It’s the American dream, ballet-style: A small-town girl works hard, turns heads in the big city and wins her way to the top of a world-class company. Teresa Reichlen is one such story: Before joining New York City Ballet, she studied at The Russell School of Ballet in Chantilly, VA. “It’s nice to be a big fish in a small pond to start out,” she says. Instead of always dancing in the corps, “you get to perform the challenging parts.”

Several small studios around the country are producing professional-caliber dancers. These schools may not receive the same publicity as their counterparts with companies or boarding schools attached, but they prove that you don’t need high-profile training to make it as a dancer. In fact, the extra attention, performance opportunities and lower-stress environment might be what you need to grow—not just as a dancer, but as an artist.

Greenwich Ballet Academy
Greenwich, CT, and Port Chester, NY
GBA has only been around since 2006, but its strong Vaganova training (modeled after the Vaganova and Bolshoi academies’ eight-year program) is unique in the region. Students get lots of one-on-one attention—classes only have 4 to 15 students. Plus, the studio’s close proximity to New York City means that guest teachers such as American Ballet Theatre principal Irina Dvorovenko and NYCB legend Allegra Kent can easily drop in for the day.
Classes: Ballet, pointe, repertoire, pas de deux, modern, contemporary ballet, men’s class, character, yoga
Number of students: 105 (audition required)
Performances per year: Two or three
Competitions: Youth America Grand Prix
Alumni: Kelsey Connolly (Juilliard)
Fun fact: The Port Chester loft-like studios used to be a Fruit of the Loom factory.

Alexandra Ballet
Chesterfield, MO
Founded in 1949, Alexandra Ballet has made a reputation for itself through Regional Dance America—the school’s pre-professional company recently represented RDA’s Mid-States Regional Ballet Association at the 2010 International Ballet Competition in Jackson, MS. Alexandra Ballet also keeps up a connection with Cincinnati Ballet, whose dancers often give master classes and perform with students.
Classes: Ballet, modern, character, pointe, pas de deux, men’s class, variations, Pilates
Number of students: 200 (no audition required)
Performances per year: Up to 12
Competitions: The school doesn’t emphasize competitions, but supports students who compete.
Alumni: Louise Nadeau (former PNB principal), Antonio Douthit (Alvin Ailey), Rodney Hamilton (Ballet Hispanico), Makensie Howe and Dillon Malinski (Houston Ballet II)
Fun fact: The school was recently filmed for a British documentary called SwanSong, about Alexandra Ballet alum Ian Archer-Watters (former Les Ballets Grandiva dancer).

Metropolitan Ballet Academy
Jenkintown, PA
MBA students benefit from an inside connection to Pennsylvania Ballet: Led by former PAB assistant ballet mistress Lisa Collins Vidnovic, the faculty includes several current and former PAB dancers and artistic staff, including the artistic director of the second company.
Classes: Ballet, modern, jazz, repertoire, pas de deux, men’s class
Number of students: 375 (no audition required)
Performances per year: At least nine
Competitions: Youth America Grand Prix
Alumni: Phoebe Gavula (Pennsylvania Ballet II)
Fun fact: MBA has a special Boys’ Scholarship Program with more than 60 boys enrolled.

Southland Ballet Academy
Fountain Valley and Irvine, CA
Students at this California studio gain connections all over the world—SBA regularly brings in top master teachers, such as Royal Ballet School director Gailene Stock, NYCB principal Megan Fairchild and even Kirov director Yury Fateyev.
Classes: Ballet, pointe, pas de deux, men’s class, Russian character, modern, stretch, Pilates, jazz, hip hop
Number of students: 400 (no audition required)
Performances per year: Three
Competitions: Youth America Grand Prix, Prix de Lausanne, USA International Ballet Competition in Jackson, Helsinki International Ballet Competition
Alumni: Bryn Gilbert (Ballet Memphis), Jamie Kopit (ABT apprentice), Kirby Wallis (Ballet Austin), Jade Payette (The Washington Ballet), Quenby Hersh  (Scottish Ballet)
Fun fact: Southland students are loyal: The school (now almost 30 years old) currently has third-generation students—the grandchildren of some of its original dancers!

