back and teach:

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News
The National Ballet of Canada's Harrison James and Emma Hawes in Orpheus Alive. Karolina Kuras, Courtesy NBoC.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Courtesy Apolla

Ballet dancers today are asked to do more with their bodies than ever before. The physical demands of a ballet career can take an immense toll on a dancer's joints and muscles—subjecting them to pain, inflammation and an increased risk of injury. Considering all that is required of today's dancers, having a top-notch recovery regime is paramount.

Enter Apolla Performance Wear, which is meeting ballet's physical demands with a line of compression footwear that is speeding up the recovery process for professional dancers by reducing inflammation and stabilizing the joints.

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