It’s the American dream, ballet-style: A small-town girl works hard, turns heads in the big city and wins her way to the top of a world-class company. Teresa Reichlen is one such story: Before joining New York City Ballet, she studied at The Russell School of Ballet in Chantilly, VA. “It’s nice to be a big fish in a small pond to start out,” she says. Instead of always dancing in the corps, “you get to perform the challenging parts.”

Several small studios around the country are producing professional-caliber dancers. These schools may not receive the same publicity as their counterparts with companies or boarding schools attached, but they prove that you don’t need high-profile training to make it as a dancer. In fact, the extra attention, performance opportunities and lower-stress environment might be what you need to grow—not just as a dancer, but as an artist.

Greenwich Ballet Academy
Greenwich, CT, and Port Chester, NY
GBA has only been around since 2006, but its strong Vaganova training (modeled after the Vaganova and Bolshoi academies’ eight-year program) is unique in the region. Students get lots of one-on-one attention—classes only have 4 to 15 students. Plus, the studio’s close proximity to New York City means that guest teachers such as American Ballet Theatre principal Irina Dvorovenko and NYCB legend Allegra Kent can easily drop in for the day.
Classes: Ballet, pointe, repertoire, pas de deux, modern, contemporary ballet, men’s class, character, yoga
Number of students: 105 (audition required)
Performances per year: Two or three
Competitions: Youth America Grand Prix
Alumni: Kelsey Connolly (Juilliard)
Fun fact: The Port Chester loft-like studios used to be a Fruit of the Loom factory.

Alexandra Ballet
Chesterfield, MO
Founded in 1949, Alexandra Ballet has made a reputation for itself through Regional Dance America—the school’s pre-professional company recently represented RDA’s Mid-States Regional Ballet Association at the 2010 International Ballet Competition in Jackson, MS. Alexandra Ballet also keeps up a connection with Cincinnati Ballet, whose dancers often give master classes and perform with students.
Classes: Ballet, modern, character, pointe, pas de deux, men’s class, variations, Pilates
Number of students: 200 (no audition required)
Performances per year: Up to 12
Competitions: The school doesn’t emphasize competitions, but supports students who compete.
Alumni: Louise Nadeau (former PNB principal), Antonio Douthit (Alvin Ailey), Rodney Hamilton (Ballet Hispanico), Makensie Howe and Dillon Malinski (Houston Ballet II)
Fun fact: The school was recently filmed for a British documentary called SwanSong, about Alexandra Ballet alum Ian Archer-Watters (former Les Ballets Grandiva dancer).

Metropolitan Ballet Academy
Jenkintown, PA
MBA students benefit from an inside connection to Pennsylvania Ballet: Led by former PAB assistant ballet mistress Lisa Collins Vidnovic, the faculty includes several current and former PAB dancers and artistic staff, including the artistic director of the second company.
Classes: Ballet, modern, jazz, repertoire, pas de deux, men’s class
Number of students: 375 (no audition required)
Performances per year: At least nine
Competitions: Youth America Grand Prix
Alumni: Phoebe Gavula (Pennsylvania Ballet II)
Fun fact: MBA has a special Boys’ Scholarship Program with more than 60 boys enrolled.

Southland Ballet Academy
Fountain Valley and Irvine, CA
Students at this California studio gain connections all over the world—SBA regularly brings in top master teachers, such as Royal Ballet School director Gailene Stock, NYCB principal Megan Fairchild and even Kirov director Yury Fateyev.
Classes: Ballet, pointe, pas de deux, men’s class, Russian character, modern, stretch, Pilates, jazz, hip hop
Number of students: 400 (no audition required)
Performances per year: Three
Competitions: Youth America Grand Prix, Prix de Lausanne, USA International Ballet Competition in Jackson, Helsinki International Ballet Competition
Alumni: Bryn Gilbert (Ballet Memphis), Jamie Kopit (ABT apprentice), Kirby Wallis (Ballet Austin), Jade Payette (The Washington Ballet), Quenby Hersh  (Scottish Ballet)
Fun fact: Southland students are loyal: The school (now almost 30 years old) currently has third-generation students—the grandchildren of some of its original dancers!