The Russell School of Ballet
Chantilly, VA
Directors Karla and Hans Petry, the husband and wife team at The Russell School, offer a nurturing environment, and students and teachers become close in this tight-knit community.
Classes: Ballet, pointe, variations, character, jazz, tap, modern, lyrical, stretch
Number of students: 375–400 (audition required for higher-level classes)
Performances per year: Three
Competitions: No
Alumni: Teresa Reichlen (NYCB principal), Carrie Ellmore-Tallitsch (Martha Graham Dance Company principal), Ian Thatcher (formerly with SFB, PNB and Ballets de Monte Carlo)
Fun fact: The school is beginning its 47th year.

Westside Ballet
Santa Monica, CA
Westside students have a direct link to George Balanchine himself: Director Yvonne Mounsey was an NYCB principal under the choreographer, so she teaches his style as she learned it firsthand.
Classes: Ballet, jazz, pointe, pas de deux, variations
Number of students: 390 (no audition required)
Performances per year: Two
Competitions: No
Alumni: Andrew Veyette (NYCB principal), Melissa Barak (choreographer), Anna Liceica (former ABT soloist), Kylee Kitchens (PNB)
Fun facts: This past summer, New York’s School of American Ballet held a two-week summer session at Westside Ballet.

International Ballet School
Littleton, CO
IBS takes the “international” element of its name seriously, inviting former Bolshoi and Paris Opéra Ballet dancers to teach master classes, and producing stylistically versatile students who go on to dance all over the world—from Monaco to Switzerland to Germany. 
Classes: Ballet, character, contemporary, pointe, variations
Number of students: 60 (no audition required)
Performances per year: Two, plus outreach
Competitions: Youth America Grand Prix, Prix de Lausanne, World Ballet Competition
Alumni: Erin McAffee (The Joffrey Ballet), Anisa Scott (Dresden SemperOper Ballet)
Fun fact: IBS has recently begun purchasing sets and costumes from companies like London Festival Ballet and Houston Ballet. In a recent Peter Pan production, the school rented rigging so that the dancers could fly onstage!


At Your Feet

American Harlequin is in the business of providing dancers with a solid foundation—both literally and figuratively. This year, the dance floor company will award between $500 and $5,000 to 10 aspiring dancers selected at random. You must be an American or Canadian citizen, ages 15 to 21, enrolled in a dance school to enter. Fill out an application at harlequinfloors.com. by November 1.

ABT Down South
The Jacqueline Kennedy Onassis School boasts star teachers, an unbeatable connection to American Ballet Theatre and dozens of high-profile alumni. But the school has never been able to offer a full boarding experience complete with dorms and academics—until now. This fall, JKO took the University of North Carolina School of the Arts School of Dance ballet program under its wing. UNCSA faculty members have become certified in the ABT National Training Curriculum, and ABT staff will visit Winston-Salem annually to give master classes, judge exams and scout for Studio Company prospects. ABT staff will also assist the search for a permanent replacement for Ethan Stiefel, who served as the dean of UNCSA’s School of Dance for the past four years before leaving to become artistic director of the Royal New Zealand Ballet. See uncsa.edu.

Healthy Competition

At competitions, it’s usually every man for himself. But the Youth Dance Festival of New Jersey aims to give dancers a place to perform without sacrificing artistry in service of splashy tricks. Winners are chosen, but everyone receives written feedback, a certificate of achievement and access to workshops taught by jury members.
Dates: October 8 and 9
Location: Ramapo College in Mahwah, NJ
Founded: 2005 by Leonid Kozlov
Ages: 9–25
Genres: Ballet, contemporary, jazz, folk dance
Past participants: ABT’s April Giangeruso, Boston Ballet’s Whitney Jensen, Billy Elliot’s Kiril Kulish
To register: Go to ydfofnj.org.

Win Up To $1,000

Can you write passionately about your ballet training? You could win Costume Gallery’s annual Beverly Miller Scholarship. Judges will award up to $1,000 to 19 dancers ages 12 to 21. Selections are based on dedication and financial need. The money can be used for anything that furthers your training. Apply by November 1 at costumegallery.net.

