It’s the American dream, ballet-style: A small-town girl works hard, turns heads in the big city and wins her way to the top of a world-class company. Teresa Reichlen is one such story: Before joining New York City Ballet, she studied at The Russell School of Ballet in Chantilly, VA. “It’s nice to be a big fish in a small pond to start out,” she says. Instead of always dancing in the corps, “you get to perform the challenging parts.”

Several small studios around the country are producing professional-caliber dancers. These schools may not receive the same publicity as their counterparts with companies or boarding schools attached, but they prove that you don’t need high-profile training to make it as a dancer. In fact, the extra attention, performance opportunities and lower-stress environment might be what you need to grow—not just as a dancer, but as an artist.

Greenwich Ballet Academy
Greenwich, CT, and Port Chester, NY
GBA has only been around since 2006, but its strong Vaganova training (modeled after the Vaganova and Bolshoi academies’ eight-year program) is unique in the region. Students get lots of one-on-one attention—classes only have 4 to 15 students. Plus, the studio’s close proximity to New York City means that guest teachers such as American Ballet Theatre principal Irina Dvorovenko and NYCB legend Allegra Kent can easily drop in for the day.
Classes: Ballet, pointe, repertoire, pas de deux, modern, contemporary ballet, men’s class, character, yoga
Number of students: 105 (audition required)
Performances per year: Two or three
Competitions: Youth America Grand Prix
Alumni: Kelsey Connolly (Juilliard)
Fun fact: The Port Chester loft-like studios used to be a Fruit of the Loom factory.

Alexandra Ballet
Chesterfield, MO
Founded in 1949, Alexandra Ballet has made a reputation for itself through Regional Dance America—the school’s pre-professional company recently represented RDA’s Mid-States Regional Ballet Association at the 2010 International Ballet Competition in Jackson, MS. Alexandra Ballet also keeps up a connection with Cincinnati Ballet, whose dancers often give master classes and perform with students.
Classes: Ballet, modern, character, pointe, pas de deux, men’s class, variations, Pilates
Number of students: 200 (no audition required)
Performances per year: Up to 12
Competitions: The school doesn’t emphasize competitions, but supports students who compete.
Alumni: Louise Nadeau (former PNB principal), Antonio Douthit (Alvin Ailey), Rodney Hamilton (Ballet Hispanico), Makensie Howe and Dillon Malinski (Houston Ballet II)
Fun fact: The school was recently filmed for a British documentary called SwanSong, about Alexandra Ballet alum Ian Archer-Watters (former Les Ballets Grandiva dancer).

Metropolitan Ballet Academy
Jenkintown, PA
MBA students benefit from an inside connection to Pennsylvania Ballet: Led by former PAB assistant ballet mistress Lisa Collins Vidnovic, the faculty includes several current and former PAB dancers and artistic staff, including the artistic director of the second company.
Classes: Ballet, modern, jazz, repertoire, pas de deux, men’s class
Number of students: 375 (no audition required)
Performances per year: At least nine
Competitions: Youth America Grand Prix
Alumni: Phoebe Gavula (Pennsylvania Ballet II)
Fun fact: MBA has a special Boys’ Scholarship Program with more than 60 boys enrolled.

Southland Ballet Academy
Fountain Valley and Irvine, CA
Students at this California studio gain connections all over the world—SBA regularly brings in top master teachers, such as Royal Ballet School director Gailene Stock, NYCB principal Megan Fairchild and even Kirov director Yury Fateyev.
Classes: Ballet, pointe, pas de deux, men’s class, Russian character, modern, stretch, Pilates, jazz, hip hop
Number of students: 400 (no audition required)
Performances per year: Three
Competitions: Youth America Grand Prix, Prix de Lausanne, USA International Ballet Competition in Jackson, Helsinki International Ballet Competition
Alumni: Bryn Gilbert (Ballet Memphis), Jamie Kopit (ABT apprentice), Kirby Wallis (Ballet Austin), Jade Payette (The Washington Ballet), Quenby Hersh  (Scottish Ballet)
Fun fact: Southland students are loyal: The school (now almost 30 years old) currently has third-generation students—the grandchildren of some of its original dancers!