The Russell School of Ballet
Chantilly, VA
Directors Karla and Hans Petry, the husband and wife team at The Russell School, offer a nurturing environment, and students and teachers become close in this tight-knit community.
Classes: Ballet, pointe, variations, character, jazz, tap, modern, lyrical, stretch
Number of students: 375–400 (audition required for higher-level classes)
Performances per year: Three
Competitions: No
Alumni: Teresa Reichlen (NYCB principal), Carrie Ellmore-Tallitsch (Martha Graham Dance Company principal), Ian Thatcher (formerly with SFB, PNB and Ballets de Monte Carlo)
Fun fact: The school is beginning its 47th year.

Westside Ballet
Santa Monica, CA
Westside students have a direct link to George Balanchine himself: Director Yvonne Mounsey was an NYCB principal under the choreographer, so she teaches his style as she learned it firsthand.
Classes: Ballet, jazz, pointe, pas de deux, variations
Number of students: 390 (no audition required)
Performances per year: Two
Competitions: No
Alumni: Andrew Veyette (NYCB principal), Melissa Barak (choreographer), Anna Liceica (former ABT soloist), Kylee Kitchens (PNB)
Fun facts: This past summer, New York’s School of American Ballet held a two-week summer session at Westside Ballet.

International Ballet School
Littleton, CO
IBS takes the “international” element of its name seriously, inviting former Bolshoi and Paris Opéra Ballet dancers to teach master classes, and producing stylistically versatile students who go on to dance all over the world—from Monaco to Switzerland to Germany. 
Classes: Ballet, character, contemporary, pointe, variations
Number of students: 60 (no audition required)
Performances per year: Two, plus outreach
Competitions: Youth America Grand Prix, Prix de Lausanne, World Ballet Competition
Alumni: Erin McAffee (The Joffrey Ballet), Anisa Scott (Dresden SemperOper Ballet)
Fun fact: IBS has recently begun purchasing sets and costumes from companies like London Festival Ballet and Houston Ballet. In a recent Peter Pan production, the school rented rigging so that the dancers could fly onstage!


At Your Feet

American Harlequin is in the business of providing dancers with a solid foundation—both literally and figuratively. This year, the dance floor company will award between $500 and $5,000 to 10 aspiring dancers selected at random. You must be an American or Canadian citizen, ages 15 to 21, enrolled in a dance school to enter. Fill out an application at harlequinfloors.com. by November 1.

ABT Down South
The Jacqueline Kennedy Onassis School boasts star teachers, an unbeatable connection to American Ballet Theatre and dozens of high-profile alumni. But the school has never been able to offer a full boarding experience complete with dorms and academics—until now. This fall, JKO took the University of North Carolina School of the Arts School of Dance ballet program under its wing. UNCSA faculty members have become certified in the ABT National Training Curriculum, and ABT staff will visit Winston-Salem annually to give master classes, judge exams and scout for Studio Company prospects. ABT staff will also assist the search for a permanent replacement for Ethan Stiefel, who served as the dean of UNCSA’s School of Dance for the past four years before leaving to become artistic director of the Royal New Zealand Ballet. See uncsa.edu.

Healthy Competition

At competitions, it’s usually every man for himself. But the Youth Dance Festival of New Jersey aims to give dancers a place to perform without sacrificing artistry in service of splashy tricks. Winners are chosen, but everyone receives written feedback, a certificate of achievement and access to workshops taught by jury members.
Dates: October 8 and 9
Location: Ramapo College in Mahwah, NJ
Founded: 2005 by Leonid Kozlov
Ages: 9–25
Genres: Ballet, contemporary, jazz, folk dance
Past participants: ABT’s April Giangeruso, Boston Ballet’s Whitney Jensen, Billy Elliot’s Kiril Kulish
To register: Go to ydfofnj.org.