The Conversation
Everything Nutcracker
Lauren Archer with children at the "Signing Santa" event at the MacArthur Center in Norfolk, VA. Photo Courtesy Richmond Ballet.

Richmond Ballet dancer Lauren Archer never thought she'd be able to blend ballet with her knowledge of American Sign Language. But at a recent "Signing Santa" event at the MacArthur Center in Norfolk, Virginia, Archer—dressed as the Snow Queen from Nutcracker—got to make an extra-special connection with deaf and hard-of-hearing children. "Most of the parents and children were shocked to see that I was able to sign with them and that I wasn't just there for the pictures," Archer says. "I think the children loved meeting a real-life ballerina who was also able to communicate with them in their own language."

Archer began learning ASL 12 years ago, when her family adopted her younger brother, who is deaf. "He was almost 5 years old with absolutely no language or way to communicate," she says. "We continued to learn the language and teach him more and more each day—and now he's the one teaching us!"

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The Royal Ballet's Vadim Muntagirov and Marianela Nuñez in La Bayadère. Photo by Bill Cooper, Courtesy ROH.

Do you ever wish you could teleport to London and casually stroll into The Royal Opera House to see some of the world's best-loved ballets? Well, we have a solution for you: The Royal Ballet's 2018-19 cinema season.

Whether live or recorded, the seven ballet programs listed below, streaming now through next October, will deliver all of the magic that The Royal Ballet has to offer straight to your local movie theater. Can you smell the popcorn already?

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News
Ballet Fantastique's Tracy Fuller and Gustavo Ramirez in Babes in Toyland. Photo by Bob Williams and Stephanie Urso, Courtesy BF.

Eugene, Oregon–based Ballet Fantastique debuts a forgotten holiday classic December 14–16. Babes in Toyland, co-choreographed and produced by mother-daughter duo and company directors Hannah and Donna Bontrager, pulls from source material ranging from Victor Herbert's original 1903 operetta to Disney's 1961 film. "We watched all the movies and read as many different versions of the story as we could find," says Hannah. The pair distilled the elements they liked best to create their own amalgamated plot. "The story is filled with joviality and lovable, familiar storybook characters," adds Donna. The cast also pays homage to the world's best-known holiday ballet, The Nutcracker. "We've added a character called Mother Gingerbread, and some gingerbread kids," says Hannah.

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popular
Photo by Lucas Chilczuk, courtesy of Brooklyn Ballet.

With so many productions of the Nutcracker taking place this month, it's no surprise that companies are looking to put their own spin on the holiday classic. At Brooklyn Ballet, that switch-up comes courtesy of fiber optic tutus that literally light up the stage during the "Waltz of the Flowers" scene (and a production that fuses ballet with hip-hop and world dance genres). Partnering up with Brooklyn-based tech company Interwoven, BB's hi-tech tutus can be seen in action in the (soundless) clip below.

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Everything Nutcracker
Atlanta Ballet in Nutcracker. Photo by C. McCullers, Courtesy AB.

Battling sore muscles during a lengthy Nutcracker run? Add these three items to your grocery list for easier recovery between shows.

Eggs

Danielle MacInnes via Unsplash

These protein superstars contain all the essential amino acids, making them helpful for building and repairing muscle.

News
Julia Roberts in "The Commuter," choreographed and directed by Justin Peck. Screenshot via The New York Times.

We already knew that Justin Peck is a crossover superstar. His accolades from this past year alone include a Tony Award for best choreography for Carousel, a performance on The Tonight Show with The National, and plans to choreograph Steven Spielberg's upcoming West Side Story remake. Today, he proves himself all over again with a series of short films for The New York Times Magazine titled "Let's Dance," featuring some of 2018's most lauded movie stars. You can see these videos here, including an augmented-reality experience available to those with newer iPhones or iPads.

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Everything Nutcracker
San Francisco Ballet principal Joseph Walsh at age 3 as the tiny green elf in his local Nutcracker. Courtesy Walsh.

Oh, Nutcracker... It's the ballet experience that unites us all, from young student to seasoned pro. Whether you made your entrance in a mouse costume or under Mother Ginger's skirt, do you remember the choreography and costume of your very first role?

Today, six professionals share their favorite childhood Nutcracker photos and memories.

