Studio to Street: Maria Kochetkova

You’ll never catch this San Francisco Ballet star looking ordinary. Kochetkova fills her wardrobe with bold one-of-a-kind finds and pieces that make her laugh. But what’s most impressive is how she puts everything together into fantastical outfits that are truly her own. “I’m always mixing different prints that most people would say are unmixable,” she says.  “I don’t think about it—it just happens. My style is just a part of whoever I happen to be on a certain day.”


The Details—Studio
American Apparel top: “American Apparel clothes are loose and light, and don’t make me look like a Barbie ballerina.”
Phobos Bodywear skirt: “I bought this when I was in Amsterdam learning Cinderella. I like how it’s cut high in the front so you can see your legs, and the flow of the material makes it nice to move in.”
Feathers Dancewear legwarmers: “These are made by a dancer I used to work with at English National Ballet. Clothes made by dancers are more grown up, and quite different from what you usually see in ballet shops.”


The Details—Street

Julien David button-down: “This print has ducks and dinosaurs, though I like to pretend they’re dragons. I like dragons.”
Tatiana Parfionova coat: “This designer uses a lot of Russian folklore, and when she put out a collection with swans, I had to have something!”
Pants by contemporary artist Yayoi Kusama: “Whenever I see artists collaborating with fashion brands, I try to get a piece. What they create is often quite unusual.” 

Health & Body
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I have very tapered Morton's toes (longer second toes). My big toe joints are about a half centimeter shorter than my second and third toe joints, so I have a terrible time finding stability on demi-pointe. My weight lands on that second toe joint, which is pretty narrow and uncomfortable under that pressure. How can I find a more stable relevé? —Larissa

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Sponsored by The Rock School
From left: Sarah Lapointe, Derek Dunn and Jeanette Kakareka. Courtesy The Rock School

For more than five decades, The Rock School for Dance Education has been launching young dancers into professional ballet careers around the globe. Boasting distinguished alumni such as Beckanne Sisk, Michaela DePrince and Taylor Stanley, the Philadelphia-based institution has garnered a well-deserved reputation for pairing rigorous training with a tight-knit, welcoming community. Their summer intensives are no different, with a wealth of prestigious faculty members, many of whom are Rock School alums currently dancing at companies around the world.

What inspires busy pros to keep returning to their alma mater? We talked to three of The Rock School's buzziest alums about why they make it a priority to come back and teach:

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News
The National Ballet of Canada's Harrison James and Emma Hawes in Orpheus Alive. Karolina Kuras, Courtesy NBoC.

Wonder what's going on in ballet this week? We've rounded up some highlights.

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Courtesy Apolla

Ballet dancers today are asked to do more with their bodies than ever before. The physical demands of a ballet career can take an immense toll on a dancer's joints and muscles—subjecting them to pain, inflammation and an increased risk of injury. Considering all that is required of today's dancers, having a top-notch recovery regime is paramount.

Enter Apolla Performance Wear, which is meeting ballet's physical demands with a line of compression footwear that is speeding up the recovery process for professional dancers by reducing inflammation and stabilizing the joints.

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