Win Up To $1,000

Can you write passionately about your ballet training? You could win Costume Gallery’s annual Beverly Miller Scholarship. Judges will award up to $1,000 to 19 dancers ages 12 to 21. Selections are based on dedication and financial need. The money can be used for anything that furthers your training. Apply by November 1 at costumegallery.net.

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Your Training
Dara Oda in Ben Stevenson's Alice in Wonderland with Texas Ballet Theater. Photo by Amitava Sarkar, Courtesy Texas Ballet Theater

These three current professionals opened up about opting for a degree first, how it impacted their careers and their favorite college memories.

Dara Oda, Texas Ballet Theater Dancer

Photo by Max Caro, Courtesy of Texas Ballet Theater

Belhaven University, BFA in dance (ballet emphasis), 2014

Growing up, Dara Oda knew she wanted to dance professionally, but she didn't feel ready to audition at the end of high school. "It was really easy to think of college as a fallback," she says. But her perception soon changed. "When I went to Belhaven and saw the level of training I would be getting, that encouraged me to pursue my dream but also be proactive and get my degree at the same time."

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Why your dance floor is slippery and how to fix it.

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Houston Ballet demi-soloist Alyssa Springer and principal Chun Wai Chan in rehearsal at Jacob's Pillow. Via YouTube.

Houston Ballet is at Jacob's Pillow Dance Festival this week—and company soloist Harper Watters is taking us behind the scenes as the company settles in at this historic landmark. Catch HB in action on their first day of class and rehearsal, and stay tuned for more vlogs from Watters throughout the week!

Ballet Stars
Kajiya as Gamzatti in Stanton Welch's La Bayadere. Photo by Amitava Sarkar, courtesy of Houston Ballet.

Your director Stanton Welch claims that you can hover in midair.
Really? I am not sure that I can do that. I do know that I repeat things over and over because I need to find my own way with each step, and maybe the floating quality happens in there somewhere. I just do it.

If you had to pick one signature role which would it be?
Just one? I can't. I have two. One is Giselle, because she's a human and not a creature, and people can relate to love and heartbreak. Stanton's Madame Butterfly is also important to me, because I met him when I was 17 and had heard that he thought I would be great in the role. I finally danced it in 2016 and it's a spectacular part.

Kajiya as Giselle in Stanton Welch's "Giselle." Photo by Amitava Sarkar, courtesy of Houston Ballet.

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Pacific Northwest Ballet School Professional Division students take Eva Stone's modern dance class. Photo by Lindsay Thomas, Courtesy PNB.

"Who here is terrified of choreographing?"

It was a question posed by Pacific Northwest Ballet School teacher Eva Stone five weeks ago, sitting on the floor among her class of female summer intensive students. "Almost all of them raised their hand, but I said, 'Don't worry, I got you,'" says Stone. "'I'm going to give you tools and skills and you're going to build on them.' It's amazing how their perspective changed in five weeks."

Stone's choreography class, introduced into the summer program last year, served as a pilot for a new initiative at PNB School beginning this September. New Voices: Choreography and Process for Young Women in Dance is a year-round class dedicated to educating and encouraging 14 to 16-year-old female students in the art of dancemaking. Made possible through funding from the Virginia B. Toulmin Foundation, the 38-week course was created to help address the lack of women choreographers working in major classical ballet companies.

PNB School is one of several academies offering choreographic opportunities to its students. Houston Ballet Academy and the Chautauqua Institution, for example, hold workshops during their summer intensives, while Central Pennsylvania Youth Ballet and Ballet Academy East recently joined forces to create a choreographic exchange program. And School of American Ballet offers numerous choreographic projects for its dancers, including one for women. What makes PNB's initiative unique is its year-long scope and structured focus on composition.

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The company is searching for an artistic director who is "humane"—and who might not be a choreographer. Photo by Paul Kolnik

Ever since Peter Martins retired from New York City Ballet this January amid an investigation into sexual harassment and abuse allegations, we've been speculating about who might take his place—and how the role of ballet master in chief might be transformed.