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Ballet Careers
Haley Schwan. Photo by Brooke Trisolini, Courtesy Boston Ballet.

Haley Schwan's artistic journey toward becoming a Boston Ballet company artist has been anything but ordinary. From the Vaganova Ballet Academy and Staatsballett Berlin to immersive theater in New York City and choreographing for the MTV Video Music Awards, Schwan has had some unusual detours. But the 26-year-old with a warm demeanor and quick smile seems to be enjoying the ride.

As a child, Schwan studied gymnastics, jazz, tap and contemporary dance in her native Michigan, before turning her focus to ballet. After a summer intensive at the Kirov Academy of Ballet at age 12, Schwan began studying there full-time until age 16, when she was invited to the Vaganova Ballet Academy in St. Petersburg, Russia.

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Trending
Christine Shevchenko and Devon Teuscher, photographed for Pointe by Jayme Thornton

This is Pointe's December/January 2018 Cover Story. You can subscribe to the magazine here, or click here to purchase this issue.

Christine Shevchenko and Devon Teuscher have spent practically half their lives with each other. Both dancers joined American Ballet Theatre's Studio Company in 2006. The following year, they graduated into the main troupe as apprentices, again together. They've sat next to each other in every dressing room they've ever occupied, and shared hotel rooms on the road. And in September 2017, at the age of 28, they became the company's two youngest female principal dancers—on the same day. If they weren't such good friends, they would probably be sick of each other.

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Everything Nutcracker
Isabelle Lapierre in a still from Finding Clara. Courtesy Justice Studios.

Last winter, we told you all about "Finding Clara," a YouTube series produced by tween clothing brand Justice. It followed four BalletMet Academy students cast in BalletMet's The Nutcracker. This year, it gets even better: The heart-melting show has been turned into a full-length documentary. Finding Clara was released today for rental and purchase on Amazon, Google Play and iTunes.

Finding Clara Trailer youtu.be

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Everything Nutcracker
Courtesy Justice Studios

Finding Clara is a full-length documentary produced by Justice Studios that follows four young dancers from the BalletMet Academy as they prepare for The Nutcracker's leading role. Read all about it here. We're giving away five copies of the DVD including some extra gifts from tween clothing retailer Justice. Enter now to win!

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Ballet Training
Elisabeth Beyer and Daniel Sarabia rehearse "Grand Pas Classique" in New York City before heading to Havana. Photo by Kevin Hesse, courtesy Ellison Ballet.

Elisabeth Beyer may only be 16, but she is already cultivating an international following. A Professional Training Program student at Ellison Ballet in New York City, this year she won first place in the senior women's finals at the Youth America Grand Prix in New York and the junior gold medal at the USA International Ballet Competition. In late October, she had the opportunity to perform Grand Pas Classique at the 26th Havana International Ballet Festival in a gala alongside stars from The Royal Ballet, American Ballet Theatre, La Scala and, of course, Cuban National Ballet. Her partner was Cuban-born international guest artist Daniel Sarabia, and the two only had a short time to prepare. We caught up with her to talk about what the whirlwind experience was like.

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Everything Nutcracker
Atlanta Ballet dancers in rehearsal with Yuri Possokhov. Photo by Kim Kenney, Courtesy Atlanta Ballet.

When Gennadi Nedvigin took over as artistic director of Atlanta Ballet in 2016, one of his first goals was to produce a new Nutcracker; it's been over 20 years since the company's last revamp by former director John McFall. Nedvigin immediately turned to choreographer Yuri Possokhov. "You need to be a really mature choreographer to visualize the whole story," says Nedvigin. Now, two years later, Atlanta Ballet's new Nutcracker will come to life December 8–24.

Yuri Possokhov's "The Nutcracker" www.youtube.com

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Trending
Sixteen-year-old Sofia Castán Vargas on the steps of the Cuban National Ballet School. Photo by Leysis Quesada, courtesy Vargas.

If you've had an opportunity to see the Cuban National Ballet Company perform, or taken class with a Cuban-trained teacher, or observed a Cuban-trained dancer in classical, contemporary or character roles, you've probably wondered what it might be like to study or dance professionally in the island nation. The U.S. trade and travel embargo can seem like an obstacle, but under its provisions, travel to Cuba is permissible for pursuing an education or professional interests. Shortly after the 26th Havana International Ballet Festival, I spoke with two dancers—a student and a professional—whose experience studying and dancing in Cuba sheds some light on what it's like.