The Russell School of Ballet
Chantilly, VA
Directors Karla and Hans Petry, the husband and wife team at The Russell School, offer a nurturing environment, and students and teachers become close in this tight-knit community.
Classes: Ballet, pointe, variations, character, jazz, tap, modern, lyrical, stretch
Number of students: 375–400 (audition required for higher-level classes)
Performances per year: Three
Competitions: No
Alumni: Teresa Reichlen (NYCB principal), Carrie Ellmore-Tallitsch (Martha Graham Dance Company principal), Ian Thatcher (formerly with SFB, PNB and Ballets de Monte Carlo)
Fun fact: The school is beginning its 47th year.

Westside Ballet
Santa Monica, CA
Westside students have a direct link to George Balanchine himself: Director Yvonne Mounsey was an NYCB principal under the choreographer, so she teaches his style as she learned it firsthand.
Classes: Ballet, jazz, pointe, pas de deux, variations
Number of students: 390 (no audition required)
Performances per year: Two
Competitions: No
Alumni: Andrew Veyette (NYCB principal), Melissa Barak (choreographer), Anna Liceica (former ABT soloist), Kylee Kitchens (PNB)
Fun facts: This past summer, New York’s School of American Ballet held a two-week summer session at Westside Ballet.

International Ballet School
Littleton, CO
IBS takes the “international” element of its name seriously, inviting former Bolshoi and Paris Opéra Ballet dancers to teach master classes, and producing stylistically versatile students who go on to dance all over the world—from Monaco to Switzerland to Germany. 
Classes: Ballet, character, contemporary, pointe, variations
Number of students: 60 (no audition required)
Performances per year: Two, plus outreach
Competitions: Youth America Grand Prix, Prix de Lausanne, World Ballet Competition
Alumni: Erin McAffee (The Joffrey Ballet), Anisa Scott (Dresden SemperOper Ballet)
Fun fact: IBS has recently begun purchasing sets and costumes from companies like London Festival Ballet and Houston Ballet. In a recent Peter Pan production, the school rented rigging so that the dancers could fly onstage!


At Your Feet

American Harlequin is in the business of providing dancers with a solid foundation—both literally and figuratively. This year, the dance floor company will award between $500 and $5,000 to 10 aspiring dancers selected at random. You must be an American or Canadian citizen, ages 15 to 21, enrolled in a dance school to enter. Fill out an application at harlequinfloors.com. by November 1.

ABT Down South
The Jacqueline Kennedy Onassis School boasts star teachers, an unbeatable connection to American Ballet Theatre and dozens of high-profile alumni. But the school has never been able to offer a full boarding experience complete with dorms and academics—until now. This fall, JKO took the University of North Carolina School of the Arts School of Dance ballet program under its wing. UNCSA faculty members have become certified in the ABT National Training Curriculum, and ABT staff will visit Winston-Salem annually to give master classes, judge exams and scout for Studio Company prospects. ABT staff will also assist the search for a permanent replacement for Ethan Stiefel, who served as the dean of UNCSA’s School of Dance for the past four years before leaving to become artistic director of the Royal New Zealand Ballet. See uncsa.edu.

Healthy Competition

At competitions, it’s usually every man for himself. But the Youth Dance Festival of New Jersey aims to give dancers a place to perform without sacrificing artistry in service of splashy tricks. Winners are chosen, but everyone receives written feedback, a certificate of achievement and access to workshops taught by jury members.
Dates: October 8 and 9
Location: Ramapo College in Mahwah, NJ
Founded: 2005 by Leonid Kozlov
Ages: 9–25
Genres: Ballet, contemporary, jazz, folk dance
Past participants: ABT’s April Giangeruso, Boston Ballet’s Whitney Jensen, Billy Elliot’s Kiril Kulish
To register: Go to ydfofnj.org.

Win Up To $1,000

Can you write passionately about your ballet training? You could win Costume Gallery’s annual Beverly Miller Scholarship. Judges will award up to $1,000 to 19 dancers ages 12 to 21. Selections are based on dedication and financial need. The money can be used for anything that furthers your training. Apply by November 1 at costumegallery.net.

The Conversation
Audition Advice
Dancers prepare before a Ballet West open audition. Jim Lafferty.