Until now, we've only known a bit about what the search for a new leader looks like. But yesterday, The New York Times reported that the company has released a job description for the position. Though the full posting isn't available to the public, here's what we're able to discern about the new leader and what this means for the future of NYCB:

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Photo by JoelValve/Unsplash

Even though it's still summer, audition season will be here before you know it. The goal is to look, dance and feel your best when auditions roll around. You're likely focused on improving as a dancer technically and artistically, but aesthetics are (unfortunately) something companies will consider as well. To look your best, healthfully and mindfully crafted body goals will make a world of difference.

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Lia Cirio and John Lam perform Tar and Feathers with Boston Ballet. Photo by Rosalie O'Connor, Courtesy Boston Ballet.

A few years ago, Boston Ballet principal Lia Cirio was tasked with performing a contemporary program one week and dancing in The Sleeping Beauty the next. "We were doing Jiˇrí Kylián's Tar and Feathers, which had me sliding around in socks," says Cirio. "The day after the premiere, I had to run my Aurora variation. I needed my technique to be stable, for both my brain and body."

Being in a ballet company doesn't mean you will always be dancing entire evenings, let alone rehearsal days, in pointe shoes. With today's preference for more eclectic mixed bills, a dancer might need to shift from pointe shoes to socks, slippers or even heels. Yet moving between footwear can be tricky—you can easily get injured if you are not prepared for the differences in sensation and shifts in balance. But when you're frequently asked to switch footwear, what's your body, much less your feet, to do?

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Ballet Training
Genée IBC gold medalist Monet Hewitt of New Zealand. Photo by Keith Sin, Courtesy Royal Academy of Dance.

If you missed the Genée International Ballet Competition's live-streamed finals this weekend, we've got you covered. Last night, 17-year-old Joshua Green of Australia and 16-year-old Monet Hewitt of New Zealand were named this year's gold medalists in the men's and women's category, out of 14 finalists. Caitlin Garlick (Australia) and Basil James (United Kingdom) won silver medals, while Enoka Sato (Japan) and Jordan Yeuk Hay Chan (Hong Kong) took home bronze. Chan also won the Margot Fonteyn Audience Choice Award, and Green was given the Choreographic Award for Dancer's Own Variation.

Gold medalist Joshua Green. Photo by Keith Sin, Courtesy RAD.

This year's IBC, which took place in Hong Kong, brought together 51 dancers between 15–19 years old and representing 13 nationalities (including three Americans). The candidates, all of whom are trained in the Royal Academy of Dancing syllabus, spent five days receiving coaching from esteemed faculty on a classical variation as well as a solo choreographed by themselves, a teacher or a peer. The dancers also had to learn and perform a new solo by specially commissioned choreographer Carlo AC Pacis.

Catch the winning dancers as they each perform Pacis' work below, and stay tuned—next year's Genée IBC takes place in Toronto.

News
Boston Ballet is bringing Jerome Robbins' Fancy Free to the Tanglewood Music Center in Lenox, MA. Photo by Gene Shiavone, Courtesy Boston Ballet.

Wonder what's going on in ballet this week? We've pulled together some highlights.


Houston Ballet Brings a World Premiere to Jacob's Pillow

August 15-18, for the first time in almost four decades, Houston Ballet is appearing at Jacob's Pillow, the famous summer dance festival in Becket, MA. Headlining the program is Just, a world premiere commissioned by the Pillow and choreographed by HB artistic director Stanton Welch, set to music by contemporary composer David Lang. Also from Welch are Clear, an abstract piece for seven men and seven women, and excerpts from Sons de L'ame, with music by Chopin. The company will also perform In Dreams, choreographed by former Pillow choreographic associate Trey McIntyre.

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Editors' List: The Goods
Gaynor Minden's celebrating 25 years in the best way possible: With a sale! (via dancer.com)

Time for a quick pop quiz: What does "BTS" stand for?

A. Back To the Studio

B. Behind The Scenes

C. Back To School

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