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Joel Prouty (far right) trains professional dancers such as James Whiteside, Katherine Williams, Lloyd Knight and Lauren Post. Photo courtesy Prouty

A good personal trainer can coach you through a challenging, safe workout. A great one understands the unique demands dance places on your body and helps you correct specific weaknesses to make you an even stronger performer. Enter Joel Prouty.

Before his passion for fitness took over, he was a member of the Royal Winnipeg Ballet, Houston Ballet and Boston Ballet, toured with Twyla Tharp and performed in Broadway's Come Fly Away. When he retired from the stage in 2010, he dove into exercise physiology courses at New York University, captivated by the idea of dancers as athletes. "My main focus and obsession was how to train like an athlete—strong, powerful, quick and resilient—while still maintaining the long, lean aesthetic required to be a dancer, and perhaps more specifically a classical ballet dancer."

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Ballet Careers
"With the recent passing of Mr. Mitchell, I feel an even greater responsibility to share and grow the vision he began," says longtime company member Lindsey Croop. "Art is both transformative and transcendent, and because of DTH, there is a place for everyone." Photo by Kyle Froman for Pointe.ne."

"Keep the rhythm going," calls Robert Garland, Dance Theatre of Harlem's resident choreographer, from the front of the studio. Five company women pulse through a series of syncopated pony steps, upright arabesque sissonnes and funky, Motown-inspired dance moves. It's an open rehearsal in early September, and the company is giving curious audience members a sneak peek at Garland's upcoming world premiere—one of several new works this season as DTH celebrates its 50th anniversary.

Founded in 1969 by former New York City Ballet principal Arthur Mitchell and Karel Shook, DTH was groundbreaking in its makeup of mostly African-American dancers, and its insistence that they could excel in ballet. "We were a bunch of dancers who had been told no, we couldn't do this, and Mr. Mitchell was giving us a chance to show that we could," says artistic director Virginia Johnson, a founding company member and former principal. "He was a very demanding taskmaster—he knew there was something very important to prove and that it was on us to prove it."

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Everything Nutcracker
New York City Ballet soloist Georgina Pazcoguin. Photo by Nick Nakahara, Courtesy Pazcoguin.

As conversations in the ballet world about race and representation have opened up in the past few years, its most beloved holiday tradition, The Nutcracker, has come under scrutiny as well. Last year New York City Ballet made changes to its second act Chinese Tea variation, removing elements of racial caricature from both the costume and makeup and the choreography.

NYCB soloist Georgina Pazcoguin, who is part Filipino, was one of the voices fighting for that change. This year, as companies and schools worldwide are gearing up for Nutcracker season, Pazcoguin, along with former dancer and arts administrator Phil Chan, is back with a new campaign. Final Bow For Yellowface is an online platform dedicated to educating companies and schools on how to veer away from offensive Asian stereotypes (yellowface) and providing resources on how to make those changes. The site also lets readers join dance world luminaries including Virginia Johnson, Julie Kent, Adam Sklute, Troy Schumacher and Christopher Wheeldon in signing a pledge to end the practice of yellowface onstage. We touched base with Pazcoguin to hear about how this initiative came to be, and what she and Chan have in the works for the future.

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Just for fun
Screenshot of Bolshoi Ballet's Olga Smirnova as The Queen of the Dryads. Courtesy of Fathom Events.

The Bolshoi is back in U.S. movie theaters on December 2, and judging from this clip, you don't want to miss it. As part of its 5th annual Bolshoi Ballet in Cinema Series with Fathom Events, Pathé Live and BY Experience, the world-famous company's performance of Don Quixote will be streamed in theaters across the U.S.

Staged by Alexei Fadeyechev, Sunday's performance of Don Quixote will star principal dancers Ekaterina Krysanova as Kitri and Semyon Chudin as Basilio. You can visit Fathom Events here to find your nearest theater. But in the meantime, watch this exclusive clip of principal dancer Olga Smirnova as The Queen of the Dryads before you see her on the big screen.