Pittsburgh Ballet Theatre corps member Victoria Watford recalls the first time she auditioned for the company: Even though she had attended PBT's summer intensive several times, the Cleveland native felt completely unprepared. "I was treating it like a summer intensive audition," she remembers. "There was an energy in the room of a lot of people who are ready to be professionals and are confident in their dancing. If you're not ready, you will feel it." Watford wasn't offered a job, so she took a place in the school's graduate program. Over the next two years she pursued company auditions until she ultimately landed her spot at PBT.

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The lack of female leaders in ballet is an old conversation. But a just-launched website, called the Dance Data Project, has brought something new to the discussion: actual numbers, not just anecdotal evidence.

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via joffreyballetschool.com

It's never too early to start thinking about your dream job. And summer intensives are an essential step down the road to achieving your dance dreams—whether you want to perform in music videos, ballet companies or Broadway shows.

With 19 programs across the U.S. (plus additional international programs) Joffrey Ballet School offers options for all types of dancers with all types of goals. Whatever you may be working toward this summer, there's a program that will help you get that much closer. We put together a guide to help you find the right one, based on your dream job:

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News
Artists of Houston Ballet rehearsing Stanton Welch's Sylvia. Amitava Sarkar, Courtesy Houston Ballet.

Wonder what's going on in ballet this week? We've pulled together some highlights.

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Ellie Cotey at work in The Joffrey Ballet's costume shop. Photo by Temur Suluashvili, Courtesy Joffrey.

Building a full-length ballet from scratch is an intense process. For the world premiere of Anna Karenina, a collaboration between The Joffrey Ballet and The Australian Ballet, that meant original choreography by Yuri Possokhov, a brand-new score by Ilya Demutsky, costume and set designs by Tom Pye and lighting designs by David Finn.

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popular

Are you a total bunhead who loves to write? You might be the perfect fit for Pointe. We're seeking an editorial intern who's equally passionate about ballet and journalism.

Through March 1, we are accepting applications for a summer intern to assist our staff onsite in New York City from June to August. The internship includes an hourly stipend and requires a minimum two-day-a-week commitment. (We do not provide assistance securing housing.)

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Ballet Stars
Unity Phelan in Jerome Robbins' Antique Epigraphs. Paul Kolnik, Courtesy NYCB.

The NYCB soloist started strength-training to improve her ballet technique and found a second passion.

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Courtesy Nutmeg

Congratulations! You've made it through audition season and have decided which summer intensive to attend. (Don't worry if you're not there yet—that day is just around the corner.) We asked faculty from The Nutmeg Ballet Conservatory what to do in the months leading up to your intensive so you can get the most out of it:

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Orlando Ballet dancers Kate-Lynn Robichaux and Arcadian Broad. Photo by Michael Cairns, courtesy Orlando Ballet.

It's been nearly a year and a half since Hurricane Maria devastated the island of Puerto Rico, but that doesn't mean the effects of the storm aren't still being widely felt. Thousands of Puerto Ricans relocated to Florida after the storm hit (the exact number is unknown), and many are still settled in Orlando.

This weekend, Orlando Ballet brings its Bailamos! program to audiences in Central Florida, and the company is offering 1,000 free tickets to Puerto Ricans in the area who were displaced by the hurricane. The ticket donation was organized in partnership with Orlando's Hispanic Chamber of Commerce and the Puerto Rico Federal Affairs Administration, who helped spread the word about how individuals and families could claim their tickets to the February 16 matinee. Some of the marketing for the performance was entirely in Spanish, and the program will also include an insert for Spanish-speaking audiences. "We're not just a professional ballet company; we are Orlando Ballet and we have a role to play in this community," says executive director Shane Jewell. "We have a social responsibility, I believe, as an arts organization, to do whatever we can to enrich the quality of life for everyone who's here."

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Trending
Complexions Contemporary Ballet. Photo by Steven Trumon Gray, courtesy Complexions.

Complexions Contemporary Ballet is celebrating their 25th anniversary this year, and we can hardly contain our excitement. Their longstanding commitment to diversity and daring, edgy repertoire has made them an exemplar of American contemporary ballet today. The company's season opener will be held at the Joyce Theater from February 19–March 3. Works include the world premiere of Complexions co-founder and choreographer Dwight Rhoden's WOKE; a compilation spanning 25 years of the company's repertory titled From Then to Now; the return of the David Bowie tribute Star Dust; and the New York City premiere of Bach 25. A gala evening will be held February 21, in which Complexions co-founder and co-artistic director Desmond Richardson will perform for the last time as a full-time company member.

