Photography by Kyle Froman

 

It’s rare to see celebrated ballet dancers outside of the grand opera houses that form their natural habitat. But Martha Clarke’s Chéri, which runs through December 22 at New York’s 294-seat Signature Theatre, gives audiences an up-close look at prima ballerina assoluta Alessandra Ferri and American Ballet Theatre star Herman Cornejo.

Based on the novella by Colette, which traces a turbulent affair between aging but glamorous Léa and dashing young Chéri in turn-of-the-century Paris, the multidisciplinary work poses a special challenge for two gifted dance-actors. It also marks a new phase in Ferri?’s post-ballet career. ?”When Martha proposed Chéri, I thought how incredible it would be to play somebody who belongs to me, now, and not to pretend to be 18,?” Ferri says. ?”There is something wonderful about looking at yourself as you really are?—as Léa does in the stories, and as I am doing in this process.?” Pointe went inside an intimate Chéri rehearsal with Clarke, Cornejo and Ferri.

Instagram

Are you a total bunhead who loves to write? You might be the perfect fit for Pointe. We're seeking an editorial intern who's equally passionate about ballet and journalism.

Keep reading...
Sponsored by Ellison Ballet
Rachel Neville, Courtesy Ellison Ballet

If you've got your heart set on dancing for, say, San Francisco Ballet, you should attend a school that specializes in Balanchine, right? Not necessarily: It's actually a misconception that you have to train in a particular style or technique in order to pursue a career in that style. Ellison Ballet in New York City—which specializes in Vaganova technique—is living proof: Graduates of Ellison's year-round program and summer intensives go on to ballet companies that perform in a wide range of styles, and use what they've learned from Vaganova to land jobs.

Here are five reasons why studying Vaganova technique can actually make you a sought-after dancer for any number of ballet companies:

Keep reading...
Ballet Stars
Karina González in Ben Stevenson's Coppélia. Amitava Sarkar, Courtesy Houston Ballet.

Are you more of a Giselle or a Juliet?

I've always said that my favorite role is Juliet, because of her vulnerability and maturity throughout the ballet. But now that I've performed Giselle, I find her so incredibly enjoyable, from being a village girl who falls in love for the first time to the most tender, almost weightless dancing in Act II.

Are you more at home in the studio or onstage?

I love the time in the studio. The process of starting from zero to getting better each day is so rewarding. My favorite phrase in rehearsals is "Let's do it again, so I can sleep in peace tonight." I need to feel so comfortable in the studio so that when I am onstage there are no bad surprises.

Keep reading...
News
Getty Images

Dancers certainly don't need anyone to tell them how physical their profession is. But now, we have the data to prove it.

Researchers at InsuranceProviders.com analyzed data from the Occupational Information Network (O*NET), a national organization developed through support from the U.S. Department of Labor/Employment and Training Administration, to determine the 20 most physically demanding jobs in the country. They analyzed the level of strength, stamina, flexibility and coordination required for a host of jobs, and each category was assigned

Keep reading...