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News
Diana Vishneva explores Aurora's 100-year sleep. Photo by Inna Nebeluk, Courtesy Sleeping Beauty Dreams.

This winter, the renowned Russian dancer Diana Vishneva will appear in her most high-profile project since she retired from American Ballet Theatre in 2017. The 42-year-old prima ballerina, who gave birth to her first child, Rudolf Victor, last May, is set to star in the ambitious, technologically innovative multimedia production Sleeping Beauty Dreams, choreographed by Edward Clug. The production will also star Marcelo Gomes as Prince Peter. Inspired by the provocative question "What did Princess Aurora dream during her 100-year sleep?", Sleeping Beauty Dreams premieres December 7–8 at Miami's Adrienne Arsht Center for the Performing Arts and continues to New York City's Beacon Theatre December 14–15, before moving on to what promotors say will be a two-part international tour.

Sleeping Beauty Dreams New Trailer youtu.be

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Viral Videos
Sasha De Sola and Hansuke Yamamoto in George Balanchine's Divertimento No. 15. Photo by Erik Tomasson, Courtesy San Francisco Ballet.

Master pointe shoe fitter Josephine Lee of the California-based The Pointe Shop touches base with San Francisco Ballet principal Sasha De Sola on all of her pointe shoe hacks, from darning to stirrup tights to customizations. Plus, we think De Sola might win the award for how quickly she kills her pointe shoes. (Hint: It's under an hour).

SFB Principal Sasha De Sola's Pointe Shoe Hacks www.youtube.com

Trending
Screenshot via YouTube

As all bunheads know, there's so much more to dancing on pointe than sewing and bourées. In this new video, The Australian Ballet lays it all out for us, from A-Z. Or rather from "Arch" to "Zzzzzz's." Using a super fast-paced style, this four-and-a-half minute long video skips back and forth between ultra-sleek minimalism and sepia-toned nostalgia. Both educational and insider-y (see "cashews" at 0:54), this video includes some gorgeous shots (Apollo-inspired arabesques at 2:00) interspersed with quirky humor (note adorable pointe shoe bed at 3:53).

So here you go, "A to Z En Pointe." Did they miss any?

A TO Z EN POINTE www.youtube.com

Site Network
Harkness Promise Awardees Raja Feather Kelly and Ephrat Asherie. Photos by Kate Shot Me and Matthew Murphy

The Dance Magazine Awards are almost here. As we look forward to the celebration on Monday night, we're sharing an excerpt from the program—a letter written by our CEO Frederic Seegal:

The 61st year of the Dance Magazine Awards represents a major step forward. It extends the reach of the awards and now marks the second year of our collaboration with the Harkness Foundation for Dance, thus uniting two iconic organizations.

Firstly, this will be the inaugural presentation of the Harkness Promise Awards, which recognizes new talent at the upswing of their careers. Nurturing emerging artists, especially choreographers, is critical to ensuring dance's role in today's cultural landscape.

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Everything Nutcracker
Moscow Ballet's "Russian Variation." Courtesy Moscow Ballet.

Moscow Ballet's Great Russian Nutcracker is not your average Nut. In 1994, the production debuted in six cities across the U.S. This winter, three simultaneously traveling companies of Russian dancers will bring the ballet to 137 cities, incorporating up to 120 local children in each location. For Mary Talmi, co-founder and producer of Talmi Entertainment, which produces the show, this is no small feat. "The role of arts education in this country is needed more than ever, and the more expansive our tour is, the more I realize that the benefits to the children are way beyond dance," she says.

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Ballet Training
Getty Images

Do you call the pirouette position passé or retiré, or do you use both? What about the term élevé? Do you use it? Have you ever considered what these French words actually mean?

"Ballet terminology is somewhat subjective," says Raymond Lukens of ABT's JKO School. "Often there is no definitive way to say something. What's really important is to create a picture in the minds of your students so that they will do the step you're asking the best way possible. You can split hairs forever over this stuff!"

Another thing to keep in mind is this, says Lukens: "For the French, ballet terms are seen as verbs or action words, and to non-French speakers they're seen as labels for the movements."

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