Pointe caught up with Rhoden and Richardson in separate interviews to hear them reflect on what the past 25 years has meant to them, what audiences can expect from their anniversary season, and why Richardson is choosing to step away from his role as full-time company member.

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Ballet Stars
Evelyn Hart in "Swan Lake," via YouTube.

The individual touches that ballerinas incorporate into well-known classical variations are a source of endless fascination for us bunheads. (The abundant "variation compilation" videos on YouTube is proof of our obsession!) Odette's solo in Swan Lake's Act II is one that is particularly open to interpretation. The style is lyrical and introspective, giving dancers ample opportunity to make personal choices about choreography, musicality and character. The Canadian ballerina Evelyn Hart, a former principal with the Royal Winnipeg Ballet, performs a fairly traditional version in this clip, yet with each nuance she defines her own Odette.

Evelyn Hart as Odette (1988) www.youtube.com

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First State Ballet Theatre's Rie Aoki in the studio at Steps on Broadway, NYC. Quinn Wharton.

First State Ballet Theatre company dancer Rie Aoki was documenting her fashion choices long before Instagram was around. "When I was 8, I used to dress up my little sister and take pictures of her outfits because I loved styling," she says. Aoki grew up in Japan, and started her own fashion blog in high school before coming to the U.S. to pursue a ballet career. After joining FSBT in 2013, Aoki's pictures of her outfits on Instagram (@rievictoriaaoki) took off. Now with a following of over 10 thousand, Aoki has also started a new style blog.

"I love warmer colors like reds, yellows, oranges and browns," Aoki says. "And I'm all about mixing patterns and textures—if you stick to the same tones, you can wear totally different patterns and it looks fashionable," she explains. "But I don't think there are really rules for fashion. It's 2019. You can wear what you like and try something funky or a little crazy."

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News

Wonder what's going on in ballet this week? We've pulled together some highlights.

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Ballet Training
Marcus Miller in conversation with Merritt Moore and Claudia Schreier. Courtesy National Museum of Mathematics.

Last Saturday night, I had a balletic epiphany. I wasn't in a mirrored studio taking class or even in a theater watching a performance. This luminous ray of understanding beamed into—wait for it—the basement of a math museum.

The National Museum of Mathematics (yes, that exists) hosted its fourth Quadrivium, a salon focusing on the intersections of music and math last Saturday in New York City. The evening's special guests were none other than ballerina Merritt Moore and choreographer Claudia Schreier.

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Viral Videos
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Master pointe shoe fitter Josephine Lee of the California-based The Pointe Shop is back, this time answering all of your pointe shoe questions. Here she answers: "What could I do if my box is dead after a few weeks, but the shank is still hard?" Lee explains the anatomy of a pointe shoe, and offers tips on how to extend the life of your shoes, whether you break the box or the shank first.

State Ballet of Siberia dancer Yuri Kudriavstev. Courtesy Siberian Swan.

As ballet's gender roles grow increasingly blurred, more men than ever are reaching new heights: the tips of their toes.

It's no longer just Les Ballets Trockadero de Monte Carlo and the few pointe-clad male character parts, like in Cinderella or Alexei Ratmansky's The Bright Stream. Some male dancers are starting to experiment with pointe shoes to strengthen their feet or expand their artistry. Michelle Dorrance even challenged the men in her cast at American Ballet Theatre to perform on pointe last season (although only Tyler Maloney ended up actually doing it onstage).

The one problem? Pointe shoes have traditionally only been designed for women. Until now.

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Audition Advice
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Let's face it: Auditioning is expensive. Between a $100-per-night budget-hotel room, a $300 round-trip plane ticket, $40 for food per day and $25 to $40 in audition fees, you may be out hundreds of dollars for one audition—and potentially thousands before you land a contract.

When planning an audition tour, you have to weigh the travel costs with the probability that your investment will result in a job offer. Plus, doing it all on a tight budget may mean trying to perform your best on travel-stiff limbs, fast-food options and little sleep. To help, we asked three professionals for their best advice on planning successful audition tours that don't break the bank.

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Trending
Mackenzie Brown, the only American prizewinner, at the Awards Ceremony. Gregory Bartadon, Courtesy Prix de Lausanne.

After a full week of class, coaching and competition, the 2019 Prix de Lausanne has announced its eight prizewinners. The dancers were selected from an initial group of 74, narrowed down to 21 selected to perform in last Saturday's Finals. The eight winners will receive company apprenticeships or scholarships to one of the Prix de Lausanne's partner schools. In addition, the Prix awarded five other prizes, and all of the remaining finalists received the Finalist Award, which includes 1,000 Swiss Francs.

This year, the Prix offered an unprecedented number of live streaming hours. If you tuned in this week, you weren't alone; more than 562,530 ballet fans watched the daily sessions, and the selections have been viewed more than 1,199,322 times. If you missed out, you can catch up here.

Get to know the winners below!

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Trending
Mackenzie Brown, one of the four Prix de Lausanne finalists from the U.S. Rodrigo Buas, Courtesy Prix de Lausanne.

Earlier today, 74 young dancers from 19 countries had their chance to take the stage at the Beaulieu Theater in Lausanne, Switzerland to compete in the 2019 Prix de Lausanne. A panel of nine esteemed judges including Gillian Murphy and Carlos Acosta chose 21 dancers to advance to Saturday's Finals.

Check out the complete list of finalists below.

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Trending
From left: Allegra Kent, Kay Mazzo, Gloria Govrin, Merrill Ashley and Wendy Whelan. Eduard Patino, Courtesy NDI.

On Monday evening, four 20th century New York City Ballet stars joined Wendy Whelan in conversation for an event titled Balanchine's Ballerinas hosted by National Dance Institute, the dance education organization that former NYCB dancer Jacques d'Amboise founded in 1976. D'Amboise introduced the four ballerinas taking the stage as dancers who "graced Balanchine and were graced by him." Hearing the ensuing conversation between Wendy Whelan and Allegra Kent, Kay Mazzo, Gloria Govrin and Merrill Ashley proved just that; the sense of inspiration that George Balanchine gleaned from his muses, and the deep appreciation he had for each individual's unique traits.

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Ballet Stars
Rowser and Owen Thorne rehearse "Attitude: Lucy Negro Redux." Photo by Heather Thorne, courtesy Nashville Ballet.

Nashville Ballet's Kayla Rowser has performed a long list of leading roles: Aurora, Odette/Odile, Sugar Plum Fairy, the Firebird. But this weekend, Rowser takes on a new one created especially for her: the famous Dark Lady of William Shakespeare's sonnets, in artistic director Paul Vasterling's world premiere Attitude: Lucy Negro Redux. The ballet (running February 8-10) is based on the book Lucy Negro, Redux by poet Caroline Randall Williams. It explores the theory that Shakespeare's Dark Lady was a black woman, an actual London prostitute known as Black Luce or Lucy Negro.

For Rowser, who is African American, the ballet offers a rare opportunity to portray a character based on a woman of color. "Being able to explore a character who demands so much of who I am naturally, as well as through the gifts I have to share through ballet, is new to me," says Rowser. "It's different than being an African American woman dancing Odette or Aurora. Now what people are seeing is actually what is written. There's a lot of weight in that."

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Trending
Skylar Brandt and Julian Mackay dance Flames of Paris. Vladim Shults, Courtesy Russia-K.

When American Ballet Theatre soloist Skylar Brandt's phone lit up with a message from Julian MacKay last summer, she never could have imagined the journey it would set her on. Brandt barely knew the Mikhailovsky Ballet first soloist—they'd met briefly in St. Petersburg a few months earlier—but he wrote that he had a project he thought she'd be perfect for. Brandt was flattered, but assumed she'd be unavailable. She'd just come off an eight-week season with ABT and was in Los Angeles finishing up a tour. But MacKay was insistent. The next morning, Brandt was brushing her teeth when his sister, Maria Sascha Khan, called. "She explained that Julian was in Paris rehearsing for a Russian TV show called 'Big Ballet' and his partner had gotten injured. She asked if I could come to Paris immediately, as the show started filming in Moscow in one week."

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Ballet Stars
The Royal Ballet's Marianela Nuñez in "Swan Lake." Image via YouTube.

Need an excuse for a YouTube ballet break? Probably not, but just in case, here are videos to celebrate some of this month's off-the-beaten-path holidays.

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News
Grand Rapids Ballet in rehearsal. Jade Butler, Courtesy GRB.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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